{"date":[{"from":"1732","to":"1806","value":"1732 - 1806"}],"summary":{"title":"Jean-Honoré Fragonard"},"identifier":[{"type":"PID","value":"0OR7-0001-0000-0000"},{"equivalents":[{"summary":{"title":"PID (NG alternative)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (NG alternative)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (NG 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identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (external)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (external)","value":"http://viaf.org/viaf/36918358"}],"note":[{"type":"slavery research","value":"to be confirmed"}],"role":[{"type":"NG","value":"artist"}],"death":{"date":[{"from":"1806","to":"1806","value":"1806"}],"@entity":"lifecycle"},"birth":{"date":[{"from":"1732","to":"1732","value":"1732"}],"@entity":"lifecycle"},"@datatype":{"actual":"Individual","base":"agent"},"description":[{"date":[{"from":"2021-10-06"}],"created_formatted":"2021-10-06 11:24:14","author":{"summary":{"title":"The National Gallery (London)"},"@admin":{"uid":"0P5X-0001-0000-0000","id":"agent-652","source":"tms","uuid":"511c84f0-a664-39ab-b653-6db7fc6c345e","status":"public"},"@datatype":{"actual":"Organisation","base":"agent"},"@entity":"reference"},"created":1633515854757,"formatted":"<p>Fragonard was born at Grasse, in the south of France. He trained in Paris with <a href=\"/artists/jean-simeon-chardin\">Chardin</a> and then Boucher. In 1752 he won the <a href=\"/paintings/glossary/prix-de-rome\">Prix de Rome</a>, and then entered the royal school of Elèves Protégés, directed by Carle van Loo. He was at the French <a href=\"/paintings/glossary/academy\">Academy</a> in Rome from 1756 to 1761.<br /><br />After his return to France, Fragonard was initially successful as a painter of decorative schemes. He received a setback when his now-famous series, 'The Progress of Love' of 1771 (New York, Frick Collection), commissioned by Madame du Barry, the last mistress of Louis XV, was refused in preference to classicising scenes by Marie-Joseph Vien.<br /><br />He paid a second visit to Italy in 1773-4, continuing on his return to paint landscapes, fanciful portraits and scenes of everyday life, as well as working as a book illustrator. From the mid-1780s his style, while retaining its dynamism, became more <a href=\"/paintings/glossary/neoclassical\">Neo-classical</a>. Between 1793 and 1800 he was heavily involved in arts administration.</p>","source":"TMS","type":"web text","value":"Fragonard was born at Grasse, in the south of France. He trained in Paris with Chardin and then Boucher. In 1752 he won the Prix de Rome, and then entered the royal school of Elèves Protégés, directed by Carle van Loo. He was at the French Academy in Rome from 1756 to 1761.\r\n\r\nAfter his return to France, Fragonard was initially successful as a painter of decorative schemes. He received a setback when his now-famous series, 'The Progress of Love' of 1771 (New York, Frick Collection), commissioned by Madame du Barry, the last mistress of Louis XV, was refused in preference to classicising scenes by Marie-Joseph Vien.\r\n\r\nHe paid a second visit to Italy in 1773-4, continuing on his return to paint landscapes, fanciful portraits and scenes of everyday life, as well as working as a book illustrator. From the mid-1780s his style, while retaining its dynamism, became more Neo-classical. Between 1793 and 1800 he was heavily involved in arts administration.","status":"Active"}],"catalogue":[{"@link":{"role":[{"value":"object"}]},"@admin":{"uid":"0EAT-000B-0000-0000","id":"HW_2018__NG6445_v3","source":"ngc","uuid":"2022deb4-614c-3105-a2e3-33bbaf22c87e","status":"public"},"@processed":{"@type":"html publication fragment - catalogue","format":"xhtml+xml","modified":1741560310976,"location":"cat/HW_2018/3/HW_2018__NG6445.htm","measurements":{"filesize":{"units":"bytes","value":159955}}},"@type":"html publication fragment - catalogue","@datatype":{"actual":"html publication fragment - catalogue","sub":["object"],"base":"media"},"@entity":"reference"}],"@admin":{"processed":1787747713649,"sequence":1850264,"uid":"0OR7-0001-0000-0000","added":1697554002975,"stream":"tms","id":"agent-1220","source":"Tms","uuid":"4a012fdc-6e9c-3d72-b389-bc2a1347e575","status":"public"},"bibliography":[{"summary":{"title":"National Gallery Catalogues: The Eighteenth Century French Paintings"},"@link":{"cascade":true,"details":{"illustrated":false,"page":"204","type":"Key bibliography"}},"@admin":{"uid":"0E2B-0008-0000-0000","id":"publication-583","source":"tms","uuid":"9de31f1e-315c-366f-aa0a-2f4084144dfb","status":"public"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","source":"tms","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"}],"legal":{"rights":[{"details":"To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences:\r\nStructured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/.\r\nDescriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/.\r\nImages are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.","type":"use of images and metadata"}]},"name":[{"last":"Fragonard","type":"primary name","value":"Jean-Honoré Fragonard","first":"Jean-Honoré"},{"type":"sort name","value":"Fragonard, Jean-Honoré"}],"@graph":{"count":18,"edges":[{"summary":{"title":"National Gallery Catalogues: The Eighteenth Century French Paintings"},"uid":"0E2B-0008-0000-0000","id":"publication-583","source":"tms","uuid":"9de31f1e-315c-366f-aa0a-2f4084144dfb","status":"public"},{"id":"concept-monograph","source":"tms","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},{"uid":"0EAT-000B-0000-0000","id":"HW_2018__NG6445_v3","source":"ngc","uuid":"2022deb4-614c-3105-a2e3-33bbaf22c87e","status":"public"},{"summary":{"title":"The National Gallery (London)"},"uid":"0P5X-0001-0000-0000","id":"agent-652","source":"tms","uuid":"511c84f0-a664-39ab-b653-6db7fc6c345e","status":"public"},{"summary":{"title":"PID (NG alternative)"},"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","source":"tms","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f","status":"public"},{"summary":{"title":"PID (external)"},"uid":"0I2V-000B-0000-0000","id":"concept-pid_(external)","source":"tms","uuid":"f8295213-ba3c-341d-9ba7-6d52d5fb7370","status":"public"}]}}