{"date":[{"from":"1841","to":"1919","value":"1841 - 1919"}],"summary":{"title":"Pierre-Auguste Renoir"},"identifier":[{"type":"PID","value":"0PYV-0001-0000-0000"},{"equivalents":[{"summary":{"title":"PID (NG alternative)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (NG alternative)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (NG alternative)","value":"001-03ES-0000"},{"equivalents":[{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (external)","value":"http://vocab.getty.edu/ulan/500115467"},{"equivalents":[{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (external)","value":"https://www.wikidata.org/entity/Q39931"},{"equivalents":[{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (external)","value":"https://rkd.nl/artists/66307"},{"equivalents":[{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (external)","value":"http://viaf.org/viaf/29643005"}],"note":[{"type":"slavery research","value":"to be confirmed"}],"role":[{"type":"NG","value":"artist"}],"death":{"date":[{"from":"1919","to":"1919","value":"1919"}],"@entity":"lifecycle"},"birth":{"date":[{"from":"1841","to":"1841","value":"1841"}],"@entity":"lifecycle"},"@datatype":{"actual":"Individual","base":"agent"},"description":[{"date":[{"from":"2021-10-06"}],"created_formatted":"2021-10-06 11:24:14","author":{"summary":{"title":"The National Gallery (London)"},"@admin":{"uid":"0P5X-0001-0000-0000","id":"agent-652","source":"tms","uuid":"511c84f0-a664-39ab-b653-6db7fc6c345e","status":"public"},"@datatype":{"actual":"Organisation","base":"agent"},"@entity":"reference"},"created":1633515854973,"formatted":"<p>Renoir was one of the leading painters of the <a href=\"/paintings/glossary/impressionism\">Impressionist</a> group. He evolved a technique of broken brushstrokes and used bold combinations of pure <a href=\"/paintings/glossary/complementary-colours\">complementary colours</a>, to capture the light and movement of his landscapes and figure subjects. Following a visit to Italy in 1881 his style changed, becoming more linear and <a href=\"/paintings/glossary/classical\">classical</a>.</p><p>Renoir was born in Limoges in south-west France, where he began work as a painter on porcelain. He moved to Paris, joining the studio of the fashionable painter Charles Gleyre in around 1861-2. <a href=\"/artists/gustave-courbet\">Courbet</a> influenced the young Renoir. In Paris he encountered other painters, notably <a href=\"/artists/claude-monet\">Monet</a> and <a href=\"/artists/alfred-sisley\">Sisley</a>, who were later to become Impressionists. In 1869 he and Monet worked together sketching on the Seine, and Renoir began to use lighter colours.<br /><br />Around the 1880s Renoir travelled abroad, visiting Italy, Holland, Spain, England, Germany and North Africa. He deeply admired works by <a href=\"/artists/raphael\">Raphael</a>, <a href=\"/artists/diego-velazquez\">Velázquez</a>, and <a href=\"/artists/peter-paul-rubens\">Rubens</a>, and the latter's influence may be seen in his works. <br /><br />Renoir's work seems always to be about pleasurable occasions, and reveals no great seriousness in his subjects. He apparently shocked his teacher Gleyre by saying, 'if painting were not a pleasure to me I should certainly not do it'.</p>","source":"TMS","type":"web text","value":"Renoir was one of the leading painters of the Impressionist group. He evolved a technique of broken brushstrokes and used bold combinations of pure complementary colours, to capture the light and movement of his landscapes and figure subjects. Following a visit to Italy in 1881 his style changed, becoming more linear and classical.\r\n\r\nRenoir was born in Limoges in south-west France, where he began work as a painter on porcelain. He moved to Paris, joining the studio of the fashionable painter Charles Gleyre in around 1861-2. Courbet influenced the young Renoir. In Paris he encountered other painters, notably Monet and Sisley, who were later to become Impressionists. In 1869 he and Monet worked together sketching on the Seine, and Renoir began to use lighter colours.\r\n\r\nAround the 1880s Renoir travelled abroad, visiting Italy, Holland, Spain, England, Germany and North Africa. He deeply admired works by Raphael, Velázquez, and Rubens, and the latter's influence may be seen in his works. \r\n\r\nRenoir's work seems always to be about pleasurable occasions, and reveals no great seriousness in his subjects. He apparently shocked his teacher Gleyre by saying, 'if painting were not a pleasure to me I should certainly not do it'.","status":"Active"}],"@admin":{"processed":1787747715258,"sequence":1851793,"uid":"0PYV-0001-0000-0000","added":1697553999237,"stream":"tms","id":"agent-1545","source":"Tms","uuid":"5e928a75-7e37-320d-9c5e-c8ea41f918bc","status":"public"},"legal":{"rights":[{"details":"To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences:\r\nStructured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/.\r\nDescriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/.\r\nImages are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.","type":"use of images and metadata"}]},"name":[{"last":"Renoir","type":"primary name","value":"Pierre-Auguste Renoir","first":"Pierre-Auguste"},{"type":"sort name","value":"Renoir, Pierre-Auguste"}],"@graph":{"count":11,"edges":[{"summary":{"title":"The National Gallery (London)"},"uid":"0P5X-0001-0000-0000","id":"agent-652","source":"tms","uuid":"511c84f0-a664-39ab-b653-6db7fc6c345e","status":"public"},{"summary":{"title":"PID (NG alternative)"},"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},{"summary":{"title":"PID (external)"},"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"}]}}