{"date":[{"from":"1593","to":"1678","value":"1593 - 1678"}],"summary":{"title":"Jacob Jordaens"},"identifier":[{"type":"PID","value":"0Q1Z-0001-0000-0000"},{"equivalents":[{"summary":{"title":"PID (NG alternative)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (NG alternative)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (NG alternative)","value":"001-01YW-0000"},{"equivalents":[{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (external)","value":"http://vocab.getty.edu/ulan/500012431"},{"equivalents":[{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (external)","value":"https://www.wikidata.org/entity/Q270658"},{"equivalents":[{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (external)","value":"https://rkd.nl/artists/42880"},{"equivalents":[{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (external)","value":"http://viaf.org/viaf/34465050"}],"note":[{"type":"slavery research","value":"to be confirmed"}],"role":[{"type":"NG","value":"artist"}],"death":{"date":[{"from":"1678","to":"1678","value":"1678"}],"@entity":"lifecycle"},"birth":{"date":[{"from":"1593","to":"1593","value":"1593"}],"@entity":"lifecycle"},"@datatype":{"actual":"Individual","base":"agent"},"description":[{"date":[{"from":"2021-10-06"}],"created_formatted":"2021-10-06 11:24:14","author":{"summary":{"title":"The National Gallery (London)"},"@admin":{"uid":"0P5X-0001-0000-0000","id":"agent-652","source":"tms","uuid":"511c84f0-a664-39ab-b653-6db7fc6c345e","status":"public"},"@datatype":{"actual":"Organisation","base":"agent"},"@entity":"reference"},"created":1633515854817,"formatted":"<p>Jordaens was a follower of <a href=\"/artists/peter-paul-rubens\">Rubens</a>, and the leading Flemish painter after the death of Rubens and <a href=\"/artists/anthony-van-dyck\">Van Dyck</a>. Although he continued to borrow from Rubens, his work from 1620 to 1635 is marked by greater <a href=\"/paintings/glossary/realism\">realism</a> and exuberance. His late works are both more restrained and cooler in colour.<br /><br />Jordaens was born in Antwerp and trained by Adam van Noort. Rubens, after his return from Italy in 1608, was of great importance for the development of Jordaens's style. Rubens enrolled Jordaens as one of the painters helping him carry out his late commissions for the Spanish Crown in 1636-7.<br /><br />Jordaens became internationally famous after Rubens's death in 1640; he was employed by Queen Christina of Sweden, by members of the House of Orange, and by the Burgomasters of Amsterdam for the decoration of the Town Hall. In 1639-40 he worked for <a href=\"/paintings/glossary/charles-ll\">Charles I</a> of England.<br /><br />In later years he joined a Calvinist community, and his style became more restrained and <a href=\"/paintings/glossary/classicising\">classicising</a>.</p>","source":"TMS","type":"web text","value":"Jordaens was a follower of Rubens, and the leading Flemish painter after the death of Rubens and Van Dyck. Although he continued to borrow from Rubens, his work from 1620 to 1635 is marked by greater realism and exuberance. His late works are both more restrained and cooler in colour.\r\n\r\nJordaens was born in Antwerp and trained by Adam van Noort. Rubens, after his return from Italy in 1608, was of great importance for the development of Jordaens's style. Rubens enrolled Jordaens as one of the painters helping him carry out his late commissions for the Spanish Crown in 1636-7.\r\n\r\nJordaens became internationally famous after Rubens's death in 1640; he was employed by Queen Christina of Sweden, by members of the House of Orange, and by the Burgomasters of Amsterdam for the decoration of the Town Hall. In 1639-40 he worked for Charles I of England.\r\n\r\nIn later years he joined a Calvinist community, and his style became more restrained and classicising.","status":"Active"},{"formatted":"<p class=\"dokuwiki_paragraph\">Jordaens was a follower of <a class=\"dokuwiki_link\" href=\"{$BASE_URL}/dokuwiki-2221057582\">Rubens</a>, and the leading Flemish painter after the death of Rubens and <a class=\"dokuwiki_link\" href=\"{$BASE_URL}/dokuwiki-2328855811\">Van Dyck</a>. Although he continued to borrow from Rubens, his work from 1620 to 1635 is marked by greater <a class=\"dokuwiki_link\" href=\"{$BASE_URL}/dokuwiki-217776773\">realism</a> and exuberance. His late works are both more restrained and cooler in colour.</p><p class=\"dokuwiki_paragraph\">Jordaens was born in Antwerp and trained by Adam van Noort. Rubens, after his return from Italy in 1608, was of great importance for the development of Jordaens&rsquo;s style. Rubens enrolled Jordaens as one of the painters helping him carry out his late commissions for the Spanish Crown in 1636-7.</p><p class=\"dokuwiki_paragraph\">Jordaens became internationally famous after Rubens&rsquo;s death in 1640; he was employed by Queen Christina of Sweden, by members of the House of Orange, and by the Burgomasters of Amsterdam for the decoration of the Town Hall. In 1639-40 he worked for <a class=\"dokuwiki_link\" href=\"{$BASE_URL}/dokuwiki-710303941\">King Charles I</a> of England.</p><p class=\"dokuwiki_paragraph\">In later years he joined a Calvinist community, and his style became more restrained and <a class=\"dokuwiki_link\" href=\"{$BASE_URL}/dokuwiki-156833503\">classicising</a>.</p>","source":"Dokuwiki","type":"web text","value":"Jordaens was a follower of Rubens, and the leading Flemish painter after the death of Rubens and Van Dyck. Although he continued to borrow from Rubens, his work from 1620 to 1635 is marked by greater realism and exuberance. His late works are both more restrained and cooler in colour.\n\nJordaens was born in Antwerp and trained by Adam van Noort. Rubens, after his return from Italy in 1608, was of great importance for the development of Jordaens's style. Rubens enrolled Jordaens as one of the painters helping him carry out his late commissions for the Spanish Crown in 1636-7.\n\nJordaens became internationally famous after Rubens's death in 1640; he was employed by Queen Christina of Sweden, by members of the House of Orange, and by the Burgomasters of Amsterdam for the decoration of the Town Hall. In 1639-40 he worked for King Charles I of England.\n\nIn later years he joined a Calvinist community, and his style became more restrained and classicising."}],"@admin":{"processed":1777974111716,"sequence":1596050,"uid":"0Q1Z-0001-0000-0000","added":1697554000438,"stream":"tms","id":"agent-1317","source":"Tms","uuid":"ba203e90-e446-374d-8eb9-ba15c0e2de4e","status":"public"},"legal":{"rights":[{"details":"To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences:\r\nStructured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/.\r\nDescriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/.\r\nImages are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.","type":"use of images and metadata"}]},"name":[{"last":"Jordaens","type":"primary name","value":"Jacob Jordaens","first":"Jacob"},{"type":"sort name","value":"Jordaens, Jacob"}],"@graph":{"count":11,"edges":[{"summary":{"title":"The National Gallery (London)"},"uid":"0P5X-0001-0000-0000","id":"agent-652","source":"tms","uuid":"511c84f0-a664-39ab-b653-6db7fc6c345e","status":"public"},{"summary":{"title":"PID (NG alternative)"},"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},{"summary":{"title":"PID (external)"},"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"}]}}