{"date":[{"from":"1638","to":"1709","value":"1638 - 1709"}],"summary":{"title":"Meindert Hobbema"},"identifier":[{"type":"PID","value":"0PWF-0001-0000-0000"},{"equivalents":[{"summary":{"title":"PID (NG alternative)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (NG alternative)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (NG 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(external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (external)","value":"https://www.wikidata.org/entity/Q336908"},{"equivalents":[{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent 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identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (external)","value":"http://viaf.org/viaf/29800769"}],"note":[{"type":"slavery research","value":"to be confirmed"}],"role":[{"type":"NG","value":"artist"}],"death":{"date":[{"from":"1709","to":"1709","value":"1709"}],"@entity":"lifecycle"},"birth":{"date":[{"from":"1638","to":"1638","value":"1638"}],"@entity":"lifecycle"},"@datatype":{"actual":"Individual","base":"agent"},"description":[{"date":[{"from":"2021-10-06"}],"created_formatted":"2021-10-06 11:24:14","author":{"summary":{"title":"The National Gallery (London)"},"@admin":{"uid":"0P5X-0001-0000-0000","id":"agent-652","source":"tms","uuid":"511c84f0-a664-39ab-b653-6db7fc6c345e","status":"public"},"@datatype":{"actual":"Organisation","base":"agent"},"@entity":"reference"},"created":1633515854803,"formatted":"<p>Hobbema was born in Amsterdam in 1638, the son of a carpenter. At the age of 15, he and his younger brother and sister are recorded as having been sent to an orphanage. Two years later, in 1655, Hobbema was taken on as an apprentice to the famous landscape painter <a href=\"/artists/jacob-van-ruisdael\">Jacob van Ruisdael</a>.<br><br>In his early works Hobbema closely followed the compositions of Ruisdael, before developing his own individual style, which is lighter than Ruisdael's in both tone and mood. He specialised in elaborate woodland scenes, often large-scale compositions animated with small figures and repeated in several variants. Watermills were a favourite motif.<br><br>In 1668, Hobbema married, and in the same year took up the post of municipal wine-gauger which involved the weighing and measuring of imported wines. With a wife, a job and a salary his painting output slowed down considerably - but he did produce his most famous work, <a href=\"/paintings/meindert-hobbema-the-avenue-at-middelharnis\">'The Avenue at Middelharnis'</a>, in 1689, twenty years after having given up art as a profession.<br><br>The last years of Hobbema's life were harsh. His wife and his two children died in 1704, and five years later Hobbema died to be buried in a pauper's grave.</p>","source":"TMS","type":"web text","value":"Hobbema was born in Amsterdam in 1638, the son of a carpenter. At the age of 15, he and his younger brother and sister are recorded as having been sent to an orphanage. Two years later, in 1655, Hobbema was taken on as an apprentice to the famous landscape painter Jacob van Ruisdael.\r\n\r\nIn his early works Hobbema closely followed the compositions of Ruisdael, before developing his own individual style, which is lighter than Ruisdael's in both tone and mood. He specialised in elaborate woodland scenes, often large-scale compositions animated with small figures and repeated in several variants. Watermills were a favourite motif.\r\n\r\nIn 1668, Hobbema married, and in the same year took up the post of municipal wine-gauger which involved the weighing and measuring of imported wines. With a wife, a job and a salary his painting output slowed down considerably - but he did produce his most famous work, 'The Avenue at Middelharnis', in 1689, twenty years after having given up art as a profession.\r\n\r\nThe last years of Hobbema's life were harsh. His wife and his two children died in 1704, and five years later Hobbema died to be buried in a pauper's grave.","status":"Active"}],"catalogue":[{"@link":{"role":[{"value":"object"}]},"@admin":{"uid":"0DE9-000B-0000-0000","id":"NM_CB_1991__NG830_v2","source":"ngc","uuid":"2f7b79ec-276b-3073-bd5a-54a1b8cb7c1e","status":"public"},"@processed":{"@type":"html publication fragment - catalogue","format":"xhtml+xml","modified":1739817615396,"location":"cat/NM_CB_1991/2/NM_CB_1991__NG830.htm","measurements":{"filesize":{"units":"bytes","value":55741}}},"@type":"html publication fragment - catalogue","@datatype":{"actual":"html publication fragment - catalogue","sub":["object"],"base":"media"},"@entity":"reference"}],"@admin":{"processed":1787747711602,"sequence":1848238,"uid":"0PWF-0001-0000-0000","added":1697553999498,"stream":"tms","id":"agent-1294","source":"Tms","uuid":"3b3e9eb2-18f9-3350-9adc-6cea1a09ef56","status":"public"},"bibliography":[{"summary":{"title":"Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeen Century"},"@link":{"cascade":true,"details":{"illustrated":false,"page":"vol. 4","type":"Key bibliography"}},"@admin":{"uid":"0DTS-0008-0000-0000","id":"publication-240","source":"tms","uuid":"eb366529-fcde-3a3c-b912-25f2dab9213f","status":"public"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","source":"tms","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"}],"legal":{"rights":[{"details":"To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences:\r\nStructured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/.\r\nDescriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/.\r\nImages are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.","type":"use of images and metadata"}]},"name":[{"last":"Hobbema","type":"primary name","value":"Meindert Hobbema","first":"Meindert"},{"type":"sort name","value":"Hobbema, Meindert"}],"@graph":{"count":14,"edges":[{"summary":{"title":"Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeen Century"},"uid":"0DTS-0008-0000-0000","id":"publication-240","source":"tms","uuid":"eb366529-fcde-3a3c-b912-25f2dab9213f","status":"public"},{"id":"concept-monograph","source":"tms","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},{"uid":"0DE9-000B-0000-0000","id":"NM_CB_1991__NG830_v2","source":"ngc","uuid":"2f7b79ec-276b-3073-bd5a-54a1b8cb7c1e","status":"public"},{"summary":{"title":"The National Gallery (London)"},"uid":"0P5X-0001-0000-0000","id":"agent-652","source":"tms","uuid":"511c84f0-a664-39ab-b653-6db7fc6c345e","status":"public"},{"summary":{"title":"PID (NG alternative)"},"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},{"summary":{"title":"PID (external)"},"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"}]}}