Leonardo’s mysterious painting shows the Virgin Mary with Saint John the Baptist, Christ’s cousin, and an angel. All kneel to adore the infant Christ, who in turn raises his hand to bless them. They are crowded in a grotto overhung with rocks and dense with vegetation.
The painting was part of a large, elaborate altarpiece made for the church of San Francesco Grande, Milan to celebrate the Immaculate Conception of the Virgin Mary. It replaced a similar picture Leonardo made earlier (now in the Louvre, Paris).
Leonardo has used innovative painting techniques to give the impression that the figures are emerging from the darkness of this shaded setting. For example, he has blurred the edges of their forms to indicate the shadows that envelop them. The underdrawing (preliminary outlining of a composition) shows that he attempted a different design but later changed his mind so it is almost identical to the Louvre version.
","source":"Dokuwiki","type":"short text","value":"Leonardo's mysterious painting shows the Virgin Mary with Saint John the Baptist, Christ's cousin, and an angel. All kneel to adore the infant Christ, who in turn raises his hand to bless them. They are crowded in a grotto overhung with rocks and dense with vegetation.\n\nThe painting was part of a large, elaborate altarpiece made for the church of San Francesco Grande, Milan to celebrate the Immaculate Conception of the Virgin Mary. It replaced a similar picture Leonardo made earlier (now in the Louvre, Paris).\n\nLeonardo has used innovative painting techniques to give the impression that the figures are emerging from the darkness of this shaded setting. For example, he has blurred the edges of their forms to indicate the shadows that envelop them. The underdrawing (preliminary outlining of a composition) shows that he attempted a different design but later changed his mind so it is almost identical to the Louvre version."},{"formatted":"This is one of Leonardo’s most mysterious and complex pictures. It’s a rare survival of one of his large-scale painted works, and a key example of many of the techniques and innovations with which he transformed Italian painting. Leonardo began his painting career in Florence, but in the early 1480s he offered his services to Milan’s ruling family, the Sforzas. While in Milan, he received the commission to paint ‘The Virgin of the Rocks’.
The painting was to be part of a grand altarpiece which included a large sculpture of the Virgin Mary, probably placed above it. The chapel that the altarpiece was destined for was in the church of San Francesco Grande, a Franciscan convent in Milan. The chapel belonged to the newly-formed confraternity of the Immaculate Conception of the Virgin Mary and it was dedicated to this feast.
The notion of the Immaculate Conception, which emerged in the twelfth century, was highly controversial but championed by the Franciscans. The idea was important because in order for Christ to be born without original sin (which passed from Adam and Eve for disobeying God), his mother, Mary, also had to be free of sin. The doctrine’s supporters argued that the Virgin had been conceived by God even before the creation of the world – and so before original sin.
Leonardo’s painting was commissioned shortly after the pope officially sanctioned celebration of the feast in 1477. The subject was still so new that there was no standard way of showing it, giving Leonardo free rein to create a new composition. He painted the Virgin, an infant Saint John the Baptist – a gilded cross under his arm – and an angel, kneeling around Christ, a chubby cross-legged child. The three figures communicate with each other in silence while the angel acts as a heavenly witness to the scene. They are embedded in the landscape: foliage tickles Saint John’s knees and Christ’s toes, and rocks hem them in on all sides.
Writers who supported the Immaculate Conception defended their argument using biblical passages that expressed the pre-existence of divine Wisdom (later associated with the Virgin). One of these was a verse in which Wisdom says: ‘From the beginning and before the world, was I created, and unto the world to come I shall not cease to be’ (Ecclesiasticus 24:14). This might explain why Leonardo has placed the figures in a shady grotto, with views through the rocks to a watery landscape beyond. These primitive elements suggest the scene is set in the earliest moments of creation: the first verses of the biblical creation story tell of God creating the earth out of the watery deep. The rocks are shaped like rounded cones – they look as though they have just emerged from the depths of the earth, like volcanic eruptions. Their upward energy contrasts with the water’s stillness, the green of which suggests it is shallow, like a swamp. A haze over the water suggests its warmth – a fetid pool, ripe with the promise of life. The place is certainly fertile: the plants around Saint John the Baptist’s knees are firm and luscious, the leaves plump. Plants even sprout from the rocks above; the landscape is alive.
In this picture we see examples of many of Leonardo’s broad range of interests. His surviving drawings include numerous studies of nature: dramatic rock formations, trees and detailed plant studies. He was fascinated by the power of the natural world; he made nine drawings of an imaginary deluge, expressing the force of water. He paints the rocks of the holy grotto with immense attention to the detail of their texture; we can almost feel it ourselves under the infant Christ’s left hand. But the flowers don’t resemble any real flowers – they‘re hybrids of different plants.
Leonardo has used his inventive technique, now called aerial perspective, to give the impression of a vast landscape setting. He realised that we perceive the same colours differently depending on their distance from us; green appears blue if viewed from far off. By painting the mountains in the background blue, he tricks us into believing they are in the far distance. He softened their edges so they appear hazy, another technique that mimics the effects of vision in reality. The cool blue-green also contrasts directly with the rich, warm red-brown of the earth.
The figures emerge softly from the darkness of the grotto. Leonardo created this effect by painting very subtle, rather than stark, transitions between light and dark. This created a blurry effect around the edges of forms – look at the Virgin’s temples and nose for example – a technique later called sfumato. As with ’aerial perspective', this idea was a result of his experiments into vision and perception in this period. Leonardo built up his figures using layers of black and white underpainting, showing his knowledge of the way we perceive shapes through the effect of light and shadow on their surfaces.
Recent conservation work has revealed that Leonardo painted this, his second version of the picture, in three phases. He probably started in the early 1490s, painting the angel’s delicate gauze sleeve. Technical examination shows that a few years later he changed the position of Christ’s head, turning it from a three-quarter to profile view. In 1499 he left Milan for Florence to escape the turbulence caused by the French invasion of the city. He was summoned to return to finish the picture in 1506, when he added a layer of ultramarine (an expensive blue pigment) to the sky – as specifically mentioned in the original contract.
Our panel, begun about a decade after the first version, has been painted in a significantly different style. Some areas appear to be unfinished if viewed up close, but this was probably deliberate: it enables us to focus on the most important features. There are fewer colours too – it is mainly blue, yellow and brown. Leonardo has changed the angel’s robes from red to blue, probably to simplify the picture and focus attention on the Virgin’s yellow draperies.
","source":"Dokuwiki","type":"long text","value":"This is one of Leonardo’s most mysterious and complex pictures. It's a rare survival of one of his large-scale painted works, and a key example of many of the techniques and innovations with which he transformed Italian painting. Leonardo began his painting career in Florence, but in the early 1480s he offered his services to Milan's ruling family, the Sforzas. While in Milan, he received the commission to paint 'The Virgin of the Rocks'.\n\nThe painting was to be part of a grand altarpiece which included a large sculpture of the Virgin Mary, probably placed above it. The chapel that the altarpiece was destined for was in the church of San Francesco Grande, a Franciscan convent in Milan. The chapel belonged to the newly-formed confraternity of the Immaculate Conception of the Virgin Mary and it was dedicated to this feast.\n\nThe notion of the Immaculate Conception, which emerged in the twelfth century, was highly controversial but championed by the Franciscans. The idea was important because in order for Christ to be born without original sin (which passed from Adam and Eve for disobeying God), his mother, Mary, also had to be free of sin. The doctrine's supporters argued that the Virgin had been conceived by God even before the creation of the world -- and so before original sin.\n\nLeonardo's painting was commissioned shortly after the pope officially sanctioned celebration of the feast in 1477. The subject was still so new that there was no standard way of showing it, giving Leonardo free rein to create a new composition. He painted the Virgin, an infant Saint John the Baptist -- a gilded cross under his arm -- and an angel, kneeling around Christ, a chubby cross-legged child. The three figures communicate with each other in silence while the angel acts as a heavenly witness to the scene. They are embedded in the landscape: foliage tickles Saint John's knees and Christ's toes, and rocks hem them in on all sides.\n\nWriters who supported the Immaculate Conception defended their argument using biblical passages that expressed the pre-existence of divine Wisdom (later associated with the Virgin). One of these was a verse in which Wisdom says: 'From the beginning and before the world, was I created, and unto the world to come I shall not cease to be' (Ecclesiasticus 24:14). This might explain why Leonardo has placed the figures in a shady grotto, with views through the rocks to a watery landscape beyond. These primitive elements suggest the scene is set in the earliest moments of creation: the first verses of the biblical creation story tell of God creating the earth out of the watery deep. The rocks are shaped like rounded cones -- they look as though they have just emerged from the depths of the earth, like volcanic eruptions. Their upward energy contrasts with the water's stillness, the green of which suggests it is shallow, like a swamp. A haze over the water suggests its warmth -- a fetid pool, ripe with the promise of life. The place is certainly fertile: the plants around Saint John the Baptist's knees are firm and luscious, the leaves plump. Plants even sprout from the rocks above; the landscape is alive.\n\nIn this picture we see examples of many of Leonardo's broad range of interests. His surviving drawings include numerous studies of nature: dramatic rock formations, trees and detailed plant studies. He was fascinated by the power of the natural world; he made nine drawings of an imaginary deluge, expressing the force of water. He paints the rocks of the holy grotto with immense attention to the detail of their texture; we can almost feel it ourselves under the infant Christ's left hand. But the flowers don’t resemble any real flowers -- they're hybrids of different plants.\n\nLeonardo has used his inventive technique, now called aerial perspective, to give the impression of a vast landscape setting. He realised that we perceive the same colours differently depending on their distance from us; green appears blue if viewed from far off. By painting the mountains in the background blue, he tricks us into believing they are in the far distance. He softened their edges so they appear hazy, another technique that mimics the effects of vision in reality. The cool blue-green also contrasts directly with the rich, warm red-brown of the earth.\n\nThe figures emerge softly from the darkness of the grotto. Leonardo created this effect by painting very subtle, rather than stark, transitions between light and dark. This created a blurry effect around the edges of forms -- look at the Virgin's temples and nose for example -- a technique later called sfumato. As with 'aerial perspective', this idea was a result of his experiments into vision and perception in this period. Leonardo built up his figures using layers of black and white underpainting, showing his knowledge of the way we perceive shapes through the effect of light and shadow on their surfaces.\n\nRecent conservation work has revealed that Leonardo painted this, his second version of the picture, in three phases. He probably started in the early 1490s, painting the angel's delicate gauze sleeve. Technical examination shows that a few years later he changed the position of Christ's head, turning it from a three-quarter to profile view. In 1499 he left Milan for Florence to escape the turbulence caused by the French invasion of the city. He was summoned to return to finish the picture in 1506, when he added a layer of ultramarine (an expensive blue pigment) to the sky -- as specifically mentioned in the original contract.\n\nOur panel, begun about a decade after the first version, has been painted in a significantly different style. Some areas appear to be unfinished if viewed up close, but this was probably deliberate: it enables us to focus on the most important features. There are fewer colours too -- it is mainly blue, yellow and brown. Leonardo has changed the angel’s robes from red to blue, probably to simplify the picture and focus attention on the Virgin’s yellow draperies."}],"accession":{"date":[{"from":"1880","to":"1880","value":"1880-01-01"}],"@entity":"lifecycle"},"title":[{"type":"full title","value":"The Virgin with the Infant Saint John the Baptist adoring the Christ Child accompanied by an Angel ('The Virgin of the Rocks')"},{"type":"short title","value":"The Virgin of the Rocks"}],"bibliography":[{"summary":{"title":"National Gallery Catalogues: The Earlier Italian Schools"},"@link":{"details":{"illustrated":false,"page":"261-81","type":"Latest catalogue"}},"@admin":{"uid":"0E3Q-0008-0000-0000","id":"publication-27","uuid":"09713cae-6804-3e7f-a28b-8207f1b193f4"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"National Gallery Catalogues: The Earlier Italian Schools"},"@link":{"details":{"illustrated":false,"page":"204-19","type":"Previous catalogues"}},"@admin":{"uid":"0E04-0008-0000-0000","id":"publication-38","uuid":"a6040b29-7f4f-33da-b27e-9f9d737b45cf"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The National Gallery: Complete Illustrated Catalogue"},"@link":{"details":{"figure":"p. 374","illustrated":true,"page":"374","type":"Key bibliography"}},"@admin":{"uid":"0E1Z-0008-0000-0000","id":"publication-34","uuid":"4025ce72-2c64-30b7-9f5b-dd46cdac09a4"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Treasures of Art in Great Britain: Being and Account of the Chief Collections of Paintings, Drawings, Sculptures, Illuminated Mss. […]"},"@link":{"details":{"illustrated":false,"page":"168","type":"Select bibliography"}},"@admin":{"uid":"04LO-0009-0000-0000","id":"publication-924","uuid":"29464116-536c-3d09-b0f7-5f1e92abec11"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Memoirs of Painting: With a Chronological History of the Importation of Pictures by the Great Masters into England Since the French Revolution"},"@link":{"details":{"illustrated":false,"page":"264","type":"Select bibliography"}},"@admin":{"uid":"051I-0009-0000-0000","id":"publication-953","uuid":"007ece79-ef3b-3ceb-b3f4-829556e50020"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo: Tutta la pittura"},"@link":{"details":{"illustrated":false,"type":"Select bibliography","catalogue":"8"}},"@admin":{"uid":"0WV1-000A-0000-0000","id":"publication-6050","uuid":"37069c6a-43b0-3c20-9fac-bfbe6db3b493"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Drawing and Painting in the Italian Renaissance Workshop: Theory and Practice, 1300-1600"},"@link":{"details":{"illustrated":false,"page":"252 ff","type":"Select bibliography"}},"@admin":{"uid":"0WUI-000A-0000-0000","id":"publication-6066","uuid":"137302b8-5b20-3211-8736-a8ceea0ab792"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Notizia delle pitture, sculture ed architetture: Che ornano le chiese, e gli altri luoghi pubblici di tutte le più rinomate città d'Italia"},"@link":{"details":{"illustrated":false,"page":"162","type":"Select bibliography"}},"@admin":{"uid":"0WU4-000A-0000-0000","id":"publication-6091","uuid":"ed87ef6a-cd90-3ad8-bf34-edddce5045a6"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci au Louvre"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0X9E-000A-0000-0000","id":"publication-6148","uuid":"1a06a4d6-dd1b-3c81-8270-f015707e3a8a"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Documenti inediti per la storia della 'Vergine delle Rocce' di Leonardo da Vinc, marzo-giugno 1503"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0X98-000A-0000-0000","id":"publication-6166","uuid":"59474d69-5718-32a5-88a8-2f860488cd57"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Documenti e memorie riguardanti la vita e le opere di Leonardo da Vinci"},"@link":{"details":{"illustrated":false,"page":"80-7","type":"Select bibliography"}},"@admin":{"uid":"0X9B-000A-0000-0000","id":"publication-6167","uuid":"acff7f91-e5b4-3ba6-b088-22e98caabc66"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Vera narratione del successo della peste, che afflisse l'inclita città di Milano, l'anno 1576 & di tutte le prouisioni fatte a salute di essa città"},"@link":{"details":{"illustrated":false,"page":"fols 30r., 25v.","type":"Select bibliography"}},"@admin":{"uid":"0WZ5-000A-0000-0000","id":"publication-6243","uuid":"0a65bfa6-f5f1-32fe-98eb-f20a28c6d654"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Guida di Milano"},"@link":{"details":{"illustrated":false,"page":"278-80","type":"Select bibliography"}},"@admin":{"uid":"0WX4-000A-0000-0000","id":"publication-6253","uuid":"55711a2e-2418-3c63-8992-7a874bb00bd8"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Supplemento della nobiltà di Milano"},"@link":{"details":{"illustrated":false,"page":"71","type":"Select bibliography"}},"@admin":{"uid":"0XFC-000A-0000-0000","id":"publication-6363","uuid":"6685c0ed-84e7-3709-bf0c-a08167ee8ab8"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Dal Cenacolo di Leonardo da Vinci"},"@link":{"details":{"illustrated":false,"page":"256 n. 23","type":"Select bibliography"}},"@admin":{"uid":"0XDK-000A-0000-0000","id":"publication-6377","uuid":"23fffbdb-641d-33e7-8428-ea894da0d6fd"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"La pittura in Italia: Il Cinquecento"},"@link":{"details":{"illustrated":false,"page":"68, 72, 88, 89","type":"Select bibliography"}},"@admin":{"uid":"0X0M-000A-0000-0000","id":"publication-6422","uuid":"45f2ba41-44ce-3f6a-a71f-9e0a65c338c5"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Vite scelte di Giorgio Vasari"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0X00-000A-0000-0000","id":"publication-6439","uuid":"a9073726-88ff-3729-910a-898e38c9973f"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The Life of Leonardo da Vinci"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0WZF-000A-0000-0000","id":"publication-6459","uuid":"9c11c154-d436-37a7-b775-0e74f6a3efda"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Art Criticism from a Laboratory"},"@link":{"details":{"illustrated":false,"page":"82-8","type":"Select bibliography"}},"@admin":{"uid":"0YEH-000A-0000-0000","id":"publication-6526","uuid":"04667f3c-c77a-3174-b2c7-ed9e1ce7e196"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"La pittura del Cinquecento"},"@link":{"details":{"illustrated":false,"page":"390-2","type":"Select bibliography"}},"@admin":{"uid":"0YCP-000A-0000-0000","id":"publication-6546","uuid":"81c79549-86d4-3641-9f28-7dec3b002341"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci: Pittore, scultore, architetto"},"@link":{"details":{"illustrated":false,"page":"37-9","type":"Select bibliography"}},"@admin":{"uid":"0XM5-000A-0000-0000","id":"publication-6612","uuid":"70270a7c-c6d3-3c7d-93cd-a6d4cb7cbb3d"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"La bottega dell'artista: Tra Medioevo e Rinascimento"},"@link":{"details":{"illustrated":false,"page":"37-47","type":"Select bibliography"}},"@admin":{"uid":"0XMM-000A-0000-0000","id":"publication-6623","uuid":"8fd62173-fc59-3d73-90e3-cf0f575bf71f"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"La pittura di Leonardo"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0XNX-000A-0000-0000","id":"publication-6625","uuid":"0da9e05d-0ef0-3b13-ba33-35725d330d7a"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The Complete Paintings of Leonardo Da Vinci"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0XJN-000A-0000-0000","id":"publication-6684","uuid":"0a5615f3-b922-3cf0-9250-ace5456431f7"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Itinerario delle pitture, sculture, ed architetture più rare di molte città d'Italia"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0XJD-000A-0000-0000","id":"publication-6686","uuid":"7d1781b7-bfc1-3d23-86f1-cd30514e5703"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci: An Account of His Development as an Artist"},"@link":{"details":{"illustrated":false,"page":"139-42","type":"Select bibliography"}},"@admin":{"uid":"0X6P-000A-0000-0000","id":"publication-6712","uuid":"7b13abb2-d882-3b0e-a586-7394555ae447"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci: A Curious Vision"},"@link":{"details":{"illustrated":false,"page":"132-9","type":"Select bibliography"}},"@admin":{"uid":"0X6B-000A-0000-0000","id":"publication-6729","uuid":"0046d2de-8b1a-33a1-aa55-1c87d3f270a5"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Perspective"},"@link":{"details":{"illustrated":false,"page":"28","type":"Select bibliography"}},"@admin":{"uid":"0YMB-000A-0000-0000","id":"publication-6750","uuid":"cee85566-11ed-3cc3-94db-e7a94b3e57a8"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"A Popular Handbook to the National Gallery Including, by Special Permission, Notes Collected from the Works of Mr. Ruskin"},"@link":{"details":{"illustrated":false,"page":"24-7","type":"Select bibliography"}},"@admin":{"uid":"0YFL-000A-0000-0000","id":"publication-6778","uuid":"ac7cbd0e-fae9-3fb3-adf4-55caf422b43d"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The Collection of Francis I: Royal Treasures"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0XQ4-000A-0000-0000","id":"publication-6818","uuid":"b1db8d16-6b15-31eb-a623-0587f1cb6f6e"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The Iconography of the Immaculate Conception in the Middle Ages and Early Renaissance"},"@link":{"details":{"illustrated":false,"page":"73","type":"Select bibliography"}},"@admin":{"uid":"0XLS-000A-0000-0000","id":"publication-6873","uuid":"fa7199c0-5a76-3b82-8131-e097a8fb2e86"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci: 'The Virgin of the Rocks' in the National Gallery: With an Account of the Documentary Evidence Concerning the Picture"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0XLH-000A-0000-0000","id":"publication-6898","uuid":"522b5e9f-f6fc-3558-8ca1-9faf1fb1b99b"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0X8I-000A-0000-0000","id":"publication-6900","uuid":"a7ee018a-c852-3f9f-84bd-9ebc82fda4fc"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Cardinal Federico Borromeo as a Patron and Critic of the Arts and his Musaeum of 1625"},"@link":{"details":{"figure":"fig. 16","illustrated":true,"type":"Select bibliography"}},"@admin":{"uid":"0X6Z-000A-0000-0000","id":"publication-6950","uuid":"3b566d0e-d0fb-3bb8-b722-2cf7fdca3ee7"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci: His Life and His Writings"},"@link":{"details":{"illustrated":false,"page":"111-2","type":"Select bibliography"}},"@admin":{"uid":"0YGW-000A-0000-0000","id":"publication-6996","uuid":"2ad307eb-7078-31a4-8e2e-b6047042940d"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Pictures in the National Gallery"},"@link":{"details":{"illustrated":false,"page":"10-14","type":"Select bibliography"}},"@admin":{"uid":"0XVB-000A-0000-0000","id":"publication-7042","uuid":"71875418-bb71-35f7-98b4-efdd7754a59e"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Biography and Early Art Criticism of Leonardo da Vinci"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0XH5-000A-0000-0000","id":"publication-7109","uuid":"6cf58c8d-2630-39fd-868a-2aebc79e086e"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"An Overview of Leonardo's Career and Projects Until c.1500"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0XHA-000A-0000-0000","id":"publication-7110","uuid":"be40e905-e499-3851-bb9a-9b5f029275db"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The Farington Diary"},"@link":{"details":{"note":{"type":"other references","value":"9 September 1816"},"illustrated":false,"page":"8.104","type":"Select bibliography"}},"@admin":{"uid":"0XIC-000A-0000-0000","id":"publication-7113","uuid":"ebc03e5f-e83c-3b36-9fe3-ac0ad84b366c"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Giovanni Antonio Boltraffio. Un pittore milanese nel lume di Leonardo"},"@link":{"details":{"illustrated":false,"page":"31","type":"Select bibliography"}},"@admin":{"uid":"0XAF-000A-0000-0000","id":"publication-7184","uuid":"fdc9fdf9-6cfc-3105-9bd4-c630223a85e1"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Lombardia rinascimentale: Arte e architettura"},"@link":{"details":{"figure":"p. 265","illustrated":true,"type":"Select bibliography"}},"@admin":{"uid":"0XAZ-000A-0000-0000","id":"publication-7185","uuid":"9f5c98d2-f508-3bba-8446-0b57ac988e22"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Au Louvre avec Viviane Forrester: La vierge à l'enfant avec Sainte-Anne de Léonard de Vinci 1452-1519"},"@link":{"details":{"figure":"fig. 2","illustrated":true,"page":"62","type":"Select bibliography"}},"@admin":{"uid":"0Y3T-000A-0000-0000","id":"publication-7219","uuid":"e8f28707-e487-3440-a24d-d47d532f4151"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Arte italiana del Rinascimento"},"@link":{"details":{"illustrated":false,"page":"260","type":"Select bibliography"}},"@admin":{"uid":"0XWC-000A-0000-0000","id":"publication-7289","uuid":"d7213fea-201d-33b8-9602-0aaac91c350e"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Disegni di Leonardo da Vinci incisi e pubblicati da Carlo Giuseppe Gerli"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0XGM-000A-0000-0000","id":"publication-7367","uuid":"01b740cb-5e89-31c7-8e59-bccf1ee3ff12"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Artists' Contracts of the Early Renaissance"},"@link":{"details":{"illustrated":false,"page":"208-392","type":"Select bibliography"}},"@admin":{"uid":"0YAS-000A-0000-0000","id":"publication-7402","uuid":"1fb2ef7c-0f70-3604-b13f-197255cf9b84"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"England, Wales, Irland Und Schottland"},"@link":{"details":{"illustrated":false,"page":"40-1","type":"Select bibliography"}},"@admin":{"uid":"0Y8O-000A-0000-0000","id":"publication-7414","uuid":"28425ad0-1435-3277-a0b6-81b44deb1735"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo: La pittura: 'La Vergine delle Rocce'"},"@link":{"details":{"illustrated":false,"page":"81-92","type":"Select bibliography"}},"@admin":{"uid":"0Y48-000A-0000-0000","id":"publication-7463","uuid":"7fcc8e8a-7ad6-3a53-8579-1767fca19efb"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Révélations de l'inachèvement: À propos du carton de Londres du Léonard de Vinci"},"@link":{"details":{"illustrated":false,"page":"19","type":"Select bibliography"}},"@admin":{"uid":"0XZC-000A-0000-0000","id":"publication-7481","uuid":"5e58eb94-f9d9-3cf2-9472-8fe04fbb3608"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Pittura a Milano: Rinascimento e manierismo"},"@link":{"details":{"illustrated":false,"page":"199-201","type":"Select bibliography"}},"@admin":{"uid":"0YQ8-000A-0000-0000","id":"publication-7489","uuid":"f6c7a950-e81c-3b5f-84c6-13d16edb5abf"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Voyage autour du Salon Carré au Musée du Louvre. Ouvrage illustré de 40 héliogravures par Braun"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0Y9X-000A-0000-0000","id":"publication-7519","uuid":"55a5d6e5-3189-36c5-bf98-120a47b166ce"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0YT5-000A-0000-0000","id":"publication-7658","uuid":"47afb990-530c-319e-89fd-370ab73b305d"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo"},"@link":{"details":{"illustrated":false,"page":"188","type":"Select bibliography"}},"@admin":{"uid":"0YTO-000A-0000-0000","id":"publication-7659","uuid":"1329abd1-41c9-32f7-b946-76a60e98c4b6"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci"},"@link":{"details":{"illustrated":false,"page":"50-4","type":"Select bibliography"}},"@admin":{"uid":"0YQB-000A-0000-0000","id":"publication-7691","uuid":"18ccce5a-b5c7-37fe-baf5-8cbc76a6ee82"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Past Looking: Historical Imagination and the Rhetoric of the Image"},"@link":{"details":{"illustrated":false,"page":"133ff","type":"Select bibliography"}},"@admin":{"uid":"0YQ9-000A-0000-0000","id":"publication-7694","uuid":"48f74682-4df8-3553-8717-d3caf03ca7ff"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Old Masters and Modern Art: The National Gallery, Italian Schools"},"@link":{"details":{"illustrated":false,"page":"71ff","type":"Select bibliography"}},"@admin":{"uid":"0YQR-000A-0000-0000","id":"publication-7696","uuid":"a17827c1-4da2-303c-816f-c0954be8425d"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The Life of Leonardo da Vinci by Giorgio Vasari"},"@link":{"details":{"illustrated":false,"page":"32","type":"Select bibliography"}},"@admin":{"uid":"0YFR-000A-0000-0000","id":"publication-7719","uuid":"570e11c8-2931-389e-bf59-5fed3c0169bf"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Behind the Picture: Art and Evidence in the Italian Renaissance"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0YS4-000A-0000-0000","id":"publication-7876","uuid":"2f5466ba-d6f1-3255-8555-4a42004d4880"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Handbook of Painting: The Italian Schools"},"@link":{"details":{"illustrated":false,"page":"405","type":"Select bibliography"}},"@admin":{"uid":"0YGG-000A-0000-0000","id":"publication-7947","uuid":"31147846-e2ab-3fd2-9039-f0509d59876a"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Descrizione di Milano"},"@link":{"details":{"illustrated":false,"page":"4, 245-6","type":"Select bibliography"}},"@admin":{"uid":"0XXW-000A-0000-0000","id":"publication-8006","uuid":"c4acc436-0e97-3068-a62d-649d23c9f0e6"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Nine Lectures on Leonardo da Vinci"},"@link":{"details":{"illustrated":false,"page":"25, 42-3, 88","type":"Select bibliography"}},"@admin":{"uid":"0XRM-000A-0000-0000","id":"publication-8076","uuid":"187178ea-c652-3a8e-a90d-dd0d8c2df8c3"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The Earlier Italian Schools"},"@link":{"details":{"illustrated":false,"page":"261-81","type":"Select bibliography"}},"@admin":{"uid":"0XSV-000A-0000-0000","id":"publication-8082","uuid":"9a703d80-174a-3bea-9447-a236b9f30772"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Trattato dell'arte della pittura"},"@link":{"details":{"illustrated":false,"page":"121, 212","type":"Select bibliography"}},"@admin":{"uid":"0YLJ-000A-0000-0000","id":"publication-8130","uuid":"52477cce-2917-37bf-af4e-2d95099011fb"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Idea del tempio della pittura"},"@link":{"details":{"illustrated":false,"page":"132","type":"Select bibliography"}},"@admin":{"uid":"0YL8-000A-0000-0000","id":"publication-8131","uuid":"97627d3f-32a5-3412-9bba-acd54892c846"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci, the Daedalian Mythmaker"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0Y2F-000A-0000-0000","id":"publication-8225","uuid":"3e409d45-2581-38a5-b2cc-01135d85260a"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"La corte di Ludovico il Moro"},"@link":{"details":{"illustrated":false,"page":"2.391","type":"Select bibliography"}},"@admin":{"uid":"0Y27-000A-0000-0000","id":"publication-8226","uuid":"09a4f249-5de5-301c-9f0d-2bac25f1c0ca"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo: La pittura"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0XTT-000A-0000-0000","id":"publication-8270","uuid":"fb059142-e900-3c41-9af7-c76b687173ad"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo, catalogo completo dei dipinti"},"@link":{"details":{"illustrated":false,"page":"55-8, 66-8","type":"Select bibliography"}},"@admin":{"uid":"0XTO-000A-0000-0000","id":"publication-8272","uuid":"58c0986b-9b59-3f9a-b215-4075259e1fcb"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Hostinato rigore. Leonardiana in memoria di Augusto Marinoni"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0XUN-000A-0000-0000","id":"publication-8274","uuid":"0313eeb5-f417-3eea-8d31-eb96875f104b"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo: Una carriera di pittore"},"@link":{"details":{"illustrated":false,"page":"125-49","type":"Select bibliography"}},"@admin":{"uid":"0XUD-000A-0000-0000","id":"publication-8275","uuid":"38434806-6f4c-349a-a9b2-41ea84ffbbbd"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The Eye of the Artist"},"@link":{"details":{"illustrated":false,"page":"32-3","type":"Select bibliography"}},"@admin":{"uid":"0YPL-000A-0000-0000","id":"publication-8312","uuid":"6dbf9606-bbb5-383f-86eb-05c3abc8f44f"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo, the Artist and the Non-Artist"},"@link":{"details":{"illustrated":false,"page":"75-90","type":"Select bibliography"}},"@admin":{"uid":"0YNY-000A-0000-0000","id":"publication-8320","uuid":"91f30120-1c4d-3334-b362-38942252af1a"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Memorie su Leonardo da Vinci, 1635"},"@link":{"details":{"illustrated":false,"page":"129ff","type":"Select bibliography"}},"@admin":{"uid":"0YNJ-000A-0000-0000","id":"publication-8362","uuid":"2898fc86-699f-3ecd-b11e-9925d5e74720"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Nuova guida della citta di Milano"},"@link":{"details":{"illustrated":false,"page":"72","type":"Select bibliography"}},"@admin":{"uid":"0Y0I-000A-0000-0000","id":"publication-8439","uuid":"54773dd6-b469-3f37-9edb-239eb97718b1"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"De quatre tableaux attribués à Léonard de Vinci"},"@link":{"details":{"illustrated":false,"page":"20","type":"Select bibliography"}},"@admin":{"uid":"0Y08-000A-0000-0000","id":"publication-8478","uuid":"6e4ceed2-a07b-38e3-87e6-333a542791d4"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci: Artist, Thinker and Man of Science"},"@link":{"details":{"illustrated":false,"page":"161-75","type":"Select bibliography"}},"@admin":{"uid":"0ZFO-000A-0000-0000","id":"publication-8530","uuid":"9f690594-645b-3534-8978-ea3040bffea0"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"From Flanders to Florence: The Impact of Netherlandish Painting, 1400-1500"},"@link":{"details":{"illustrated":false,"page":"186-7","type":"Select bibliography"}},"@admin":{"uid":"0Z20-000A-0000-0000","id":"publication-8653","uuid":"4514e0f9-63c4-32d4-9912-7482b23cf085"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Visual Aesthetic"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0Z0Y-000A-0000-0000","id":"publication-8689","uuid":"15883dc0-508a-31f1-a045-c00da6237325"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Studies in the Art of the Renaissance"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0Z63-000A-0000-0000","id":"publication-8804","uuid":"7e0d8ec7-89be-3b78-b753-ae1e68358d57"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0Z60-000A-0000-0000","id":"publication-8805","uuid":"45082ab3-a04e-3652-a354-6c2222443c9e"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo: A Study in Chronology and Style"},"@link":{"details":{"illustrated":false,"page":"55-6","type":"Select bibliography"}},"@admin":{"uid":"0Z5I-000A-0000-0000","id":"publication-8818","uuid":"5a743474-346c-3cd3-b91a-2ff6985e778f"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"La vita di Giorgio Vasari"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0YNW-000A-0000-0000","id":"publication-8902","uuid":"e7889095-357e-37eb-b926-0d5da32c0b58"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Relatione della città e stato di Milano"},"@link":{"details":{"illustrated":false,"page":"74","type":"Select bibliography"}},"@admin":{"uid":"0ZIQ-000A-0000-0000","id":"publication-8976","uuid":"68b8d588-8e1a-39c4-9141-7555ab29ea0c"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"North Italian Painting of the Cinquecento"},"@link":{"details":{"illustrated":false,"page":"4","type":"Select bibliography"}},"@admin":{"uid":"0Z77-000A-0000-0000","id":"publication-9097","uuid":"ba32d45a-b592-3d7b-8986-728d324625cc"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Italian Art in the National Gallery"},"@link":{"details":{"illustrated":false,"page":"103","type":"Select bibliography"}},"@admin":{"uid":"0YWT-000A-0000-0000","id":"publication-9110","uuid":"0431dbbc-fb35-36e1-b342-b3f5d90de608"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Catalogue de l'oeuvre de Leonard de Vinci"},"@link":{"details":{"figure":"fig. 1","illustrated":true,"type":"Select bibliography"}},"@admin":{"uid":"0YVK-000A-0000-0000","id":"publication-9126","uuid":"cf517223-9409-358f-bb60-4abe54407748"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Storia dell'opera pittorica di Leonardo da Vinci"},"@link":{"details":{"illustrated":false,"page":"60-94","type":"Select bibliography"}},"@admin":{"uid":"0YR9-000A-0000-0000","id":"publication-9129","uuid":"a9dd2e8a-ab4f-36a6-a27a-aa40de8380a3"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The Hidden Leonardo"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0YQ6-000A-0000-0000","id":"publication-9184","uuid":"ea95ebe1-efe3-3754-9056-739aa523cd37"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Linear Perspective and Its Visual Dimensions of Science and Art"},"@link":{"details":{"figure":"pl. 38","illustrated":true,"type":"Select bibliography"}},"@admin":{"uid":"0ZCK-000A-0000-0000","id":"publication-9202","uuid":"75733940-2ee3-38b0-86e7-1667ab854587"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Catalogo delle pitture insigni che stanno esposte al pubblico nella città di Milano"},"@link":{"details":{"note":{"type":"other references","value":"ca 1671"},"illustrated":false,"page":"67","type":"Select bibliography"}},"@admin":{"uid":"0YZF-000A-0000-0000","id":"publication-9324","uuid":"23e72c14-35b1-37ed-a1dd-e319abda01de"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"L'immortalità e gloria del pennello. Catalogo delle pitture insigni che stanno esposte al pubblico nella città di Milano, 1671"},"@link":{"details":{"illustrated":false,"page":"42","type":"Select bibliography"}},"@admin":{"uid":"0YZB-000A-0000-0000","id":"publication-9325","uuid":"3036d093-26cd-37bc-b902-6d3f00239d91"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci"},"@link":{"details":{"illustrated":false,"page":"36-27","type":"Select bibliography"}},"@admin":{"uid":"0YXE-000A-0000-0000","id":"publication-9330","uuid":"fe0074c7-37b5-3f68-ba1b-18679c293248"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Le finezze de pennelli italiani"},"@link":{"details":{"illustrated":false,"page":"138","type":"Select bibliography"}},"@admin":{"uid":"0YZU-000A-0000-0000","id":"publication-9347","uuid":"68b6c89a-eeba-3c91-96f1-0512403f247a"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Itinerarii Italiae"},"@link":{"details":{"illustrated":false,"page":"139-40","type":"Select bibliography"}},"@admin":{"uid":"0YTP-000A-0000-0000","id":"publication-9397","uuid":"a30fb162-6d32-31bc-8329-c1e06022fee3"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Marco d'Oggiono: Tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento"},"@link":{"details":{"illustrated":false,"page":"59, 90, 104","type":"Select bibliography"}},"@admin":{"uid":"0ZG9-000A-0000-0000","id":"publication-9424","uuid":"712ba2a5-c58f-34cb-9b88-644df837cee2"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci"},"@link":{"details":{"illustrated":false,"page":"22-3","type":"Select bibliography"}},"@admin":{"uid":"0ZCS-000A-0000-0000","id":"publication-9429","uuid":"b8264f81-3bce-33a9-bdc0-35704d4193c6"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Only Connect: Art and the Spectator in the Italian Renaissance"},"@link":{"details":{"illustrated":false,"page":"225","type":"Select bibliography"}},"@admin":{"uid":"0ZCL-000A-0000-0000","id":"publication-9466","uuid":"92c1ccb1-c619-38e5-9665-68c57ae98c94"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci: L'artiste et l'homme"},"@link":{"details":{"illustrated":false,"page":"50-5","type":"Select bibliography"}},"@admin":{"uid":"0ZYR-000A-0000-0000","id":"publication-9497","uuid":"1bd70d9c-b1c3-306e-ab39-ecb2e139a5e0"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Nuovi documenti riguardanti la 'Vergine delle rocce' di Leonardo da Vinci"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0ZYO-000A-0000-0000","id":"publication-9498","uuid":"2c8874b0-6530-35e9-9354-db924780699d"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Giornata prima [-terza] de' passeggi storico-topografico-critici nella città, indi nella diocesi di Milano"},"@link":{"details":{"illustrated":false,"page":"38","type":"Select bibliography"}},"@admin":{"uid":"0ZOY-000A-0000-0000","id":"publication-9539","uuid":"9ff9b1e1-13cb-3d89-bb2e-c4f48422c001"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci"},"@link":{"details":{"illustrated":false,"page":"18-20","type":"Select bibliography"}},"@admin":{"uid":"002S-000B-0000-0000","id":"publication-9616","uuid":"8e2ba25a-a7aa-3297-9c6d-6c287b318c97"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"La pittura in Lombardia: Il Quattrocento"},"@link":{"details":{"illustrated":false,"page":"329-31","type":"Select bibliography"}},"@admin":{"uid":"000J-000B-0000-0000","id":"publication-9678","uuid":"b59a67ce-7303-36e1-a1dd-e257d5ca62ab"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Il ritratto di Milano"},"@link":{"details":{"illustrated":false,"page":"203","type":"Select bibliography"}},"@admin":{"uid":"0ZU3-000A-0000-0000","id":"publication-9763","uuid":"28bc616e-8c14-3bf3-8205-b182a6943514"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Inventing Leonardo"},"@link":{"details":{"illustrated":false,"page":"35-7","type":"Select bibliography"}},"@admin":{"uid":"0ZOL-000A-0000-0000","id":"publication-9797","uuid":"280cde2c-7629-36ed-a9d4-76591c4002f4"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo"},"@link":{"details":{"illustrated":false,"page":"72-6","type":"Select bibliography"}},"@admin":{"uid":"004R-000B-0000-0000","id":"publication-9847","uuid":"8593ccb9-269d-3b87-80fb-2db07f228103"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Storia dell'arte italiana"},"@link":{"details":{"illustrated":false,"page":"9.1.13-23","type":"Select bibliography"}},"@admin":{"uid":"003T-000B-0000-0000","id":"publication-9859","uuid":"263a1c3b-a1e3-34b6-9470-7b9c6c82299d"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Gli studi intorno a Leonardo da Vinci nell'ultimo cinquantennio"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"001M-000B-0000-0000","id":"publication-9880","uuid":"0e17f099-636d-3176-bfc3-3a11812128d9"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Vergleichende Gemäldestudien"},"@link":{"details":{"illustrated":false,"page":"35-48","type":"Select bibliography"}},"@admin":{"uid":"0ZWC-000A-0000-0000","id":"publication-9924","uuid":"663772c6-4c54-3b2d-85ef-2a509d12ad74"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The Draped Figure"},"@link":{"details":{"illustrated":false,"page":"12","type":"Select bibliography"}},"@admin":{"uid":"0ZUH-000A-0000-0000","id":"publication-9953","uuid":"07c27e54-c8c7-3909-9062-243c876af5fe"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci"},"@link":{"details":{"illustrated":false,"page":"110ff","type":"Select bibliography"}},"@admin":{"uid":"0ZUW-000A-0000-0000","id":"publication-9988","uuid":"46eec410-adc4-3f02-a15d-5d6b70fc290e"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"La pittura in Italia: Il Quattrocento"},"@link":{"details":{"illustrated":false,"page":"88, 97, 539","type":"Select bibliography"}},"@admin":{"uid":"0ZKR-000A-0000-0000","id":"publication-10213","uuid":"363415ad-f68f-3ee8-834f-cd5a2347eecf"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci"},"@link":{"details":{"illustrated":false,"page":"29-35","type":"Select bibliography"}},"@admin":{"uid":"0ZLL-000A-0000-0000","id":"publication-10225","uuid":"8f843989-b86f-34d2-9583-ac9413f96f52"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci, 1452-1519: The Complete Paintings and Drawings"},"@link":{"details":{"illustrated":false,"page":"229","type":"Select bibliography","catalogue":"16"}},"@admin":{"uid":"0ZLB-000A-0000-0000","id":"publication-10228","uuid":"c004cc86-7c80-3012-8e6a-9132552ceffc"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Een interpretatie ex ignorantia"},"@link":{"details":{"illustrated":false,"page":"180-199","type":"Select bibliography"}},"@admin":{"uid":"0ZML-000A-0000-0000","id":"publication-10232","uuid":"fe5f61ab-d57e-341e-a5a2-df95b01db19a"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The Writings and Drawings of Leonardo da Vinci: Order and Chaos in Early Modern Thought"},"@link":{"details":{"illustrated":false,"page":"2-32","type":"Select bibliography"}},"@admin":{"uid":"0ZMH-000A-0000-0000","id":"publication-10233","uuid":"4817ff87-3783-3e14-b870-e5fcff64bbb7"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Constraints on Pictorial Invention in Renaissance Illumination: The Role of Copying North and South of the Alps in the 15th and Early 16th Centuries"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"03V4-000B-0000-0000","id":"publication-14229","uuid":"9cfffb66-d097-3ca1-a016-8f006e0a8d34"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"La Vierge aux Rochers"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0266-000B-0000-0000","id":"publication-14293","uuid":"3cc18206-fef6-314e-9d43-ddb6d769f453"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo and Drapery Studies on \"tela sottilissima di lino\""},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"01FL-000B-0000-0000","id":"publication-14393","uuid":"84a257e8-3a59-3bb7-b53d-34b582844932"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The Paradox of Leonardo's \"Virgin of the Rocks\""},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"02PB-000B-0000-0000","id":"publication-14411","uuid":"c035d144-8dfa-3894-9956-54f0fdd4b21f"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"La Vergine delle roccie [sic] di Londra è un dipinto originale di Leonardo da Vinci"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"01ST-000B-0000-0000","id":"publication-14464","uuid":"5bda0adb-553c-36c1-a89d-0c6dcbc164a5"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"La commissione della Vergine delle roccie [sic] a Leonardo da Vinci secondo I documenti originali (25 Aprile 1483)"},"@link":{"details":{"illustrated":false,"page":"135","type":"Select bibliography"}},"@admin":{"uid":"03AD-000B-0000-0000","id":"publication-14517","uuid":"f8286637-7164-33ba-86cc-2b8ed2174320"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Note di storia dell'arte e della cultura a Milano"},"@link":{"details":{"illustrated":false,"page":"90","type":"Select bibliography"}},"@admin":{"uid":"03O5-000B-0000-0000","id":"publication-14518","uuid":"407f7b01-e44f-3d84-b0e2-e9cd52edda6e"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The Virgin of the Rocks"},"@link":{"details":{"illustrated":false,"page":"84","type":"Select bibliography"}},"@admin":{"uid":"0216-000B-0000-0000","id":"publication-14800","uuid":"fb862cbd-f13f-3f7b-92bf-c53753b16521"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Indagini Intorno alla chesa di S. Francesco grande in Milano"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"02FU-000B-0000-0000","id":"publication-14820","uuid":"ddd7a6f7-538f-3714-831f-a89751a25b11"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Documenti per la storia della chiesa di S. Francesco grande in Milano"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"02OA-000B-0000-0000","id":"publication-14821","uuid":"dd76b986-8d85-3e4d-9112-3a3b47114a23"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci, \"The Virgin of the Rocks\": A Reconsideration of the Documents and a New Interpretation"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0327-000B-0000-0000","id":"publication-14849","uuid":"f6cd8442-abbc-3cc5-811a-f2cd3446ec8f"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Giovan Angelo del Maino, I: La formazione e gli studi Giovanili"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0336-000B-0000-0000","id":"publication-14881","uuid":"4551aa97-73a5-3031-b441-a788660efaf2"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Le due versioni della Vergine delle Rocce"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"03RZ-000B-0000-0000","id":"publication-14887","uuid":"27f7caa3-e3a6-3796-a715-95597a462d8e"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"La Vierge aux Rochers"},"@link":{"details":{"illustrated":false,"page":"235","type":"Select bibliography"}},"@admin":{"uid":"03PM-000B-0000-0000","id":"publication-15001","uuid":"cdff57fb-a05c-3a44-99e3-68a83c1bd4a5"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Nota sulla Vergine delle Rocce di Leonardo"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0244-000B-0000-0000","id":"publication-15068","uuid":"6328c96f-24da-3890-89ee-e61df824a301"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"La Vergine delle Rocce di Leonardo: Studio iconografico delle due versioni di Parigi e Londra"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"03V3-000B-0000-0000","id":"publication-15102","uuid":"51a81ff8-4a0a-37a5-827d-4a7075b5e528"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo's Landscape in the Virgin of the Rocks"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"033T-000B-0000-0000","id":"publication-15295","uuid":"05b0c4b5-d594-306d-9404-e9a5554b9429"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Léonard de Vinci et la France. Pérégrinations des œuvres du maître dans la collection royale de peintures au XVIe siècle"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"01UK-000B-0000-0000","id":"publication-15323","uuid":"63b99d64-7c5d-30ae-aa8c-089612893d87"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Existing Art History: Locating \"Art\" in the Modern History of the Subject"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"01T7-000B-0000-0000","id":"publication-15332","uuid":"01c3f82d-6b50-31f1-bf74-abaac4e99c21"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Precisazioni sulla cultura figurative di Francesco da Milano"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"02IJ-000B-0000-0000","id":"publication-15358","uuid":"12528316-6d23-3147-9c36-4106109b6451"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"La Vierge aux Rochers de Léonard"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"01EX-000B-0000-0000","id":"publication-15412","uuid":"e184a927-52b7-3859-9c49-d0d4016da7c5"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The \"Blurred\" Horizon in Leonardo's Paintings"},"@link":{"details":{"illustrated":false,"page":"54","type":"Select bibliography"}},"@admin":{"uid":"04CN-000B-0000-0000","id":"publication-15454","uuid":"06a522ce-7226-3a7a-a8ca-add1a3d43aab"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Emilio Motta. Ambrogio Preda e Leonardo da Vinci (nuovi documenti)"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"02D8-000B-0000-0000","id":"publication-15478","uuid":"fc0d1473-17dc-3f1d-ac51-4d76b1f351ad"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Encore les deux Vierges aux Rochers"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"02YK-000B-0000-0000","id":"publication-15602","uuid":"33ccc465-0687-3096-b2e5-ff27ef3626a5"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Mary's Motherhood According to Leonardo and Michelangelo"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"03BB-000B-0000-0000","id":"publication-15651","uuid":"b184ddbb-f84f-3ab4-8f12-4061c62a6edc"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Letters: Leonardo's Virgin of the Rocks"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"03DH-000B-0000-0000","id":"publication-15700","uuid":"d2f0bde2-e6b4-3df9-989b-e1ac777ab6db"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The Newly Discovered Documents Concerning Leonardo's \"Virgin of the Rocks\" and Their Bearing on the Problem of the Two Versions"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"01RL-000B-0000-0000","id":"publication-15718","uuid":"9d846da2-12b8-35a9-b9a8-7375c64431f9"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The Early History of Leonardo's Vierge Aux Rochers in the Louvre"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"02FQ-000B-0000-0000","id":"publication-15722","uuid":"a131ea90-367e-34e9-97ad-d4215241c7b4"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo and Boltraffio"},"@link":{"details":{"illustrated":false,"page":"107","type":"Select bibliography"}},"@admin":{"uid":"032E-000B-0000-0000","id":"publication-15937","uuid":"7f2ace59-ece6-36c4-aca2-358447b68407"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"A propos de l'examen au laboratoire de la Vierge aux Rochers et du Saint Jean Baptiste de Leonard"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0223-000B-0000-0000","id":"publication-15982","uuid":"ee369286-0730-3790-b457-5cfda62125a5"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Giampietrino, Boltraffio, and the Influence of Leonardo"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"03QA-000B-0000-0000","id":"publication-16124","uuid":"9acb6094-ee35-3d5f-9ae4-db0e2b6c0226"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo dopo Milano"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"02DP-000B-0000-0000","id":"publication-16128","uuid":"26ac8a02-dcd8-329a-b6a5-e09f0633c6d0"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The Use of Sculptural Models by Italian Renaissance Painters, Leonardo da Vinci's Madonna of the Rocks Reconsidered in Light of His Working Procedures"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"01JV-000B-0000-0000","id":"publication-16205","uuid":"ee5cd6ea-52f3-3fac-a40f-e96c0459f84c"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Giovannino Battista: A Study in Renaissance Religious Symbolism"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"02WG-000B-0000-0000","id":"publication-16258","uuid":"e989ba0b-f90e-3962-b8cd-48fac35738bc"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo's Madonna of the Rocks"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"02CG-000B-0000-0000","id":"publication-16320","uuid":"d59bcb98-7282-306b-9526-802d2571e668"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"I nuovi fondamentali documenti all'Archivio di Stato di Milano sul capolavoro di Leonardo, la Vergine delle Rocce"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"02TI-000B-0000-0000","id":"publication-16380","uuid":"1e0fefa0-e082-3451-a9e9-ef28975bd656"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"La Vergine delle Rocce di Leonardo. Nuovi documenti e ipotesi"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"02VZ-000B-0000-0000","id":"publication-16464","uuid":"cc3e13b2-60e9-3829-bedf-1c22502b5cfd"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The Virgin of the Rocks"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"01HK-000B-0000-0000","id":"publication-16631","uuid":"4bc2646c-4b1d-32d2-a2e8-2b878e66a799"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Ambrogio Preda e Leonardo da Vinci"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"046N-000B-0000-0000","id":"publication-16659","uuid":"b826a8de-ffd9-3912-9444-f99c6bcd36c2"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Nuovi documenti e una proposta di ricostruzione per l'ancona della \"Vergine delle rocce\""},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"02SB-000B-0000-0000","id":"publication-16890","uuid":"a498e7a5-5503-3461-a5e2-5b926d84d00e"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Dal cenacolo ritrovato al capolavoro perduto"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"02SQ-000B-0000-0000","id":"publication-16899","uuid":"ff72a125-73c8-3439-b245-a30da9b7260b"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Il mito di Leonardo nella storiografia rinascimentale dell'Ottocento. Nuovi percorsi alle fonti della cultura simbolista francese"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"03A1-000B-0000-0000","id":"publication-16933","uuid":"fd725cc6-9ffc-330b-bcac-a2d407b87cca"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Il nuovo libro del Signor Morelli"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"01YY-000B-0000-0000","id":"publication-16946","uuid":"8fb01232-a948-3645-8a83-825d2da95eaf"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"La prima versione della Vergine delle rocce: Riconsiderata nelle repliche"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"02YP-000B-0000-0000","id":"publication-16967","uuid":"7331e5dc-c26a-3df5-9105-0013b7bb8f9b"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Sofia"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"03YH-000B-0000-0000","id":"publication-16968","uuid":"3298dd48-76f0-373d-8e8a-82fd396b0416"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"La Vergine delle Rocce di Leonardo da Vinci"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"01O1-000B-0000-0000","id":"publication-16986","uuid":"1036bc40-af06-38bb-af14-7dba6346a13e"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo's Geology: The Authenticity of the \"Virgin of the Rocks\""},"@link":{"details":{"illustrated":false,"page":"197-200","type":"Select bibliography"}},"@admin":{"uid":"01XW-000B-0000-0000","id":"publication-16989","uuid":"b7fb2c94-18d5-30dc-a7b5-3295b5257c0e"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"A \"Mithraic Formula\" in Renaissance Images of the Christ Child"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"034H-000B-0000-0000","id":"publication-17028","uuid":"16c31640-9e5c-3b69-a960-d8b7ccbf44ce"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Left and Right in Leonardo"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0241-000B-0000-0000","id":"publication-17029","uuid":"91c966a8-50f9-3dfa-a657-f41343e2e220"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Our Lady of the Rocks"},"@link":{"details":{"illustrated":false,"page":"256","type":"Select bibliography"}},"@admin":{"uid":"0355-000B-0000-0000","id":"publication-17045","uuid":"03756cfa-108c-307f-a408-d891feb7f7aa"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Documents nouveaux sur la Vierge des rochers"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"02WD-000B-0000-0000","id":"publication-17122","uuid":"6fddf6b4-be0d-3a23-8304-c2dfdb6d1cdb"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Documents nouveaux sur la Vierge aux rochers"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"03WD-000B-0000-0000","id":"publication-17123","uuid":"30e8311c-3551-3e9e-823e-7f3d830d7a35"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"New Facts and Fancies about Leonardo da Vinci"},"@link":{"details":{"illustrated":false,"page":"35-43","type":"Select bibliography"}},"@admin":{"uid":"027R-000B-0000-0000","id":"publication-17124","uuid":"e6cec50f-4754-3c71-9f2b-8d6f81832bf6"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Per la Vergine delle Rocce"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"01KV-000B-0000-0000","id":"publication-17149","uuid":"3f0e9d0c-845f-38a7-9fdf-d0d6bed49aef"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Critical Studies on Pictures at the National Gallery I – Leonardo da Vinci"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"03L4-000B-0000-0000","id":"publication-17159","uuid":"b96f2f0c-ac54-3b56-94a9-64445e39b62c"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"In Foraminibus Petrae: A Note on Leonardo's \"Virgin of the Rocks\""},"@link":{"details":{"illustrated":false,"page":"92-5","type":"Select bibliography"}},"@admin":{"uid":"022Z-000B-0000-0000","id":"publication-17201","uuid":"3f3a6223-d6cb-3867-9ecc-329f14659972"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Riflessi di cultura lombarda nella pittura di Francesco Francia"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"02SJ-000B-0000-0000","id":"publication-17219","uuid":"ccd09de0-d56e-344d-9d1b-84084543c76c"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Nuova ipotesi interpretativa sulla Vergine delle rocce di Leonardo da Vinci"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0372-000B-0000-0000","id":"publication-17310","uuid":"88667a5c-6e74-3dff-ba59-7a6e5cbc6031"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Una lettera inedita di S. Carlo a proposito della cappella della Concezione di S. Francesco"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"02W7-000B-0000-0000","id":"publication-17342","uuid":"c1a8ce44-edfe-3a12-acec-b407d9467dc5"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Da Riegl a Warburg: Sulle tracce di Robert Eisler"},"@link":{"details":{"illustrated":false,"page":"167-70 n. 7","type":"Select bibliography"}},"@admin":{"uid":"0477-000B-0000-0000","id":"publication-17363","uuid":"b2e83a8a-36b0-3d44-b7d0-32937e575d65"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"La Vergine delle Rocce di Leonardo da Vinci"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"02QB-000B-0000-0000","id":"publication-17425","uuid":"9c02b899-e0af-3b2a-b5b6-12b42e41d25b"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Sulle due Vergini delle Rocce di Londra e Parigi"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"04CT-000B-0000-0000","id":"publication-17426","uuid":"472f40f2-88be-314c-8edd-5cf56371dd55"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Review: Raccolta Vinciana"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"01OO-000B-0000-0000","id":"publication-17450","uuid":"ef470e7f-bcd9-3436-bea7-3bd6524d3300"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Documents for Copies of the Cenacolo and the Virgin of the Rocks"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"04F7-000B-0000-0000","id":"publication-17455","uuid":"14fde22c-3928-37cd-b6b6-a6cd4ca54646"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"An Iconographic Interpretation of Leonardo's Virgin of the Rocks in the Louvre"},"@link":{"details":{"illustrated":false,"page":"140","type":"Select bibliography"}},"@admin":{"uid":"03TZ-000B-0000-0000","id":"publication-17506","uuid":"3c3bca1d-22de-3a5d-aa3e-757829899dd4"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo's Virgin of the Rocks: A Franciscan Interpretation"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"046I-000B-0000-0000","id":"publication-17509","uuid":"114f839c-2695-3b55-b7d3-9643497f153d"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Ricordi della vita e delle opere di Leonardo da Vinci raccolti dagli scritti di Giovan Paolo Lomazzo"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0353-000B-0000-0000","id":"publication-17523","uuid":"7040d3b3-060e-3db6-80b0-c4d74d55ca1e"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"On Looking into the Abyss: Leonardo's Virgin of the Rocks"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"01KB-000B-0000-0000","id":"publication-17579","uuid":"2c6c2664-a835-3132-b928-60f3aad74782"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Studien zu Leonardos Entwickelung als Maler"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"03NJ-000B-0000-0000","id":"publication-17603","uuid":"9b35fb2c-f95d-3bb1-a2ff-aad49afd946c"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Aspects of British Collecting, II.VIII: From Rome to Naples"},"@link":{"details":{"illustrated":false,"page":"405-21","type":"Select bibliography"}},"@admin":{"uid":"02OE-000B-0000-0000","id":"publication-17648","uuid":"aaf86c3a-6972-31ff-b85b-3a4b248ec59a"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci's Use of Underdrawing in the \"Virgin of the Rocks\" in the National Gallery and \"St Jerome\" in the Vatican"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"041U-000B-0000-0000","id":"publication-17663","uuid":"11cc748a-f1a1-3502-bfb0-8e74fff5a877"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Gustavo Uzielli e la terza Vergine delle rocce"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"032F-000B-0000-0000","id":"publication-17685","uuid":"6e954f1b-df21-382e-bc95-2cd7b514b6ee"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Un nuovo documento sulla Vergine delle roccie [sic] di Leonardo"},"@link":{"details":{"illustrated":false,"page":"110","type":"Select bibliography"}},"@admin":{"uid":"03W5-000B-0000-0000","id":"publication-17790","uuid":"2958ccf1-846a-3e69-b587-9db887c31722"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Le copie della Vergine delle rocce e del cenacolo di Leonardo da Vinci"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"02VO-000B-0000-0000","id":"publication-17794","uuid":"34c20d3c-2ea6-3871-b904-4553c3f7c084"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Mediatrix omnium gratiarum: A Proposal for the Interpretation of Leonardo's Virgin of the Rocks"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"04AZ-000B-0000-0000","id":"publication-17830","uuid":"4b7f8792-7005-31c9-a53f-d928a47a61ee"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"\"Una bella inventione\": Leonardo e la moda a Milano"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"02AX-000B-0000-0000","id":"publication-17834","uuid":"28f429c9-ddc1-3c11-af73-0797b8d6dac4"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Per Leonardo da Vinci: La Vergine delle Rocce"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"02ZN-000B-0000-0000","id":"publication-17843","uuid":"a8c5eec4-532d-3544-a732-b42f0b0d35bc"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"La vendita della \"Vergine delle Roccie\" [sic] a Gavino Hamilton"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"0307-000B-0000-0000","id":"publication-17860","uuid":"150c88d8-1ff1-3bc4-9ab3-e7af80e78477"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"L'immagine botanica del verbasco in Leonardo da Vinci e il Mariale di Bernardino de' Busti"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"04BW-000B-0000-0000","id":"publication-17887","uuid":"bdfc947c-eb43-3f5f-9493-a0c05d053e1f"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Henry Bone's Pencil Drawings in the National Portrait Gallery"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"02RU-000B-0000-0000","id":"publication-17937","uuid":"ba97056d-685c-31ce-86eb-ddfdde29dfae"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo. Una carriera di pittore"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"03RG-000B-0000-0000","id":"publication-18138","uuid":"29a6363e-2e8e-36e4-8145-f626cb99feaf"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci ed il paesaggio roccioso: Fra \"scienza\" e simbolismo religioso"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"043F-000B-0000-0000","id":"publication-18139","uuid":"7c10c9a0-e6ae-37ea-b805-7312359480a4"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The Artist and the Countryside"},"@link":{"details":{"illustrated":false,"page":"9","type":"Select Bibliography"}},"@admin":{"uid":"05UA-000B-0000-0000","id":"publication-18363","uuid":"7793ca7f-4ae5-3460-ae08-0729bd188afa"},"@datatype":{"actual":"Collection of essays","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-collection_of_essays","uuid":"976c6e08-dca6-3613-b9ae-c67baca2c484","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci: The Mystery of the Madonna of the Yarnwinder"},"@link":{"details":{"illustrated":false,"page":"9ff","type":"Select Bibliography"}},"@admin":{"uid":"05XE-000B-0000-0000","id":"publication-18836","uuid":"201faf36-2502-314d-8080-c2f0a8c98ba2"},"@datatype":{"actual":"Collection of essays","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-collection_of_essays","uuid":"976c6e08-dca6-3613-b9ae-c67baca2c484","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Étude analitique des tableaux de Léonard de Vinci au Laboratoire du Musée du Louvre"},"@link":{"details":{"illustrated":false,"type":"Select Bibliography"}},"@admin":{"uid":"084L-000B-0000-0000","id":"publication-19452","uuid":"6b9c1ef6-ef8e-376c-8b48-6c6fe4b12b7a"},"@datatype":{"actual":"Article in book","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_book","uuid":"ab1d27ba-af58-3fa3-99fc-d780ee59afc2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"L'ancona della Immacolata Concezione on San Francesco Grande a Milano"},"@link":{"details":{"illustrated":false,"type":"Select Bibliography"}},"@admin":{"uid":"07UB-000B-0000-0000","id":"publication-19519","uuid":"21051221-3237-31ca-8085-36b5cf44b63b"},"@datatype":{"actual":"Article in book","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_book","uuid":"ab1d27ba-af58-3fa3-99fc-d780ee59afc2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"La Vergine delle Rocce"},"@link":{"details":{"illustrated":false,"type":"Select Bibliography"}},"@admin":{"uid":"07WA-000B-0000-0000","id":"publication-19545","uuid":"80bc03fc-9b25-3d7d-bb7b-ce075bb8617e"},"@datatype":{"actual":"Article in book","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_book","uuid":"ab1d27ba-af58-3fa3-99fc-d780ee59afc2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"La Vergine delle Rocce"},"@link":{"details":{"illustrated":false,"type":"Select Bibliography"}},"@admin":{"uid":"07W1-000B-0000-0000","id":"publication-19546","uuid":"b17a82e7-293b-3a6c-864a-6b4c3a387066"},"@datatype":{"actual":"Article in book","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_book","uuid":"ab1d27ba-af58-3fa3-99fc-d780ee59afc2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"La Vergine delle rocce. Leonardo e il Cardinale Federico Borromeo"},"@link":{"details":{"illustrated":false,"type":"Select Bibliography"}},"@admin":{"uid":"07VR-000B-0000-0000","id":"publication-19547","uuid":"79840f38-6227-3895-9d52-a0b113290674"},"@datatype":{"actual":"Article in book","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_book","uuid":"ab1d27ba-af58-3fa3-99fc-d780ee59afc2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Le \"dispute\" teologiche nell'iconografia devozionale di Raffaello"},"@link":{"details":{"illustrated":false,"type":"Select Bibliography"}},"@admin":{"uid":"07UR-000B-0000-0000","id":"publication-19550","uuid":"4a8fb953-6296-3517-81cf-f558e64d856b"},"@datatype":{"actual":"Article in book","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_book","uuid":"ab1d27ba-af58-3fa3-99fc-d780ee59afc2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Le due versioni della Vergine delle rocce: Proposte per una nuova soluzione"},"@link":{"details":{"illustrated":false,"type":"Select Bibliography"}},"@admin":{"uid":"07V8-000B-0000-0000","id":"publication-19554","uuid":"cec085eb-77b8-3c3e-94e8-72187c725e33"},"@datatype":{"actual":"Article in book","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_book","uuid":"ab1d27ba-af58-3fa3-99fc-d780ee59afc2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo a Milano"},"@link":{"details":{"illustrated":false,"type":"Select Bibliography"}},"@admin":{"uid":"07W8-000B-0000-0000","id":"publication-19558","uuid":"a3d7797c-36e6-363b-9387-20d53baa8cf5"},"@datatype":{"actual":"Article in book","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_book","uuid":"ab1d27ba-af58-3fa3-99fc-d780ee59afc2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci"},"@link":{"details":{"illustrated":false,"type":"Select Bibliography"}},"@admin":{"uid":"07TT-000B-0000-0000","id":"publication-19560","uuid":"6afd6e47-d9c9-342b-ba5a-9859cd9426eb"},"@datatype":{"actual":"Article in book","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_book","uuid":"ab1d27ba-af58-3fa3-99fc-d780ee59afc2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Lines on the Celebrated Picture by Lionardo da Vinci, called the Virgin of the Rocks"},"@link":{"details":{"illustrated":false,"page":"39, 301","type":"Select Bibliography"}},"@admin":{"uid":"07UH-000B-0000-0000","id":"publication-19567","uuid":"7fb6fbdf-ac0c-3935-a680-b10f5087129b"},"@datatype":{"actual":"Article in book","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_book","uuid":"ab1d27ba-af58-3fa3-99fc-d780ee59afc2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Momenti della recente critica Vinciana"},"@link":{"details":{"illustrated":false,"type":"Select Bibliography"}},"@admin":{"uid":"07VF-000B-0000-0000","id":"publication-19592","uuid":"d2d008de-6a5b-3773-ac8d-6eea4e61d4c5"},"@datatype":{"actual":"Article in book","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_book","uuid":"ab1d27ba-af58-3fa3-99fc-d780ee59afc2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Similitudini: Considerazioni intorno alla Vergine delle Rocce"},"@link":{"details":{"illustrated":false,"type":"Select Bibliography"}},"@admin":{"uid":"07QQ-000B-0000-0000","id":"publication-19707","uuid":"f74077cc-51a5-36a4-b087-db019b419b97"},"@datatype":{"actual":"Article in book","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_book","uuid":"ab1d27ba-af58-3fa3-99fc-d780ee59afc2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The Virgin of the Rocks"},"@link":{"details":{"illustrated":false,"type":"Select Bibliography"}},"@admin":{"uid":"07SE-000B-0000-0000","id":"publication-19778","uuid":"451bcf45-a58c-3912-87a2-d8cbb86ca7b5"},"@datatype":{"actual":"Article in book","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_book","uuid":"ab1d27ba-af58-3fa3-99fc-d780ee59afc2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Una nuova copia della Vergine delle Rocce"},"@link":{"details":{"illustrated":false,"type":"Select Bibliography"}},"@admin":{"uid":"07WO-000B-0000-0000","id":"publication-19798","uuid":"afff5cb7-6bd6-3e94-a31a-6b9cc61f6920"},"@datatype":{"actual":"Article in book","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_book","uuid":"ab1d27ba-af58-3fa3-99fc-d780ee59afc2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Una Vergine delle rocce dimenticata"},"@link":{"details":{"illustrated":false,"type":"Select Bibliography"}},"@admin":{"uid":"07XW-000B-0000-0000","id":"publication-19802","uuid":"8f843ecf-c575-3a70-9717-0d6de139a4e5"},"@datatype":{"actual":"Article in book","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_book","uuid":"ab1d27ba-af58-3fa3-99fc-d780ee59afc2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Zur Entstehungsgeschichte der Felsgrottenmadonna in der Londoner National Gallery"},"@link":{"details":{"illustrated":false,"type":"Select Bibliography"}},"@admin":{"uid":"07YG-000B-0000-0000","id":"publication-19829","uuid":"7ceee283-f599-3ccb-80c1-41bfac264b21"},"@datatype":{"actual":"Article in book","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_book","uuid":"ab1d27ba-af58-3fa3-99fc-d780ee59afc2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Iconografia e devozione dell'Immacolata"},"@link":{"details":{"illustrated":false,"type":"Select Bibliography"}},"@admin":{"uid":"085B-000B-0000-0000","id":"publication-19861","uuid":"ae00c4e6-2371-3eaf-8c09-de9ae077b830"},"@datatype":{"actual":"Article in book","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_book","uuid":"ab1d27ba-af58-3fa3-99fc-d780ee59afc2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The London Madonna of the Rocks in Light of Two Milanese Adaptations"},"@link":{"details":{"illustrated":false,"type":"Select Bibliography"}},"@admin":{"uid":"083V-000B-0000-0000","id":"publication-19921","uuid":"f8d7e642-0008-367b-be85-9af0e127d7fc"},"@datatype":{"actual":"Article in book","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_book","uuid":"ab1d27ba-af58-3fa3-99fc-d780ee59afc2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Een Interpretatie Ex Ignorantia"},"@link":{"details":{"illustrated":false,"type":"Select Bibliography"}},"@admin":{"uid":"0853-000B-0000-0000","id":"publication-19932","uuid":"70343b67-15cc-3f24-b1fb-637ce09a63ac"},"@datatype":{"actual":"Article in book","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_book","uuid":"ab1d27ba-af58-3fa3-99fc-d780ee59afc2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"La Vergine delle Rocce della National Gallery di Londra. Maestro e bottega di fronte al modello"},"@link":{"details":{"illustrated":false,"type":"Select Bibliography"}},"@admin":{"uid":"09R0-000B-0000-0000","id":"publication-20350","uuid":"65cc8958-abf2-3763-ba04-929beb2ffad3"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Historia di Milano"},"@link":{"details":{"note":{"type":"other references","value":"Comment in: Artistide Calderini, ‘Documenti per la storia della chiesa di S. Francesco grande in Milano’ Aevum, 1940, pp. 200-202."},"illustrated":false,"page":"fol. 393","type":"Select Bibliography"}},"@admin":{"uid":"0B98-000B-0000-0000","id":"publication-20602","uuid":"dcc9c418-ae5b-3956-8c21-6720f4b5c8d1"},"@datatype":{"actual":"Archive document","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-archive_document","uuid":"0744c4d6-cd1e-3c15-810b-b71ec90d10aa","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The National Gallery : review of the year, April 2009 – March 2010"},"@link":{"details":{"page":"Ill. (p. 18); ills. (details) (p. 47)"}},"@admin":{"uid":"08MV-0007-0000-0000","id":"eos-19703039","source":"eos","uuid":"9ac2eff9-dfe9-3b87-a409-3e807f38d1be"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"The National Gallery : review of the year, April 2008 – March 2009."},"@link":{"details":{"page":"Ill. (p. 48)"}},"@admin":{"uid":"0R8C-0005-0000-0000","id":"eos-20100316135109036NG597726","source":"eos","uuid":"03700919-c7ca-3d0b-82b0-65b60640430d"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"The artist's eye : Victor Pasmore : an exhibition of National Gallery paintings selected by the artist /commentary by Victor Pasmore."},"@link":{"details":{"page":"Ill. (p. 15)"}},"@admin":{"uid":"0PNS-0005-0000-0000","id":"OCoLC-ocm23255084","source":"eos","uuid":"bffee3dd-1238-34b8-945d-7cd15fd27b2a"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo Da Vinci and the ethics of style / edited by Claire Farago."},"@link":{"details":{"page":"p. 152"}},"@admin":{"uid":"0ZIA-0006-0000-0000","id":"OCoLC-ocn183147176","source":"eos","uuid":"2720b55b-6a45-39e6-b1cf-70d7f8c29989"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"Nine lectures on Leonardo da Vinci / edited by Francis Ames-Lewis with the assistance of Anka Bednarek."},"@link":{"details":{"page":"p. 88"}},"@admin":{"uid":"0YU8-0006-0000-0000","id":"OCoLC-ocn272428642","source":"eos","uuid":"4e8bcec8-044d-3d98-9461-4286da0f99cf"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"Da Giotto a Botticelli : pittura fiorentina tra gotico e Rinascimento : atti del convegno internazionale, Firenze, Università degli studi e Museo di San Marco, 20-21 maggio 2005 /a cura di Francesca Pasut e Johannes Tripps."},"@link":{"details":{"page":"P. 211"}},"@admin":{"uid":"0VIM-0005-0000-0000","id":"OCoLC-ocn308150639","source":"eos","uuid":"2785f199-0f3e-3d3d-b08a-a3855bf70b58"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"Kunst og libido : om sammenhengen mellom undertrykt homofil legning og kunstnerisk uttrykk hos Leonardo og Michelangelo /Leif Osvold."},"@link":{"details":{"page":"Ill. fig. 2 (p. 183)"}},"@admin":{"uid":"0WAQ-0006-0000-0000","id":"OCoLC-ocn972641928","source":"eos","uuid":"b631ed4d-30a7-343b-9a7b-b3ead5464dfb"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"One hundred great paintings / Louise Govier."},"@link":{"details":{"page":"Ill. (p. [69])"}},"@admin":{"uid":"0MGR-0005-0000-0000","id":"Uk-015567354","source":"eos","uuid":"f5908fc3-3e88-3690-9be7-9569878ad01d"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"Duccio to Leonardo : Italian painting, 1250-1500."},"@link":{"details":{"page":"Cat. no. 39 (p. 71); ill. (p. 71); ill. fig. 11 (p. 51)"}},"@admin":{"uid":"0NC7-0005-0000-0000","id":"UKLoNG-2172","source":"eos","uuid":"d8cbc9f7-0a01-306c-b692-70ea0ab616cd"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"Looking at paintings : a guide to technical terms /Tiarna Doherty and Anne T. Woollett."},"@link":{"details":{"page":"Ill. (p. 67)"}},"@admin":{"uid":"0R0I-0005-0000-0000","id":"UKLoNG-2188","source":"eos","uuid":"ad1765ec-a351-346a-9814-e672b87f7391"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci."},"@link":{"details":{"page":"Ill. (p. 37)"}},"@admin":{"uid":"08Y4-0007-0000-0000","id":"UKLoNG-2247","source":"eos","uuid":"de9fa59f-bd9a-3808-ae2e-c18330f3717b"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"A closer look : angels /Erika Langmuir."},"@link":{"details":{"page":"Ill. (detail) fig. 4 (p. 8)"}},"@admin":{"uid":"08O2-0007-0000-0000","id":"UKLoNG-2669","source":"eos","uuid":"ccbfa414-f55f-3974-b0ae-120d8990c7af"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"L'Annunciazione di Leonardo : la montagna sul mare /a cura di Antonio Natali ; saggi di Daniel Arasse … [et al.] ; note tecniche di Roberto Bellucci … [et al.]."},"@link":{"details":{"page":"ill. fig. 24 (p. 33)"}},"@admin":{"uid":"08ST-0007-0000-0000","id":"UKLoNG-2742","source":"eos","uuid":"0fd9cba3-ba19-3b7d-afaf-6aec48ff9ed7"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo a Milano : problemi di leonardismo milanese tra Quattro e Cinquecento : Giovanni Antonio Boltraffio prima della pala Casio /Alessandro Ballarin ; con la collaborazione di Marialucia Menegatti, Barbara Maria Savy."},"@link":{"details":{"page":"Ill. (detail) plate XI; ill. plate LXV; ill. (detail) plate CCCLXXXVIII; ill. fig. 8; ill. (detail) fig. 9; ill. (detail) fig. 12; ill. (detail) fig. 36; ill. (detail) fig. 42; ill. (detail) fig. 84; ill. (detail) fig. 231; ill. (detail) fig. 235; ill. (detail) fig. 236; ill. (detail) fig. 238; ill. (detail) fig. 241; ill. (detail) fig. 562; ill. (x-ray) fig. 772; ill. (infrared) fig. 773; ill. (x-ray detail) fig. 774; ill. (infrared detail) fig. 775; ill. (detail) fig. 841"}},"@admin":{"uid":"08JB-0007-0000-0000","id":"UKLoNG-5254","source":"eos","uuid":"bb4d2368-9a4f-3de1-9e4d-9bb961ed4b67"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"Devotion by design : Italian altarpieces before 1500 /Scott Nethersole."},"@link":{"details":{"page":"Ill. fig. 24 (p. 41)"}},"@admin":{"uid":"0X2C-0005-0000-0000","id":"UKLoNG-5482","source":"eos","uuid":"d192f182-6b86-3103-9fd8-f41909cea4de"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"The life & letters of Gavin Hamilton (1723-1798) : artist & art dealer in eighteenth century Rome /[introduced and annotated by] Brendan Cassidy."},"@link":{"details":{"page":"Ill. (plate 90)"}},"@admin":{"uid":"0N05-0005-0000-0000","id":"UKLoNG-5526","source":"eos","uuid":"ec3f91f2-6c4d-37c1-af59-d6727e711f3c"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"If the paintings could talk… / Michael Wilson ; with a foreword by Andrew Marr."},"@link":{"details":{"page":"Ill. (p. [36]); ill. (infrared) (p. 37)"}},"@admin":{"uid":"0M8D-0005-0000-0000","id":"UKLoNG-6082","source":"eos","uuid":"c5e2b194-209d-3514-98fd-75c89842cac4"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci, 1452-1519."},"@link":{"details":{"page":"Fig. 5 (detail)"}},"@admin":{"uid":"08A0-0007-0000-0000","id":"UKLoNG-6623","source":"eos","uuid":"d39b2147-f2ba-3404-85c4-940cf20a4764"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci : painter at the court of Milan /Luke Syson ; with Larry Keith, Arturo Galansino, Antonio Mazzotta, Minna Moore Ede, Scott Nethersole, and Per Rumberg."},"@link":{"details":{"page":"cat. no. 32 (p. 164-174); ill. (detail) (p. [2]); ill. (detail) (p. [65]); ill. fig. 42 (p. 66); ill. (infrared detail) fig. 44 (p. 67); ill. (infrared detail) fig. 45 (p. 67); ill. (detail) (p. [78]-[79]); ill. (detail) (p. 163); ill. (p. [167]); ill. (detail) (p. [192]); ill. (detail) (p. 194); ill. (detail) (p. 196)"}},"@admin":{"uid":"08JS-0007-0000-0000","id":"UKLoNG-7302","source":"eos","uuid":"adf86a62-0ab6-3d18-a5e3-a0e9552e7e84"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci / Bruno Santi."},"@link":{"details":{"page":"figs. 43 : p. 36-37."}},"@admin":{"uid":"08HX-0007-0000-0000","id":"UKLoNG-7455","source":"eos","uuid":"cd7c70eb-0cba-34d3-b648-8945b5fbae11"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"Perugino : Raffaels Meister /herausgegeben von Andreas Schumacher ; mit Beiträgen von Matteo Burioni … [et al.]."},"@link":{"details":{"page":"Ill. fig. 72 (p. 138)"}},"@admin":{"uid":"089O-0007-0000-0000","id":"UKLoNG-9602","source":"eos","uuid":"ff852c81-5f03-3bf5-ace0-d01a53cee3cf"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci, painter : the complete works /Giovanni C.F. Villa."},"@link":{"details":{"page":"Cat. no. 13 (p. 130-139); ill. (p. [48]); ill. (p. 131); ill. (detail) (p. 132); ill. (detail) (p. [133]); ill. (detail) (p. 135); ill. (detail) (p. 136); ill. (detail) (p. 137); ill. (detail) (p. 138); ill. (detail) (p. 139)"}},"@admin":{"uid":"08JN-0007-0000-0000","id":"UKLoNG-11054","source":"eos","uuid":"fb01aaa3-8729-3b0a-b2a4-188065c88217"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"Late Raphael / edited by Tom Henry and Paul Joannides."},"@link":{"details":{"page":"Ill. fig. 32 (p. 56)"}},"@admin":{"uid":"08LL-0007-0000-0000","id":"UKLoNG-12053","source":"eos","uuid":"c65b5311-3c86-3a30-b5e8-0b819e9a094f"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"The National Gallery : a brief history /by Michael Levey."},"@admin":{"uid":"07JN-0007-0000-0000","id":"UKLoNG-15594","source":"eos","uuid":"e09fe614-54c4-337e-8f80-c750c66b501b"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"Twenty-first century approaches to reframing Italian Renaissance panels at the National Gallery / Harriet O'Neill."},"@link":{"details":{"page":"Ill. fig. 8 (p. 58)"}},"@admin":{"uid":"0QVQ-0005-0000-0000","id":"UKLoNG-15917","source":"eos","uuid":"1b64d245-2e78-3826-9454-16a04322bcee"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo on painting : an anthology of writings /by Leonardo da Vinci with a selection of documents relating to his career as an artist ; edited by Martin Kemp ; selected and translated by Martin Kemp and Margaret Walker."},"@link":{"details":{"page":"Ill. (detail) fig. 3 (p. [17]); (detail) fig. 42 (p. 81)"}},"@admin":{"uid":"08AX-0007-0000-0000","id":"UKLoNG-1022818","source":"eos","uuid":"4b1d9eb7-9068-3b52-b99a-90d0d2acfad6"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"Looking at paintings : a guide to technical terms /Dawson W. Carr and Mark Leonard."},"@link":{"details":{"page":"Ill. (p. 61)"}},"@admin":{"uid":"0X8I-0005-0000-0000","id":"UKLoNG-2733097","source":"eos","uuid":"3d18c787-fc06-383e-862e-a2433fbbfefc"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"The art of the National Gallery : a critical survey of the schools and painters as represented in the British collection /by Julia de Wolf Addison."},"@link":{"details":{"page":"Ill. (frontispiece)"}},"@admin":{"uid":"0QU4-0005-0000-0000","id":"UKLoNG-7736609","source":"eos","uuid":"a3a23479-1350-31e8-842b-7f7f7584fee4"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo e i leonardeschi : Giovanni Antonio Boltraffio, Marco d'Oggiono, Andrea Solario, Giovanni Agostino da Lodi, Francesco Napoletano, Cesare da Sesto, Bernardino Luini, Giampietrino, Francesco Melzi /Roberta Battaglia."},"@link":{"details":{"page":"Ill. fig. 35 (p. [53]); ill. (detail) fig. 37 (p. 54); ill. (detail) fig. 43 (p. 65); ill. (p. [208]); ill (detail) (p. [211]); ill. (detail) (p. [215])"}},"@admin":{"uid":"091D-0007-0000-0000","id":"UKLoNG-9726993","source":"eos","uuid":"3b810ceb-a2bc-37bf-ab02-4d82c4a68b41"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"One hundred details from the National Gallery / Kenneth Clark."},"@link":{"details":{"page":"Ill. no. 83 (p. 131); ill. (detail) fig. 83 (p. [133]); ill. (detail) fig. 97 (p. [153]); ill. no. 97 (p. 154)"}},"@admin":{"uid":"0LU2-0005-0000-0000","id":"UKLoNG-20110804162441599","source":"eos","uuid":"ef562b5d-6c3b-3586-be20-9e0f34e75392"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"Leonardo da Vinci : drawings from the Biblioteca Reale in Turin /Jeannine O'Grody, Carmen C. Bambach … [et al.]."},"@link":{"details":{"page":"Ill. (infrered detail) fig. 11 (p. 17)"}},"@admin":{"uid":"0R2M-0005-0000-0000","id":"UKLoNG-6187","source":"eos","uuid":"a125d270-78b2-3904-a38b-3cb03b7029a7"},"@datatype":{"base":"publication"},"@entity":"reference"}],"provenance":{"agent":[{"summary":{"title":"Henry Charles Howard, 18th Earl of Suffolk and 11th Earl of Berkshire"},"@link":{"role":{"value":"Previous owner"},"public":true,"historical":false},"@admin":{"uid":"02SQ-0009-0000-0000","id":"agent-9209","uuid":"b71f2f81-b3d6-3ea2-94cc-732e3de72370"},"@datatype":{"actual":"Individual","equivalents":[{"@admin":{"id":"concept-individual","uuid":"1d4d592f-3d79-3e1f-97e1-bac2f41101be","status":"unavailable"},"@entity":"reference"}],"base":"agent"},"@entity":"reference"}],"text":{"date":{"from":"1986","to":"1986","value":"1986"},"author":{"summary":{"title":"Sir Martin Davies"},"@admin":{"uid":"0T0J-0001-0000-0000","id":"agent-6806","uuid":"1a86011f-7d40-3eef-859f-f7fad44f2e21"},"@datatype":{"actual":"Individual","equivalents":[{"@admin":{"id":"concept-individual","uuid":"1d4d592f-3d79-3e1f-97e1-bac2f41101be","status":"unavailable"},"@entity":"reference"}],"base":"agent"},"@entity":"reference"},"source":{"date":{"from":"1986","to":"1986","value":"1986"},"note":{"value":"Text extracted from the ‘Provenance’ section of the catalogue entry in Martin Davies, ‘National Gallery Catalogues: The Earlier Italian Schools’, London 1986; for further information, see the full catalogue entry."},"publication":{"summary":{"title":"National Gallery Catalogues: The Earlier Italian Schools"},"@admin":{"uid":"0E3Q-0008-0000-0000","id":"publication-27","uuid":"09713cae-6804-3e7f-a28b-8207f1b193f4"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"}},"status":{"date":[{"from":"2024","to":"2024","value":"2024-11-07"}],"value":"publish"}},"@entity":"lifecycle"},"function":[{"summary":{"title":"central panels"},"@link":{"role":[{"value":"function"}]},"@admin":{"uid":"0E78-0008-0000-0000","id":"concept-35738","uuid":"f36f0451-c94c-3f57-bc9b-73294dec1024"},"@datatype":{"actual":"thesaurus","equivalents":[{"@admin":{"id":"concept-thesaurus","uuid":"f43fd0f4-55b4-3b40-848f-447f65fd6444","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"plinth":{"value":"Veneer"},"genre":[{"summary":{"title":"landscape backgrounds"},"@link":{"role":[{"value":"genre"}]},"@admin":{"uid":"0EJF-0008-0000-0000","id":"concept-35693","uuid":"8937b71d-6909-3388-b742-d3fca0473a6b"},"@datatype":{"actual":"thesaurus","equivalents":[{"@admin":{"id":"concept-thesaurus","uuid":"f43fd0f4-55b4-3b40-848f-447f65fd6444","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"legal":{"rights":[{"details":"To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences:\r\nStructured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/.\r\nDescriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/.\r\nImages are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.","type":"use of images and metadata"}],"credit":"Bought, 1880","status":"Accessioned object"},"inscription":[{"summary":"Inscribed","inscribed":"Inscribed"}],"creation":[{"date":[{"from":"1491","to":"1508","value":"about 1491/2-9 and 1506-8"}],"attribution":[{"formatted":"Leonardo da Vinci","type":"attribution","value":"Leonardo da Vinci"},{"formatted":"Leonardo da Vinci (1452–1519)","type":"attribution with dates","value":"Leonardo da Vinci (1452–1519)"}],"maker":[{"date":[{"from":"1452","to":"1519","value":"1452 - 1519"}],"summary":{"title":"Leonardo da Vinci"},"@link":{"role":{"equivalents":[{"summary":{"title":"Artist"},"identifier":[{"id":"https://vocab.getty.edu/aat/300025103","type":"AAT","value":"artists (visual artists)"}],"@admin":{"uid":"0I3E-000B-0000-0000","id":"concept-artist","uuid":"8ea7e14d-4dcf-3d64-8b36-269271693350"},"@datatype":{"actual":"equivalents","equivalents":[{"@admin":{"id":"concept-equivalents","uuid":"ff84d33a-1072-38d2-953b-5332535ba652","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"value":"Artist"},"public":true,"historical":false},"@admin":{"uid":"0POV-0001-0000-0000","id":"agent-1346","uuid":"cf20627c-7fdb-3458-882d-f57e57cb771c"},"death":{"date":[{"from":"1519","to":"1519","value":"1519"}],"@entity":"lifecycle"},"birth":{"date":[{"from":"1452","to":"1452","value":"1452"}],"@entity":"lifecycle"},"@datatype":{"actual":"Individual","equivalents":[{"@admin":{"id":"concept-individual","uuid":"1d4d592f-3d79-3e1f-97e1-bac2f41101be","status":"unavailable"},"@entity":"reference"}],"base":"agent"},"@entity":"reference"}],"place":[{"summary":{"title":"Italy"},"@link":{"role":[{"value":"place of production"}]},"@admin":{"uid":"0FZU-0008-0000-0000","id":"place-35176","uuid":"45295d29-2ffb-3877-bcb4-f8a1c2256d88"},"@datatype":{"actual":"place","sub":["concept"],"equivalents":[{"@admin":{"id":"concept-place","uuid":"af8ee8b4-cbd1-3401-b336-a97085914cd1","status":"unavailable"},"@entity":"reference"}],"base":"place"},"@entity":"reference"},{"summary":{"title":"Milan"},"@link":{"role":[{"value":"place of production"}]},"@admin":{"uid":"0FWP-0008-0000-0000","id":"place-39924","uuid":"657d47dd-fc0f-3dfa-b813-a6a4951f302a"},"@datatype":{"actual":"place","sub":["concept"],"equivalents":[{"@admin":{"id":"concept-place","uuid":"af8ee8b4-cbd1-3401-b336-a97085914cd1","status":"unavailable"},"@entity":"reference"}],"base":"place"},"@entity":"reference"}],"timespan":[{"summary":{"title":"1450-99"},"@link":{"role":[{"value":"timespan"}]},"@admin":{"uid":"0FCF-0008-0000-0000","id":"concept-39952","uuid":"5248d2a2-b4ef-3c3c-a954-af27eff094a4"},"@datatype":{"actual":"thesaurus","equivalents":[{"@admin":{"id":"concept-thesaurus","uuid":"f43fd0f4-55b4-3b40-848f-447f65fd6444","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"},{"summary":{"title":"1500-24"},"@link":{"role":[{"value":"timespan"}]},"@admin":{"uid":"0FBQ-0008-0000-0000","id":"concept-39934","uuid":"982485b1-ce07-3b18-bd94-4c581c7f96b2"},"@datatype":{"actual":"thesaurus","equivalents":[{"@admin":{"id":"concept-thesaurus","uuid":"f43fd0f4-55b4-3b40-848f-447f65fd6444","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"@entity":"lifecycle"}],"measurements":[{"display":"189.5 × 120 cm","equivalents":[{"summary":{"title":"Overall"},"identifier":[{"id":"https://vocab.getty.edu/aat/300404389","type":"AAT","value":"overall (extent designation)"}],"@admin":{"uid":"0OQZ-000B-0000-0000","id":"concept-overall","uuid":"2d02cd2e-d64d-3ed0-a6dc-516de5a0d986"},"@datatype":{"actual":"equivalents","equivalents":[{"@admin":{"id":"concept-equivalents","uuid":"ff84d33a-1072-38d2-953b-5332535ba652","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"type":"Overall","dimensions":[{"displayed":true,"equivalents":[{"summary":{"title":"Height"},"identifier":[{"id":"https://vocab.getty.edu/aat/300055644","type":"AAT","value":"height"}],"@admin":{"uid":"0I3Q-000B-0000-0000","id":"concept-height","uuid":"53354df9-7186-339b-afd1-4200d5448a2d"},"@datatype":{"actual":"equivalents","equivalents":[{"@admin":{"id":"concept-equivalents","uuid":"ff84d33a-1072-38d2-953b-5332535ba652","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"},{"summary":{"title":"cm"},"identifier":[{"id":"https://vocab.getty.edu/aat/300379098","type":"AAT","value":"centimeters"}],"@admin":{"uid":"0I3D-000B-0000-0000","id":"concept-cm","uuid":"4b8d26c3-d517-3ee2-bae4-9252fed5dd33"},"@datatype":{"actual":"equivalents","equivalents":[{"@admin":{"id":"concept-equivalents","uuid":"ff84d33a-1072-38d2-953b-5332535ba652","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"units":"cm","dimension":"Height","value":"189.50"},{"displayed":true,"equivalents":[{"summary":{"title":"Width"},"identifier":[{"id":"https://vocab.getty.edu/aat/300055647","type":"AAT","value":"width"}],"@admin":{"uid":"0I33-000B-0000-0000","id":"concept-width","uuid":"c150edc9-8aad-3655-a9b3-5f69614ec4ac"},"@datatype":{"actual":"equivalents","equivalents":[{"@admin":{"id":"concept-equivalents","uuid":"ff84d33a-1072-38d2-953b-5332535ba652","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"},{"summary":{"title":"cm"},"identifier":[{"id":"https://vocab.getty.edu/aat/300379098","type":"AAT","value":"centimeters"}],"@admin":{"uid":"0I3D-000B-0000-0000","id":"concept-cm","uuid":"4b8d26c3-d517-3ee2-bae4-9252fed5dd33"},"@datatype":{"actual":"equivalents","equivalents":[{"@admin":{"id":"concept-equivalents","uuid":"ff84d33a-1072-38d2-953b-5332535ba652","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"units":"cm","dimension":"Width","value":"120.00"}]}],"exhibition":[{"date":[{"from":"2011-11-09","to":"2012-02-05","value":"9 November 2011 - 5 February 2012"}],"summary":{"title":"Leonardo da Vinci: Painter at the Court of Milan"},"@link":{"venues":[{"date":[{"from":"2011-11-09","to":"2012-02-05","value":"2011-11-09 to 2012-02-05"}],"identifier":[{"type":"catalogue number","value":"32"}],"venue":[{"summary":{"title":"The National Gallery (London)"},"@link":{"location":{"summary":{"title":"Sainsbury Wing Exhibition"},"@admin":{"uid":"0UHW-0001-0000-0000","id":"location-449","uuid":"c6c862cd-296c-34a5-9953-375d7b7eebdf"},"@datatype":{"base":"location"},"@entity":"reference"}},"@admin":{"uid":"0P5X-0001-0000-0000","id":"agent-652","uuid":"511c84f0-a664-39ab-b653-6db7fc6c345e"},"@datatype":{"actual":"Organisation","equivalents":[{"@admin":{"id":"concept-organisation","uuid":"2bd185c5-a9b6-36ee-8bea-3dc3251b28e7","status":"unavailable"},"@entity":"reference"}],"base":"agent"},"@entity":"reference"}],"category":[{"type":"room theme","value":"Room 4: Painting the Divine: The Virgin of the Rocks"}],"title":[{"type":"exhibition title at venue","value":"Leonardo da Vinci: Painter at the Court of Milan"}]}]},"@admin":{"uid":"0AGU-000B-0000-0000","id":"exhibition-1522","uuid":"f8a31766-b657-30b3-b140-c724a2ab0ffe"},"@datatype":{"sub":["NG Exhibition"],"base":"exhibition"},"@entity":"reference"},{"date":[{"from":"2019-11-09","to":"2020-01-26","value":"9 November 2019 - 26 January 2020"}],"summary":{"title":"Leonardo: Experience a Masterpiece"},"@link":{"venues":[{"date":[{"from":"2019-11-09","to":"2020-01-26","value":"2019-11-09 to 2020-01-26"}],"venue":[{"summary":{"title":"The National Gallery (London)"},"@link":{"location":{"summary":{"title":"Gallery G"},"@admin":{"uid":"0U7D-0001-0000-0000","id":"location-850","uuid":"195f6948-0f34-3cb7-b597-f1e006ff021d"},"@datatype":{"base":"location"},"@entity":"reference"}},"@admin":{"uid":"0P5X-0001-0000-0000","id":"agent-652","uuid":"511c84f0-a664-39ab-b653-6db7fc6c345e"},"@datatype":{"actual":"Organisation","equivalents":[{"@admin":{"id":"concept-organisation","uuid":"2bd185c5-a9b6-36ee-8bea-3dc3251b28e7","status":"unavailable"},"@entity":"reference"}],"base":"agent"},"@entity":"reference"}],"title":[{"type":"exhibition title at venue","value":"Leonardo: Experience a Masterpiece"}]}]},"@admin":{"uid":"0AF9-000B-0000-0000","id":"exhibition-3730","uuid":"dd7c4961-021a-3209-b42b-4f5fc30d3062"},"@datatype":{"sub":["NG Exhibition"],"base":"exhibition"},"@entity":"reference"}],"summary":{"title":"The Virgin of the Rocks"},"identifier":[{"equivalents":[{"summary":{"title":"object number"},"identifier":[{"id":"https://vocab.getty.edu/aat/300312355","type":"AAT","value":"accession numbers"}],"@admin":{"uid":"0I3B-000B-0000-0000","id":"concept-object_number","uuid":"d70390e1-59e4-3afb-963a-8cd1cd59b6bb"},"@datatype":{"actual":"equivalents","equivalents":[{"@admin":{"id":"concept-equivalents","uuid":"ff84d33a-1072-38d2-953b-5332535ba652","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"type":"object number","value":"NG1093","primary":true},{"type":"PID","value":"0FRU-0001-0000-0000"},{"equivalents":[{"summary":{"title":"Display Number"},"identifier":[{"id":"https://vocab.getty.edu/aat/300312355","type":"AAT","value":"accession numbers"}],"@admin":{"uid":"0I0V-000B-0000-0000","id":"concept-display_number","uuid":"842cfc5a-1421-321c-9340-422035e1547f"},"@datatype":{"actual":"equivalents","equivalents":[{"@admin":{"id":"concept-equivalents","uuid":"ff84d33a-1072-38d2-953b-5332535ba652","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"type":"display number","value":"NG1093"},{"equivalents":[{"summary":{"title":"PID (NG alternative)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f"},"@datatype":{"actual":"equivalents","equivalents":[{"@admin":{"id":"concept-equivalents","uuid":"ff84d33a-1072-38d2-953b-5332535ba652","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (NG alternative)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f"},"@datatype":{"actual":"equivalents","equivalents":[{"@admin":{"id":"concept-equivalents","uuid":"ff84d33a-1072-38d2-953b-5332535ba652","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"type":"PID (NG alternative)","value":"000-0419-0000"},{"type":"sort number","value":"ng31093"}],"package":[{"summary":{"title":"Audio guide paintings"},"@admin":{"uid":"0I4B-000B-0000-0000","id":"package-297985","uuid":"d8543858-28d1-3945-ab42-626d8c362134"},"@datatype":{"actual":"package","equivalents":[{"@admin":{"id":"concept-package","uuid":"36f0af5a-e2b0-3758-9c06-081b01e69b74","status":"unavailable"},"@entity":"reference"}],"base":"package"},"@entity":"reference"},{"summary":{"title":"30 Highlight Paintings"},"@admin":{"uid":"0J3U-0008-0000-0000","id":"package-991","uuid":"a01436d1-f172-3cb4-a46d-ca77bc323e3b"},"@datatype":{"actual":"package","equivalents":[{"@admin":{"id":"concept-package","uuid":"36f0af5a-e2b0-3758-9c06-081b01e69b74","status":"unavailable"},"@entity":"reference"}],"base":"package"},"@entity":"reference"},{"summary":{"title":"Audio-described paintings"},"@admin":{"uid":"0OIR-000B-0000-0000","id":"package-298127","uuid":"c87464bb-3d08-3778-890d-d08deab6d405"},"@datatype":{"actual":"package","equivalents":[{"@admin":{"id":"concept-package","uuid":"36f0af5a-e2b0-3758-9c06-081b01e69b74","status":"unavailable"},"@entity":"reference"}],"base":"package"},"@entity":"reference"}],"framing":{"frame":[{"summary":{"title":"15th-century Italian Frame with Later Additions"},"@link":{"date":[{"from":"2011","to":"9999","value":"17/01/2011 - present"}],"role":[{"value":"Current framing"}]},"@admin":{"uid":"0KVJ-0001-0000-0000","id":"object-12645","uuid":"24393f2b-1df9-3e44-b8e0-f7fce1a347fa"},"@datatype":{"virtual":false,"base":"object"},"@entity":"reference"}]},"@datatype":{"virtual":false,"base":"object"},"archive":[{"summary":{"title":"Letter from Morrill containing list of pictures he repaired in 1883: NG1128, NG885, NG1127, NG807, NG1146, NG669, NG1126, NG1093, NG1149"},"@admin":{"uid":"0YS9-0001-0000-0000","id":"R66853","source":"calm","uuid":"9cad5032-ee80-3766-bdbb-357662c1bcb3"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Board of Trustees' papers"},"@admin":{"uid":"0508-0002-0000-0000","id":"R20188","source":"calm","uuid":"f82f5249-3601-381e-8623-71d7858bc257"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Photograph: Interior of the Duveen Room"},"@admin":{"uid":"0BE3-0003-0000-0000","id":"R62775","source":"calm","uuid":"bde81bed-f257-3e8c-872d-922baf4f4b33"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Photograph: Air-conditioned rooms"},"@admin":{"uid":"0BWK-0003-0000-0000","id":"R65613","source":"calm","uuid":"29ccfb59-ab28-3d5e-b03e-8d5c20c7af0a"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Photograph: View of Room XXIX [12]"},"@admin":{"uid":"0C9S-0003-0000-0000","id":"R65786","source":"calm","uuid":"47408b84-10ea-3199-bcb1-92995c898feb"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Photograph: View of Room XXIX [12]"},"@admin":{"uid":"0C7U-0003-0000-0000","id":"R65720","source":"calm","uuid":"e2048e6f-cc4b-395d-a878-b0e6109cb520"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Registry files: Miscellaneous S-Z"},"@admin":{"uid":"0C63-0003-0000-0000","id":"R47702","source":"calm","uuid":"36bc90ea-8480-3530-8b87-8d7023747e37"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Photograph: View of Room XXIX [12]"},"@admin":{"uid":"0A7U-0003-0000-0000","id":"R65514","source":"calm","uuid":"2bd5efc0-7cf0-311d-8afa-7be7d9060608"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Photograph: Air-conditioned rooms"},"@admin":{"uid":"0CC2-0003-0000-0000","id":"R65575","source":"calm","uuid":"76e76794-9990-36eb-9d2d-c8aff70b6700"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Registry files: Miscellaneous E-K"},"@admin":{"uid":"0DS9-0003-0000-0000","id":"R36929","source":"calm","uuid":"b76b5729-4409-38aa-bccb-75b9ed0846a2"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Photograph: View of Room XXIX [12]"},"@admin":{"uid":"0A5S-0003-0000-0000","id":"R65772","source":"calm","uuid":"64dcd4e3-b9d0-3c15-809d-4053b08cbfe7"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Registry files: Conservation"},"@admin":{"uid":"0DFP-0003-0000-0000","id":"R64087","source":"calm","uuid":"a8650ee7-3bc3-399a-97cb-d3512fab2426"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Letter from the Earl of Suffolk to Burton"},"@admin":{"uid":"01R8-0005-0000-0000","id":"R24551","source":"calm","uuid":"c0b14723-619d-3be2-bc2a-e1886e91fd93"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Letter from A.H. Layard to Burton"},"@admin":{"uid":"0200-0005-0000-0000","id":"R38585","source":"calm","uuid":"e07fcce7-e799-3e20-b2fd-ab2d63135f2a"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Letter from the Earl of Suffolk to Burton"},"@admin":{"uid":"01DC-0005-0000-0000","id":"R39151","source":"calm","uuid":"5d1d8016-866c-36c1-8058-56cc5fcce6d7"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Note acknowledging receipt of 'The Virgin of the Rocks'"},"@admin":{"uid":"01T3-0005-0000-0000","id":"R63857","source":"calm","uuid":"6ea389df-8dbb-34d8-a1a4-c07ce0b98e96"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Letter from the Earl of Suffolk to Burton"},"@admin":{"uid":"01YD-0005-0000-0000","id":"R56421","source":"calm","uuid":"e90987ec-79a2-39fc-86aa-4c4c34e82d15"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Letter from the Earl of Suffolk to Burton"},"@admin":{"uid":"01Q8-0005-0000-0000","id":"R38575","source":"calm","uuid":"bbbf7539-1cc3-34a3-a437-e92610cad19f"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Postcards of National Gallery paintings"},"@admin":{"uid":"020X-0005-0000-0000","id":"R37988","source":"calm","uuid":"b67aa81d-0ed4-342d-9e81-c6f246a38748"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Letter from Sidney Colvin (British Museum) to Poynter"},"@admin":{"uid":"0APE-0005-0000-0000","id":"R39350","source":"calm","uuid":"dada72c1-1f26-3e3b-8d73-46bf362ae4f4"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Letter to Messer Hoare"},"@admin":{"uid":"0C2B-0005-0000-0000","id":"R45607","source":"calm","uuid":"511be744-e93d-3ff4-ac13-b9b9c4fa44f9"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Letter to Mr Dolman"},"@admin":{"uid":"0C30-0005-0000-0000","id":"R43367","source":"calm","uuid":"1cce4d5d-6ee0-38a6-bcc7-490f3a4b09b0"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Letter to Mr Dolman"},"@admin":{"uid":"0REH-0005-0000-0000","id":"R49925","source":"calm","uuid":"b107f5cf-ba73-34d9-b021-09fd651bd029"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Letter to B. Ledemonti"},"@admin":{"uid":"045J-0006-0000-0000","id":"R53668","source":"calm","uuid":"308b884d-3948-38e7-a2e9-1bfb2e4a9673"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"}],"classification":[{"equivalents":[{"summary":{"title":"Picture"},"identifier":[{"id":"https://vocab.getty.edu/aat/300264388","type":"AAT","value":"pictures (object genre)"}],"@admin":{"uid":"0I0T-000B-0000-0000","id":"concept-picture","uuid":"7f8749b2-e93c-351a-a936-4eedd71b21ed"},"@datatype":{"actual":"equivalents","equivalents":[{"@admin":{"id":"concept-equivalents","uuid":"ff84d33a-1072-38d2-953b-5332535ba652","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"type":"classification","value":"Picture"},{"type":"school","value":"Italian"}],"multimedia":[{"@admin":{"uid":"0GWA-0009-0000-0000","access":{"level":{"label":"public","value":4}},"id":"n-1093-00-000373.tif","source":"ngfs","uuid":"144ea5dd-ab19-3c3c-9d85-f0989b03d859"},"@processed":{"preview":{"resizable":true,"@type":"image","format":"jpeg","modified":1621330789273,"location":"4/265/474/406/preview_N-1093-00-000373.jpg","measurements":{"filesize":{"units":"bytes","value":28093},"dimensions":[{"units":"pixels","dimension":"height","value":188},{"units":"pixels","dimension":"width","value":120}]}},"mid":{"resizable":true,"@type":"image","format":"jpeg","modified":1621330789273,"location":"4/265/474/406/mid_N-1093-00-000373.jpg","measurements":{"filesize":{"units":"bytes","value":55169},"dimensions":[{"units":"pixels","dimension":"height","value":704},{"units":"pixels","dimension":"width","value":450}]}},"zoom":{"resizable":true,"@type":"image","format":"pyramid tiff","modified":1621330789273,"location":"4/265/474/406/N_1093_00_000373.ptif","measurements":{"filesize":{"units":"bytes","value":1246469420},"dimensions":[{"units":"pixels","dimension":"height","value":44243},{"units":"pixels","dimension":"width","value":28283}]}}},"@type":"image","@datatype":{"actual":"image","base":"media"},"@entity":"reference"},{"@admin":{"uid":"018N-0001-0000-0000","access":{"level":{"label":"public","value":4}},"id":"n-1093-00-000369.tif","source":"ngfs","uuid":"8bab712b-814e-38dd-80ec-c68832bce5c2"},"@processed":{"preview":{"resizable":true,"@type":"image","format":"jpeg","modified":1548236289412,"location":"2/144/416/354/preview_N-1093-00-000369.jpg","measurements":{"filesize":{"units":"bytes","value":28292},"dimensions":[{"units":"pixels","dimension":"height","value":192},{"units":"pixels","dimension":"width","value":120}]}},"mid":{"resizable":true,"@type":"image","format":"jpeg","modified":1548236289412,"location":"2/144/416/354/mid_N-1093-00-000369.jpg","measurements":{"filesize":{"units":"bytes","value":56371},"dimensions":[{"units":"pixels","dimension":"height","value":720},{"units":"pixels","dimension":"width","value":450}]}},"zoom":{"resizable":true,"@type":"image","format":"pyramid tiff","modified":1548236289412,"location":"2/144/416/354/N_1093_00_000369.ptif","measurements":{"filesize":{"units":"bytes","value":107187816},"dimensions":[{"units":"pixels","dimension":"height","value":7560},{"units":"pixels","dimension":"width","value":4725}]}}},"@type":"image","@datatype":{"actual":"image","base":"media"},"@entity":"reference"},{"@admin":{"uid":"00L5-0001-0000-0000","access":{"level":{"label":"public","value":4}},"id":"n-1093-00-000372.tif","source":"ngfs","uuid":"269efab7-c22a-37fd-b41b-553bed840a93"},"@processed":{"preview":{"resizable":true,"@type":"image","format":"jpeg","modified":1621330617285,"location":"3/277/705/430/preview_N-1093-00-000372.jpg","measurements":{"filesize":{"units":"bytes","value":27122},"dimensions":[{"units":"pixels","dimension":"height","value":188},{"units":"pixels","dimension":"width","value":120}]}},"mid":{"resizable":true,"@type":"image","format":"jpeg","modified":1621330617285,"location":"3/277/705/430/mid_N-1093-00-000372.jpg","measurements":{"filesize":{"units":"bytes","value":54280},"dimensions":[{"units":"pixels","dimension":"height","value":705},{"units":"pixels","dimension":"width","value":450}]}},"zoom":{"resizable":true,"@type":"image","format":"pyramid tiff","modified":1621330617285,"location":"3/277/705/430/N_1093_00_000372.ptif","measurements":{"filesize":{"units":"bytes","value":1443846876},"dimensions":[{"units":"pixels","dimension":"height","value":46042},{"units":"pixels","dimension":"width","value":29381}]}}},"@type":"image","@datatype":{"actual":"image","base":"media"},"@entity":"reference"}],"@admin":{"processed":1780318684079,"sequence":1660029,"uid":"0FRU-0001-0000-0000","added":1697553952015,"stream":"tms","id":"object-5298","source":"Tms","uuid":"7172ea67-de75-35b8-a1f2-0710f3c6c23c"},"material":[{"value":"oil on wood"},{"type":"detailed","value":"oil on wood (poplar, identified)"},{"summary":{"title":"oil"},"@link":{"role":[{"value":"medium"}]},"@admin":{"uid":"0FLK-0008-0000-0000","id":"concept-39977","uuid":"8b85d85a-c7b3-355e-a2a3-9f8696065bf1"},"@datatype":{"actual":"thesaurus","equivalents":[{"@admin":{"id":"concept-thesaurus","uuid":"f43fd0f4-55b4-3b40-848f-447f65fd6444","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"},{"summary":{"title":"poplar"},"@link":{"role":[{"value":"primary support"}]},"@admin":{"uid":"0LTW-000A-0000-0000","id":"concept-41513","uuid":"5b2c3237-02bc-350b-995c-1a0af3d20a8f"},"@datatype":{"actual":"thesaurus","equivalents":[{"@admin":{"id":"concept-thesaurus","uuid":"f43fd0f4-55b4-3b40-848f-447f65fd6444","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"location":{"current":{"summary":{"title":"Room 51"},"@link":{"date":[{"from":"2025-03-17T00:00","to":"9999-12-31T00:00"}],"custodian":{"summary":{"title":"The National Gallery (London)"},"@admin":{"uid":"0P5X-0001-0000-0000","id":"agent-652","uuid":"511c84f0-a664-39ab-b653-6db7fc6c345e"},"@datatype":{"actual":"Organisation","equivalents":[{"@admin":{"id":"concept-organisation","uuid":"2bd185c5-a9b6-36ee-8bea-3dc3251b28e7","status":"unavailable"},"@entity":"reference"}],"base":"agent"},"@entity":"reference"}},"@admin":{"uid":"0UGF-0001-0000-0000","available":true,"id":"location-57","uuid":"e3350b2f-6494-379f-b84b-528d4752dd24"},"route":[{"value":"A"}],"@datatype":{"base":"location"},"floor":1,"@entity":"reference"}},"style":[{"summary":{"title":"high Renaissance"},"@link":{"role":[{"value":"period/style/movement"}]},"@admin":{"uid":"0F5F-0008-0000-0000","id":"concept-40188","uuid":"a1f05435-75f9-30f4-8f14-1ea5f9172304"},"@datatype":{"actual":"thesaurus","equivalents":[{"@admin":{"id":"concept-thesaurus","uuid":"f43fd0f4-55b4-3b40-848f-447f65fd6444","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"category":[{"equivalents":[{"summary":{"title":"Main Collection"},"@admin":{"uid":"0ORM-000B-0000-0000","id":"concept-main_collection","uuid":"d85ab112-31c0-30df-965c-84034814811c"},"@datatype":{"actual":"equivalents","equivalents":[{"@admin":{"id":"concept-equivalents","uuid":"ff84d33a-1072-38d2-953b-5332535ba652","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"type":"department","value":"Main Collection"}]}