{"date":[{"from":"1629","to":"1684","value":"1629 - after 1684"}],"summary":{"title":"Pieter de Hooch"},"identifier":[{"type":"PID","value":"0PT0-0001-0000-0000"},{"equivalents":[{"summary":{"title":"PID (NG alternative)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (NG alternative)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (NG 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(external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (external)","value":"https://www.wikidata.org/entity/Q314889"},{"equivalents":[{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent 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identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (external)","value":"http://viaf.org/viaf/100213381"}],"note":[{"type":"slavery research","value":"to be confirmed"}],"role":[{"type":"NG","value":"artist"}],"death":{"date":[{"from":"1684","to":"1684","value":"1684"}],"@entity":"lifecycle"},"birth":{"date":[{"from":"1629","to":"1629","value":"1629"}],"@entity":"lifecycle"},"@datatype":{"actual":"Individual","base":"agent"},"description":[{"date":[{"from":"2021-10-06"}],"created_formatted":"2021-10-06 11:24:14","author":{"summary":{"title":"The National Gallery (London)"},"@admin":{"uid":"0P5X-0001-0000-0000","id":"agent-652","source":"tms","uuid":"511c84f0-a664-39ab-b653-6db7fc6c345e","status":"public"},"@datatype":{"actual":"Organisation","base":"agent"},"@entity":"reference"},"created":1633515854817,"formatted":"<p>Pieter de Hooch is best known for his pictures of the domestic life of women and children, such as <a href=\"/paintings/pieter-de-hooch-the-courtyard-of-a-house-in-delft\">'The Courtyard of a House in Delft'</a> in the collection. His later paintings record fashionable life in the city of Amsterdam, and utilise a darker and richer range of colours.</p><p>The son of a bricklayer, de Hooch was born in Rotterdam. According to his early biographer Arnold Houbraken, he was trained by <a data-udi=\"umb://document/55450e58369c4490bd76bb5ab013572d\" href=\"/{localLink:umb://document/55450e58369c4490bd76bb5ab013572d}\" title=\"Nicolaes Berchem\">Nicolaes Berchem</a>, one of the leading Dutch painters of Italianate landscapes, who was mainly active in Haarlem. In 1655 de Hooch joined the guild of St Luke in Delft. His works of the 1650s may be indebted to the perspectival studies of <a data-udi=\"umb://document/37ccb23a9d104626bbd20931c26df98c\" href=\"/{localLink:umb://document/37ccb23a9d104626bbd20931c26df98c}\" title=\"Carel Fabritius\">Carel Fabritius</a>, who was in Delft by 1650. His work is also related in style to that of <a data-udi=\"umb://document/eca49f271be0477f95ba4686c231f0e7\" href=\"/{localLink:umb://document/eca49f271be0477f95ba4686c231f0e7}\" title=\"Johannes Vermeer\">Johannes Vermeer</a>, with whom he must have had contact.</p><p>In 1660 de Hooch moved to Amsterdam, where he is last recorded in 1679, when his son Pieter Pietersz de Hooch was admitted to the Amsterdam lunatic asylum. De Hooch’s last dated work is from 1684. The place and date of his death are unknown.</p>","source":"TMS","type":"web text","value":"Pieter de Hooch is best known for his pictures of the domestic life of women and children, such as 'The Courtyard of a House in Delft' in the collection. His later paintings record fashionable life in the city of Amsterdam, and utilise a darker and richer range of colours.\r\n\r\nThe son of a bricklayer, de Hooch was born in Rotterdam. According to his early biographer Arnold Houbraken, he was trained by Nicolaes Berchem, one of the leading Dutch painters of Italianate landscapes, who was mainly active in Haarlem. In 1655 de Hooch joined the guild of St Luke in Delft. His works of the 1650s may be indebted to the perspectival studies of Carel Fabritius, who was in Delft by 1650. His work is also related in style to that of Johannes Vermeer, with whom he must have had contact.\r\n\r\nIn 1660 de Hooch moved to Amsterdam, where he is last recorded in 1679, when his son Pieter Pietersz de Hooch was admitted to the Amsterdam lunatic asylum. De Hooch’s last dated work is from 1684. The place and date of his death are unknown.","status":"Active"}],"catalogue":[{"@link":{"role":[{"value":"object"}]},"@admin":{"uid":"087H-000B-0000-0000","id":"NM_CB_1991__NG835_v1","source":"ngc","uuid":"9f1be447-7318-3764-b9d3-3969b09831e0","status":"public"},"@processed":{"@type":"html publication fragment - catalogue","format":"xhtml+xml","modified":1729182894637,"location":"cat/NM_CB_1991/1/NM_CB_1991__NG835.htm","measurements":{"filesize":{"units":"bytes","value":43344}}},"@type":"html publication fragment - catalogue","@datatype":{"actual":"html publication fragment - catalogue","sub":["object"],"base":"media"},"@entity":"reference"},{"@link":{"role":[{"value":"object"}]},"@admin":{"uid":"0DDW-000B-0000-0000","id":"NM_CB_1991__NG835_v2","source":"ngc","uuid":"588199c4-b21a-36fa-8141-5c7292191c7b","status":"public"},"@processed":{"@type":"html publication fragment - catalogue","format":"xhtml+xml","modified":1739817618287,"location":"cat/NM_CB_1991/2/NM_CB_1991__NG835.htm","measurements":{"filesize":{"units":"bytes","value":43609}}},"@type":"html publication fragment - catalogue","@datatype":{"actual":"html publication fragment - catalogue","sub":["object"],"base":"media"},"@entity":"reference"}],"@admin":{"processed":1787747711434,"sequence":1847883,"uid":"0PT0-0001-0000-0000","added":1697554000739,"stream":"tms","id":"agent-1297","source":"Tms","uuid":"fe25ff34-ac4b-32c3-83b3-7d15d2ae762b","status":"public"},"bibliography":[{"summary":{"title":"Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeen Century"},"@link":{"cascade":true,"details":{"illustrated":false,"page":"vol. 1","type":"Key bibliography"}},"@admin":{"uid":"0DTS-0008-0000-0000","id":"publication-240","source":"tms","uuid":"eb366529-fcde-3a3c-b912-25f2dab9213f","status":"public"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","source":"tms","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"}],"legal":{"rights":[{"details":"To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences:\r\nStructured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/.\r\nDescriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/.\r\nImages are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.","type":"use of images and metadata"}]},"name":[{"middle":"de","last":"Hooch","type":"primary name","value":"Pieter de Hooch","first":"Pieter"},{"type":"sort name","value":"Hooch, Pieter de"}],"@graph":{"count":15,"edges":[{"summary":{"title":"Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeen Century"},"uid":"0DTS-0008-0000-0000","id":"publication-240","source":"tms","uuid":"eb366529-fcde-3a3c-b912-25f2dab9213f","status":"public"},{"id":"concept-monograph","source":"tms","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},{"uid":"087H-000B-0000-0000","id":"NM_CB_1991__NG835_v1","source":"ngc","uuid":"9f1be447-7318-3764-b9d3-3969b09831e0","status":"public"},{"uid":"0DDW-000B-0000-0000","id":"NM_CB_1991__NG835_v2","source":"ngc","uuid":"588199c4-b21a-36fa-8141-5c7292191c7b","status":"public"},{"summary":{"title":"The National Gallery (London)"},"uid":"0P5X-0001-0000-0000","id":"agent-652","source":"tms","uuid":"511c84f0-a664-39ab-b653-6db7fc6c345e","status":"public"},{"summary":{"title":"PID (NG alternative)"},"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},{"summary":{"title":"PID (external)"},"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"}]}}