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identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (external)","value":"http://viaf.org/viaf/46882028"}],"note":[{"type":"slavery research","value":"to be confirmed"}],"role":[{"type":"NG","value":"artist"}],"death":{"date":[{"from":"1721","to":"1721","value":"1721"}],"@entity":"lifecycle"},"birth":{"date":[{"from":"1684","to":"1684","value":"1684"}],"@entity":"lifecycle"},"@datatype":{"actual":"Individual","base":"agent"},"description":[{"date":[{"from":"2021-10-06"}],"created_formatted":"2021-10-06 11:24:15","author":{"summary":{"title":"The National Gallery (London)"},"@admin":{"uid":"0P5X-0001-0000-0000","id":"agent-652","source":"tms","uuid":"511c84f0-a664-39ab-b653-6db7fc6c345e","status":"public"},"@datatype":{"actual":"Organisation","base":"agent"},"@entity":"reference"},"created":1633515855083,"formatted":"<p>Watteau was one of the most influential French painters of the early 18th century. He painted numerous scenes with Commedia dell'Arte characters and also invented a type of painting known as the <a href=\"/paintings/glossary/fte-galante\">Fête Galante</a> - small cabinet pictures which explored the psychology of love, usually in a landscape setting. Other painters, including <a href=\"/artists/nicolas-lancret\">Lancret</a> and <a href=\"/artists/jean-baptiste-pater\">Pater</a>, took up the theme.<br /><br />Watteau was born at Valenciennes in the north of France and arrived in Paris in 1702. The influence of <a href=\"/artists/peter-paul-rubens\">Rubens</a> and of other Flemish and Dutch painters of the 17th century, including <a href=\"/artists/david-teniers-the-younger\">Teniers</a>, remained with him during his years of training in Paris with (possibly) Abraham Metayer, Claude Gillot (about 1705/8) and Claude Audran III (about 1708/9). In 1712 he was admitted as a probationer to the French <a href=\"/paintings/glossary/academy\">Academy</a>, becoming a full member in 1717 with the presentation of his 'Pilgrimage to the Isle of Cythera' (Paris, Louvre), for which the Academy created the new category of Galante.<br /><br />He also made many paintings of Italian comedy, or Commedia dell'Arte, in which he explored the expressive potential of its famous characters, Pierrot, Columbine and Harlequin.</p>","source":"TMS","type":"web text","value":"Watteau was one of the most influential French painters of the early 18th century. He painted numerous scenes with Commedia dell'Arte characters and also invented a type of painting known as the Fête Galante - small cabinet pictures which explored the psychology of love, usually in a landscape setting. Other painters, including Lancret and Pater, took up the theme.\r\n\r\nWatteau was born at Valenciennes in the north of France and arrived in Paris in 1702. The influence of Rubens and of other Flemish and Dutch painters of the 17th century, including Teniers, remained with him during his years of training in Paris with (possibly) Abraham Metayer, Claude Gillot (about 1705/8) and Claude Audran III (about 1708/9). In 1712 he was admitted as a probationer to the French Academy, becoming a full member in 1717 with the presentation of his 'Pilgrimage to the Isle of Cythera' (Paris, Louvre), for which the Academy created the new category of Galante.\r\n\r\nHe also made many paintings of Italian comedy, or Commedia dell'Arte, in which he explored the expressive potential of its famous characters, Pierrot, Columbine and Harlequin.","status":"Active"}],"catalogue":[{"@link":{"role":[{"value":"object"}]},"@admin":{"uid":"0EBF-000B-0000-0000","id":"HW_2018__NG2897_v3","source":"ngc","uuid":"4724270d-cd29-3bf1-bf72-83045fe9ec9e","status":"public"},"@processed":{"@type":"html publication fragment - catalogue","format":"xhtml+xml","modified":1741560386265,"location":"cat/HW_2018/3/HW_2018__NG2897.htm","measurements":{"filesize":{"units":"bytes","value":415981}}},"@type":"html publication fragment - catalogue","@datatype":{"actual":"html publication fragment - catalogue","sub":["object"],"base":"media"},"@entity":"reference"}],"@admin":{"processed":1787747697055,"sequence":1832497,"uid":"0PRW-0001-0000-0000","added":1697553997799,"stream":"tms","id":"agent-1706","source":"Tms","uuid":"fb433494-6bc1-31d4-9319-b2c09c83a756","status":"public"},"bibliography":[{"summary":{"title":"National Gallery Catalogues: The Eighteenth Century French Paintings"},"@link":{"cascade":true,"details":{"illustrated":false,"page":"546-7","type":"Key bibliography"}},"@admin":{"uid":"0E2B-0008-0000-0000","id":"publication-583","source":"tms","uuid":"9de31f1e-315c-366f-aa0a-2f4084144dfb","status":"public"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","source":"tms","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"}],"legal":{"rights":[{"details":"To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences:\r\nStructured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/.\r\nDescriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/.\r\nImages are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.","type":"use of images and metadata"}]},"name":[{"last":"Watteau","type":"primary name","value":"Jean-Antoine Watteau","first":"Jean-Antoine"},{"type":"sort name","value":"Watteau, Jean-Antoine"}],"@graph":{"count":18,"edges":[{"summary":{"title":"National Gallery Catalogues: The Eighteenth Century French Paintings"},"uid":"0E2B-0008-0000-0000","id":"publication-583","source":"tms","uuid":"9de31f1e-315c-366f-aa0a-2f4084144dfb","status":"public"},{"id":"concept-monograph","source":"tms","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},{"uid":"0EBF-000B-0000-0000","id":"HW_2018__NG2897_v3","source":"ngc","uuid":"4724270d-cd29-3bf1-bf72-83045fe9ec9e","status":"public"},{"summary":{"title":"The National Gallery (London)"},"uid":"0P5X-0001-0000-0000","id":"agent-652","source":"tms","uuid":"511c84f0-a664-39ab-b653-6db7fc6c345e","status":"public"},{"summary":{"title":"PID (NG alternative)"},"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},{"summary":{"title":"PID (external)"},"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"}]}}