{"date":[{"from":"1604","to":"1682","value":"1604/5? - 1682"}],"summary":{"title":"Claude"},"identifier":[{"type":"PID","value":"0PBD-0001-0000-0000"},{"equivalents":[{"summary":{"title":"PID (NG alternative)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (NG alternative)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (NG 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(external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (external)","value":"https://www.wikidata.org/entity/Q214074"},{"equivalents":[{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent 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identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (external)","value":"http://viaf.org/viaf/54156251"}],"note":[{"type":"slavery research","value":"to be confirmed"}],"role":[{"type":"NG","value":"artist"}],"death":{"date":[{"from":"1682","to":"1682","value":"1682"}],"@entity":"lifecycle"},"birth":{"date":[{"from":"1604","to":"1604","value":"1604"}],"@entity":"lifecycle"},"@datatype":{"actual":"Individual","base":"agent"},"description":[{"date":[{"from":"2021-10-06"}],"created_formatted":"2021-10-06 11:24:14","author":{"summary":{"title":"The National Gallery (London)"},"@admin":{"uid":"0P5X-0001-0000-0000","id":"agent-652","source":"tms","uuid":"511c84f0-a664-39ab-b653-6db7fc6c345e","status":"public"},"@datatype":{"actual":"Organisation","base":"agent"},"@entity":"reference"},"created":1633515854693,"formatted":"<p>Claude Gellée was born in the Duchy of Lorraine but left around 1612 for Germany, then Rome, where he became a studio assistant to the landscapist Agostino Tassi. He visited Naples and returned to Nancy before settling permanently in Rome around 1628. He sketched in the Roman countryside with <a href=\"/artists/nicolas-poussin\">Poussin</a>. Ideas from the drawings he made were integrated into oil paintings finished in the studio.<br /><br /><br />Claude recorded his compositions in drawings, in the 'Liber Veritatis' (Book of Truth), now in the British Museum, perhaps to prevent pastiches being sold. Scottish and English aristocrats on the 18th-century Grand Tour bought many of his works; a number in the Collection come from such sources.<br /><br />Claude was influenced by other northern painters who had worked in Rome, such as <a href=\"/artists/adam-elsheimer\">Elsheimer</a>. He was also influenced by the Bolognese artists <a href=\"/artists/annibale-carracci\">Annibale Carracci</a> and <a href=\"/artists/domenichino\">Domenichino</a>, who evolved the balanced classical landscapes he used.<br /><br />In his turn Claude exerted considerable influence on landscape artists of the 18th and 19th centuries, as these examples show. The English painter <a href=\"/artists/joseph-mallord-william-turner\">Turner</a> was especially indebted to Claude, and tried to outdo his grand compositions. In the <a href=\"/paintings/glossary/the-turner-bequest\">Turner Bequest</a> he directed that two of his works should hang with two of Claude's in the Gallery.</p>","source":"TMS","type":"web text","value":"Claude Gellée was born in the Duchy of Lorraine but left around 1612 for Germany, then Rome, where he became a studio assistant to the landscapist Agostino Tassi. He visited Naples and returned to Nancy before settling permanently in Rome around 1628. He sketched in the Roman countryside with Poussin. Ideas from the drawings he made were integrated into oil paintings finished in the studio.\r\n\r\n\r\nClaude recorded his compositions in drawings, in the 'Liber Veritatis' (Book of Truth), now in the British Museum, perhaps to prevent pastiches being sold. Scottish and English aristocrats on the 18th-century Grand Tour bought many of his works; a number in the Collection come from such sources.\r\n\r\nClaude was influenced by other northern painters who had worked in Rome, such as Elsheimer. He was also influenced by the Bolognese artists Annibale Carracci and Domenichino, who evolved the balanced classical landscapes he used.\r\n\r\nIn his turn Claude exerted considerable influence on landscape artists of the 18th and 19th centuries, as these examples show. The English painter Turner was especially indebted to Claude, and tried to outdo his grand compositions. In the Turner Bequest he directed that two of his works should hang with two of Claude's in the Gallery.","status":"Active"}],"catalogue":[{"@link":{"role":[{"value":"object"}]},"@admin":{"uid":"0E92-000B-0000-0000","id":"HW_2001__NG61_v1","source":"ngc","uuid":"744b4b30-25c9-3ff3-ba30-ffb02e872afb","status":"public"},"@processed":{"@type":"html publication fragment - catalogue","format":"xhtml+xml","modified":1741560116394,"location":"cat/HW_2001/1/HW_2001__NG61.htm","measurements":{"filesize":{"units":"bytes","value":99494}}},"@type":"html publication fragment - catalogue","@datatype":{"actual":"html publication fragment - catalogue","sub":["object"],"base":"media"},"@entity":"reference"},{"@link":{"role":[{"value":"object"}]},"@admin":{"uid":"0EB1-000B-0000-0000","id":"HW_2001__NG6471_v1","source":"ngc","uuid":"2740c2da-4eb4-3527-869a-2396cecb897c","status":"public"},"@processed":{"@type":"html publication fragment - catalogue","format":"xhtml+xml","modified":1741560129225,"location":"cat/HW_2001/1/HW_2001__NG6471.htm","measurements":{"filesize":{"units":"bytes","value":180473}}},"@type":"html publication fragment - catalogue","@datatype":{"actual":"html publication fragment - catalogue","sub":["object"],"base":"media"},"@entity":"reference"},{"@link":{"role":[{"value":"object"}]},"@admin":{"uid":"0E8Z-000B-0000-0000","id":"HW_2001__NG30_v1","source":"ngc","uuid":"3a30e5dc-746f-3a80-8539-847f517ae545","status":"public"},"@processed":{"@type":"html publication fragment - catalogue","format":"xhtml+xml","modified":1741560110956,"location":"cat/HW_2001/1/HW_2001__NG30.htm","measurements":{"filesize":{"units":"bytes","value":147373}}},"@type":"html publication fragment - catalogue","@datatype":{"actual":"html publication fragment - catalogue","sub":["object"],"base":"media"},"@entity":"reference"}],"@admin":{"processed":1787747655749,"sequence":1784874,"uid":"0PBD-0001-0000-0000","added":1697554000783,"stream":"tms","id":"agent-1132","source":"Tms","uuid":"e3ed1bfb-91a9-3f53-8e38-d56ce3c24520","status":"public"},"legal":{"rights":[{"details":"To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences:\r\nStructured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/.\r\nDescriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/.\r\nImages are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.","type":"use of images and metadata"}]},"name":[{"last":"Claude","type":"primary name","value":"Claude"},{"created_formatted":"2023-02-06 11:01:01","last":"Gellée","created":1675681261933,"type":"Non-Preferred Name","value":"Claude Gellée","first":"Claude"},{"created_formatted":"2023-02-06 10:59:54","last":"Lorrain","created":1675681194527,"type":"Non-Preferred Name","value":"Claude Lorrain","first":"Claude"},{"type":"sort name","value":"Claude"}],"@graph":{"count":14,"edges":[{"uid":"0E92-000B-0000-0000","id":"HW_2001__NG61_v1","source":"ngc","uuid":"744b4b30-25c9-3ff3-ba30-ffb02e872afb","status":"public"},{"uid":"0EB1-000B-0000-0000","id":"HW_2001__NG6471_v1","source":"ngc","uuid":"2740c2da-4eb4-3527-869a-2396cecb897c","status":"public"},{"uid":"0E8Z-000B-0000-0000","id":"HW_2001__NG30_v1","source":"ngc","uuid":"3a30e5dc-746f-3a80-8539-847f517ae545","status":"public"},{"summary":{"title":"The National Gallery (London)"},"uid":"0P5X-0001-0000-0000","id":"agent-652","source":"tms","uuid":"511c84f0-a664-39ab-b653-6db7fc6c345e","status":"public"},{"summary":{"title":"PID (NG alternative)"},"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},{"summary":{"title":"PID (external)"},"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"}]}}