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identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (external)","value":"http://viaf.org/viaf/19951005"}],"note":[{"type":"slavery research","value":"to be confirmed"}],"role":[{"type":"NG","value":"artist"}],"death":{"date":[{"from":"1683","to":"1683","value":"1683"}],"@entity":"lifecycle"},"birth":{"date":[{"from":"1620","to":"1620","value":"1620"}],"@entity":"lifecycle"},"@datatype":{"actual":"Individual","base":"agent"},"description":[{"date":[{"from":"2021-10-06"}],"created_formatted":"2021-10-06 11:24:14","author":{"summary":{"title":"The National Gallery (London)"},"@admin":{"uid":"0P5X-0001-0000-0000","id":"agent-652","source":"tms","uuid":"511c84f0-a664-39ab-b653-6db7fc6c345e","status":"public"},"@datatype":{"actual":"Organisation","base":"agent"},"@entity":"reference"},"created":1633515854613,"formatted":"<p>Nicolaes Pietersz, son of the still-life painter <a href=\"/artists/pieter-claesz.\">Pieter Claesz.</a>, adopted the surname Berchem. He was born in Haarlem and worked chiefly in that city; he probably travelled to Italy in the 1640s. By 1677 he was working in Amsterdam. He was the principal Dutch painter of Italianate pastoral scenes. He was highly productive and versatile and had many pupils and followers. He collaborated with <a href=\"/artists/jacob-van-ruisdael\">Ruisdael</a> and <a href=\"/artists/jan-weenix\">J. B. Weenix</a>.</p>","source":"TMS","type":"web text","value":"Nicolaes Pietersz, son of the still-life painter Pieter Claesz., adopted the surname Berchem. He was born in Haarlem and worked chiefly in that city; he probably travelled to Italy in the 1640s. By 1677 he was working in Amsterdam. He was the principal Dutch painter of Italianate pastoral scenes. He was highly productive and versatile and had many pupils and followers. He collaborated with Ruisdael and J. B. Weenix.","status":"Active"}],"@admin":{"processed":1787747714551,"sequence":1851143,"uid":"0P5U-0001-0000-0000","added":1697553998084,"stream":"tms","id":"agent-1039","source":"Tms","uuid":"6d505460-5ccf-3fa6-b991-da05a2f40e4b","status":"public"},"bibliography":[{"summary":{"title":"Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeen Century"},"@link":{"cascade":true,"details":{"illustrated":false,"page":"vol. 9","type":"Key bibliography"}},"@admin":{"uid":"0DTS-0008-0000-0000","id":"publication-240","source":"tms","uuid":"eb366529-fcde-3a3c-b912-25f2dab9213f","status":"public"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","source":"tms","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Nederlandse 17e eeuwse Italianiserende landschapschilders"},"@link":{"cascade":true,"details":{"illustrated":false,"page":"147-9, 261"}},"@admin":{"uid":"0E2C-0008-0000-0000","id":"publication-244","source":"tms","uuid":"2304e447-0100-3f39-baaf-5ca1b4975a1c","status":"public"},"@datatype":{"actual":"Collection of essays","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-collection_of_essays","source":"tms","uuid":"976c6e08-dca6-3613-b9ae-c67baca2c484","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"}],"legal":{"rights":[{"details":"To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences:\r\nStructured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/.\r\nDescriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/.\r\nImages are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.","type":"use of images and metadata"}]},"name":[{"last":"Berchem","type":"primary name","value":"Nicolaes Berchem","first":"Nicolaes"},{"type":"sort name","value":"Berchem, Nicolaes"}],"@graph":{"count":15,"edges":[{"summary":{"title":"Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeen Century"},"uid":"0DTS-0008-0000-0000","id":"publication-240","source":"tms","uuid":"eb366529-fcde-3a3c-b912-25f2dab9213f","status":"public"},{"id":"concept-monograph","source":"tms","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},{"summary":{"title":"Nederlandse 17e eeuwse Italianiserende landschapschilders"},"uid":"0E2C-0008-0000-0000","id":"publication-244","source":"tms","uuid":"2304e447-0100-3f39-baaf-5ca1b4975a1c","status":"public"},{"id":"concept-collection_of_essays","source":"tms","uuid":"976c6e08-dca6-3613-b9ae-c67baca2c484","status":"public"},{"summary":{"title":"The National Gallery (London)"},"uid":"0P5X-0001-0000-0000","id":"agent-652","source":"tms","uuid":"511c84f0-a664-39ab-b653-6db7fc6c345e","status":"public"},{"summary":{"title":"PID (NG alternative)"},"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},{"summary":{"title":"PID (external)"},"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"}]}}