{"date":[{"from":"1797","to":"1856","value":"1797 - 1856"}],"summary":{"title":"Paul Delaroche"},"identifier":[{"type":"PID","value":"0PGJ-0001-0000-0000"},{"equivalents":[{"summary":{"title":"PID (NG alternative)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (NG alternative)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (NG 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(external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (external)","value":"https://www.wikidata.org/entity/Q322582"},{"equivalents":[{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (external)","value":"https://rkd.nl/artists/21615"},{"equivalents":[{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (external)","value":"http://viaf.org/viaf/100180689"}],"note":[{"type":"slavery research","value":"to be confirmed"}],"role":[{"type":"NG","value":"artist"}],"death":{"date":[{"from":"1856","to":"1856","value":"1856"}],"@entity":"lifecycle"},"birth":{"date":[{"from":"1797","to":"1797","value":"1797"}],"@entity":"lifecycle"},"@datatype":{"actual":"Individual","base":"agent"},"description":[{"date":[{"from":"2021-10-06"}],"created_formatted":"2021-10-06 11:24:14","author":{"summary":{"title":"The National Gallery (London)"},"@admin":{"uid":"0P5X-0001-0000-0000","id":"agent-652","source":"tms","uuid":"511c84f0-a664-39ab-b653-6db7fc6c345e","status":"public"},"@datatype":{"actual":"Organisation","base":"agent"},"@entity":"reference"},"created":1633515854723,"formatted":"<p>Delaroche was one of the most popular French painters of the early 19th century. He was born in Paris and trained by Watelet and by the famous history painter Baron Gros (from 1818). Géricault encouraged him. <br /><br />He first exhibited at the <a href=\"/paintings/glossary/salon\">Salon</a> in 1822. <a href=\"/paintings/paul-delaroche-the-execution-of-lady-jane-grey\">'The Execution of Lady Jane Grey'</a> was enthusiastically received when exhibited at the Salon in 1834. Three years later, however, hostile criticism of the works he submitted discouraged Delaroche from exhibiting again at the Salon.<br /><br />Delaroche continued to specialise in large historical tableaux, often of a tragic nature and characterised by close attention to fine detail. He also painted portraits and religious subjects. During his lifetime his work received wider international acclaim than the paintings of <a href=\"/artists/jean-auguste-dominique-ingres\">Ingres</a> and <a href=\"/artists/eugene-delacroix\">Delacroix</a> , now considered greater masters.<br /><br />A retrospective exhibition of Delaroche's work was held in 1857, when the critic Théophile Gautier condemned the largely literary character of his style.</p>","source":"TMS","type":"web text","value":"Delaroche was one of the most popular French painters of the early 19th century. He was born in Paris and trained by Watelet and by the famous history painter Baron Gros (from 1818). Géricault encouraged him. \r\n\r\nHe first exhibited at the Salon in 1822. 'The Execution of Lady Jane Grey' was enthusiastically received when exhibited at the Salon in 1834. Three years later, however, hostile criticism of the works he submitted discouraged Delaroche from exhibiting again at the Salon.\r\n\r\nDelaroche continued to specialise in large historical tableaux, often of a tragic nature and characterised by close attention to fine detail. He also painted portraits and religious subjects. During his lifetime his work received wider international acclaim than the paintings of Ingres and Delacroix , now considered greater masters.\r\n\r\nA retrospective exhibition of Delaroche's work was held in 1857, when the critic Théophile Gautier condemned the largely literary character of his style.","status":"Active"}],"@admin":{"processed":1787747697346,"sequence":1832685,"uid":"0PGJ-0001-0000-0000","added":1697554000498,"stream":"tms","id":"agent-1162","source":"Tms","uuid":"7a0f6608-ebf6-359f-bab4-ec951d5ca336","status":"public"},"bibliography":[{"summary":{"title":"Painting History: Delaroche and Lady Jane Grey"},"@link":{"cascade":true,"details":{"illustrated":false}},"@admin":{"uid":"0UOJ-0009-0000-0000","id":"publication-1267","source":"tms","uuid":"401164c7-5e55-3fe5-9d80-e0eb03eb684d","status":"public"},"@datatype":{"actual":"Collection of essays","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-collection_of_essays","source":"tms","uuid":"976c6e08-dca6-3613-b9ae-c67baca2c484","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"}],"legal":{"rights":[{"details":"To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences:\r\nStructured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/.\r\nDescriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/.\r\nImages are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.","type":"use of images and metadata"}]},"name":[{"last":"Delaroche","type":"primary name","value":"Paul Delaroche","first":"Paul"},{"type":"sort name","value":"Delaroche, Paul"}],"@graph":{"count":13,"edges":[{"summary":{"title":"Painting History: Delaroche and Lady Jane Grey"},"uid":"0UOJ-0009-0000-0000","id":"publication-1267","source":"tms","uuid":"401164c7-5e55-3fe5-9d80-e0eb03eb684d","status":"public"},{"id":"concept-collection_of_essays","source":"tms","uuid":"976c6e08-dca6-3613-b9ae-c67baca2c484","status":"public"},{"summary":{"title":"The National Gallery (London)"},"uid":"0P5X-0001-0000-0000","id":"agent-652","source":"tms","uuid":"511c84f0-a664-39ab-b653-6db7fc6c345e","status":"public"},{"summary":{"title":"PID (NG alternative)"},"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},{"summary":{"title":"PID (external)"},"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"}]}}