{"date":[{"from":"1622","to":"1654","value":"1622 - 1654"}],"summary":{"title":"Carel Fabritius"},"identifier":[{"type":"PID","value":"0PFY-0001-0000-0000"},{"equivalents":[{"summary":{"title":"PID (NG alternative)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (NG alternative)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (NG alternative)","value":"001-017X-0000"},{"equivalents":[{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (external)","value":"http://vocab.getty.edu/ulan/500115445"},{"equivalents":[{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (external)","value":"https://www.wikidata.org/entity/Q352954"},{"equivalents":[{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (external)","value":"https://rkd.nl/artists/27138"},{"equivalents":[{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (external)","value":"http://viaf.org/viaf/79399074"}],"note":[{"type":"slavery research","value":"to be confirmed"}],"role":[{"type":"NG","value":"artist"}],"death":{"date":[{"from":"1654","to":"1654","value":"1654"}],"@entity":"lifecycle"},"birth":{"date":[{"from":"1622","to":"1622","value":"1622"}],"@entity":"lifecycle"},"@datatype":{"actual":"Individual","base":"agent"},"description":[{"date":[{"from":"2021-10-06"}],"created_formatted":"2021-10-06 11:24:14","author":{"summary":{"title":"The National Gallery (London)"},"@admin":{"uid":"0P5X-0001-0000-0000","id":"agent-652","source":"tms","uuid":"511c84f0-a664-39ab-b653-6db7fc6c345e","status":"public"},"@datatype":{"actual":"Organisation","base":"agent"},"@entity":"reference"},"created":1633515854074,"formatted":"<p>Fabritius was the most innovative of <a href=\"/artists/rembrandt\">Rembrandt's</a> pupils. He worked under him in Amsterdam during the period 1641-3. Very few of his works survive.<br /><br />Fabritius painted in Delft and his work with its cool lighting, dark figures against a light background, and his interest in the nature of optics has an affinity with the most famous Delft artist, <a href=\"/artists/johannes-vermeer\">Vermeer</a>.<br /><br />Fabritius was tragically killed at the age of 32 when the Delft municipal gunpowder magazine exploded in 1654. The aftermath of this event was recorded in a painting by <a href=\"/artists/egbert-van-der-poel\">Egbert van der Poel</a>. The New Church at the left of his picture can also be seen in Fabritius's <a href=\"/paintings/egbert-van-der-poel-a-view-of-delft-after-the-explosion-of-1654\">'View of Delft'</a> in the Collection.<br /><br />Fabritius's few paintings show a very accomplished technique. He combined thin <a href=\"/paintings/glossary/glaze\">glazes</a> with selected areas of <a href=\"/paintings/glossary/impasto\">impasto</a> to create varying impressions of depth and texture. The extent to which he may have been interested in perspectival effects is considered in the entry on the 'View of Delft', a painting which may have formed part of a <a href=\"/paintings/glossary/perspective-box\">perspective box</a>.</p>","source":"TMS","type":"web text","value":"Fabritius was the most innovative of Rembrandt's pupils. He worked under him in Amsterdam during the period 1641-3. Very few of his works survive.\r\n\r\nFabritius painted in Delft and his work with its cool lighting, dark figures against a light background, and his interest in the nature of optics has an affinity with the most famous Delft artist, Vermeer.\r\n\r\nFabritius was tragically killed at the age of 32 when the Delft municipal gunpowder magazine exploded in 1654. The aftermath of this event was recorded in a painting by Egbert van der Poel. The New Church at the left of his picture can also be seen in Fabritius's 'View of Delft' in the Collection.\r\n\r\nFabritius's few paintings show a very accomplished technique. He combined thin glazes with selected areas of impasto to create varying impressions of depth and texture. The extent to which he may have been interested in perspectival effects is considered in the entry on the 'View of Delft', a painting which may have formed part of a perspective box.","status":"Active"}],"@admin":{"processed":1787747704505,"sequence":1840675,"uid":"0PFY-0001-0000-0000","added":1697553999105,"stream":"tms","id":"agent-1207","source":"Tms","uuid":"7407b25d-e6f2-33d0-ad8f-6b04b22ad247","status":"public"},"bibliography":[{"summary":{"title":"Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeen Century"},"@link":{"cascade":true,"details":{"illustrated":false,"page":"vol. 1","type":"Key bibliography"}},"@admin":{"uid":"0DTS-0008-0000-0000","id":"publication-240","source":"tms","uuid":"eb366529-fcde-3a3c-b912-25f2dab9213f","status":"public"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","source":"tms","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Nieuwe gegevens over de schilders Fabritius"},"@link":{"cascade":true,"details":{"illustrated":false,"page":"129-37","type":"Key bibliography"}},"@admin":{"uid":"0DZP-0008-0000-0000","id":"publication-291","source":"tms","uuid":"263b2778-a241-3563-aa4a-058b0a35492a","status":"public"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","source":"tms","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Carel Fabritius: Complete Edition with a Catalogue Raisonné"},"@link":{"cascade":true,"details":{"illustrated":false,"type":"Key bibliography"}},"@admin":{"uid":"0DVG-0008-0000-0000","id":"publication-294","source":"tms","uuid":"aee9d9b6-1d6a-30dd-8263-1cc1213312a5","status":"public"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","source":"tms","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"}],"legal":{"rights":[{"details":"To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences:\r\nStructured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/.\r\nDescriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/.\r\nImages are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.","type":"use of images and metadata"}]},"name":[{"last":"Fabritius","type":"primary name","value":"Carel Fabritius","first":"Carel"},{"type":"sort name","value":"Fabritius, Carel"}],"@graph":{"count":17,"edges":[{"summary":{"title":"Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeen Century"},"uid":"0DTS-0008-0000-0000","id":"publication-240","source":"tms","uuid":"eb366529-fcde-3a3c-b912-25f2dab9213f","status":"public"},{"id":"concept-monograph","source":"tms","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},{"summary":{"title":"Nieuwe gegevens over de schilders Fabritius"},"uid":"0DZP-0008-0000-0000","id":"publication-291","source":"tms","uuid":"263b2778-a241-3563-aa4a-058b0a35492a","status":"public"},{"id":"concept-article_in_journal","source":"tms","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},{"summary":{"title":"Carel Fabritius: Complete Edition with a Catalogue Raisonné"},"uid":"0DVG-0008-0000-0000","id":"publication-294","source":"tms","uuid":"aee9d9b6-1d6a-30dd-8263-1cc1213312a5","status":"public"},{"summary":{"title":"The National Gallery (London)"},"uid":"0P5X-0001-0000-0000","id":"agent-652","source":"tms","uuid":"511c84f0-a664-39ab-b653-6db7fc6c345e","status":"public"},{"summary":{"title":"PID (NG alternative)"},"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},{"summary":{"title":"PID (external)"},"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"}]}}