{"date":[{"from":"1601","to":"1667","value":"1601 - 1667"}],"summary":{"title":"Alonso Cano"},"identifier":[{"type":"PID","value":"0SLP-0001-0000-0000"},{"equivalents":[{"summary":{"title":"PID (NG alternative)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (NG alternative)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (NG alternative)","value":"001-00N7-0000"},{"equivalents":[{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (external)","value":"http://vocab.getty.edu/ulan/500115519"},{"equivalents":[{"summary":{"title":"PID 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identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (external)","value":"https://rkd.nl/artists/15129"},{"equivalents":[{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (external)","value":"http://viaf.org/viaf/39650163"}],"@admin":{"processed":1777974114657,"sequence":1597526,"uid":"0SLP-0001-0000-0000","added":1697554000158,"stream":"tms","id":"agent-5190","source":"Tms","uuid":"1412497f-3a9d-37cc-8cf3-d50e39d8fdd2","status":"public"},"role":[{"type":"NG","value":"artist"}],"death":{"date":[{"from":"1667","to":"1667","value":"1667"}],"@entity":"lifecycle"},"legal":{"rights":[{"details":"To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences:\r\nStructured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/.\r\nDescriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/.\r\nImages are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.","type":"use of images and metadata"}]},"name":[{"last":"Cano","type":"primary name","value":"Alonso Cano","first":"Alonso"},{"type":"sort name","value":"Cano, Alonso"}],"@graph":{"count":10,"edges":[{"summary":{"title":"PID (NG alternative)"},"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},{"summary":{"title":"PID (external)"},"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"}]},"birth":{"date":[{"from":"1601","to":"1601","value":"1601"}],"@entity":"lifecycle"},"@datatype":{"actual":"Individual","base":"agent"},"description":[{"formatted":"<p class=\"dokuwiki_paragraph\">Cano was a versatile Spanish artist who excelled in painting, sculpture, and architecture. Initially trained by his father Miguel, a carpenter and altarpiece maker, he studied under Francisco Pacheco in Seville with <a class=\"dokuwiki_link\" href=\"{$BASE_URL}/dokuwiki-4113352153\">Diego Vel&aacute;zquez</a>. After establishing himself in Seville, Cano moved to Madrid in 1638 at the invitation of the Count-Duke of Olivares. There, his style developed from the Sevillian naturalism of his youth to incorporate Venetian and Flemish influences. He returned to Granada in 1652, taking up a position at the city&rsquo;s cathedral, where he continued to paint religious works despite conflicts with church authorities.</p>","source":"Dokuwiki","type":"web text","value":"Cano was a versatile Spanish artist who excelled in painting, sculpture, and architecture. Initially trained by his father Miguel, a carpenter and altarpiece maker, he studied under Francisco Pacheco in Seville with Diego Velázquez. After establishing himself in Seville, Cano moved to Madrid in 1638 at the invitation of the Count-Duke of Olivares. There, his style developed from the Sevillian naturalism of his youth to incorporate Venetian and Flemish influences. He returned to Granada in 1652, taking up a position at the city’s cathedral, where he continued to paint religious works despite conflicts with church authorities."}]}