0F6J-0001-0000-0000https://data.ng.ac.uk/0F6J-0001-0000-0000Human-made Objecthttps://vocab.getty.edu/aat/300264388PicturePicturehttps://data.ng.ac.uk/0EJF-0008-0000-0000landscape backgroundsBacchus and AriadneSignedhttp://vocab.getty.edu/ulan/500125190NGhttps://www.wikidata.org/entity/Q180788The National GalleryNG35One of the most famous paintings in the National Gallery, Titian's Bacchus and Ariadne illustrates a story told by the classical authors Ovid and Catullus. The Cretan princess Ariadne has been abandoned on the Greek island of Naxos by Theseus, whose ship sails away in the distance. Bacchus, god of wine, falls in love at first sight with Ariadne and leaps from his chariot towards her. Later, Bacchus throws Ariadne's crown into the air, immortalising her as the constellation Corona Borealis, represented by the stars above her head. This painting is one of a celebrated series by Giovanni Bellini, Titian and the Ferrarese artist Dosso Dossi, commissioned for the Camerino d'Alabastro (Alabaster Room) in the Ducal Palace, Ferrara, by Alfonso I d'Este, Duke of Ferrara. All the pictures, completed from 1514 to 1525, are bacchanals -- scenes of hedonism, drinking, music making and lovemaking. Titian shows off his great skill as a colourist, combining in this single picture all of the purest and most vibrant pigments available at that time.176.5 × 191 cmHeightcm176.50Widthcm191.00Overalloil on canvasoil on canvashttps://data.ng.ac.uk/0FLK-0008-0000-0000oilmediumhttps://data.ng.ac.uk/0FP6-0008-0000-0000canvasprimary supporthttp://terminology.lido-schema.org/lido00031Execution of designhttps://data.ng.ac.uk/0Q3F-0001-0000-0000Titian15061576Artist1520-315201523https://data.ng.ac.uk/0F5F-0008-0000-0000high RenaissanceItalyhttps://data.ng.ac.uk/0FZU-0008-0000-0000ItalyFerrarahttps://data.ng.ac.uk/0G0S-0008-0000-0000FerraraTheseushttps://data.ng.ac.uk/0EXU-0008-0000-0000TheseusSilenushttps://data.ng.ac.uk/0EH9-0008-0000-0000Silenussatyrshttps://data.ng.ac.uk/0EOU-0008-0000-0000satyrsImagineshttps://data.ng.ac.uk/0F3X-0008-0000-0000ImaginesArs Amatoriahttps://data.ng.ac.uk/0EQ9-0008-0000-0000Ars Amatorianymphshttps://data.ng.ac.uk/0EEK-0008-0000-0000nymphsmythologyhttps://data.ng.ac.uk/0EII-0008-0000-0000mythologyLaocoönhttps://data.ng.ac.uk/0FG0-0008-0000-0000LaocoönCarminahttps://data.ng.ac.uk/0FD4-0008-0000-0000CarminaBacchushttps://data.ng.ac.uk/0EYK-0008-0000-0000BacchusAriadnehttps://data.ng.ac.uk/0FDY-0008-0000-0000Ariadnecheetahshttps://data.ng.ac.uk/0EF6-0008-0000-0000cheetahsdogshttps://data.ng.ac.uk/0ESP-0008-0000-0000dogssnakeshttps://data.ng.ac.uk/0EYJ-0008-0000-0000snakesflowershttps://data.ng.ac.uk/0EPZ-0008-0000-0000flowers16th-century Italian Framehttps://data.ng.ac.uk/0K56-0001-0000-0000Cleaninghttps://data.ng.ac.uk/0VP7-0001-0000-0000http://terminology.lido-schema.org/lido00618documentsCleaninghttps://data.ng.ac.uk/0W2W-0001-0000-0000http://terminology.lido-schema.org/lido00618documentsExhibition: Titian 'Bacchus and Ariadne' [12 Jun-20 Jul 1969]https://data.ng.ac.uk/0WLT-0001-0000-0000http://terminology.lido-schema.org/lido00618documentsLetter from H Strachey re poor condition of Titian, Bacchus and Ariadne (NG35)https://data.ng.ac.uk/01MG-0002-0000-0000http://terminology.lido-schema.org/lido00618documentsLetter from WB Richmond re 'perilous condition' of Titian, Bacchus and Ariadne (NG35)https://data.ng.ac.uk/003I-0002-0000-0000http://terminology.lido-schema.org/lido00618documentsLetter to Charles Eastlake from Clarkson Stanfield regarding the cleaning of works by Titian, Cuyp and Rubenshttps://data.ng.ac.uk/03UW-0002-0000-0000http://terminology.lido-schema.org/lido00618documentsLetter to Charles Eastlake from William Etty regarding the cleaning of works by Titian, Cuyp and Rubenshttps://data.ng.ac.uk/03ST-0002-0000-0000http://terminology.lido-schema.org/lido00618documentsLetter to Charles Eastlake from William Etty regarding the cleaning of works by Titian, Cuyp and Rubenshttps://data.ng.ac.uk/03PY-0002-0000-0000http://terminology.lido-schema.org/lido00618documentsLetter to Charles Eastlake from David Roberts regarding the cleaning of works by Titian, Cuyp and Rubenshttps://data.ng.ac.uk/03I2-0002-0000-0000http://terminology.lido-schema.org/lido00618documentsLetter to Charles Eastlake from William Mulready regarding the cleaning of works by Titian, Cuyp and Rubenshttps://data.ng.ac.uk/03QG-0002-0000-0000http://terminology.lido-schema.org/lido00618documentsLetter from GF Watts re condition of Titian, Bacchus and Ariadne (NG35)https://data.ng.ac.uk/00QA-0002-0000-0000http://terminology.lido-schema.org/lido00618documentsLetter to Charles Eastlake from C.R. Leslie regarding the cleaning of works by Titian, Cuyp and Rubenshttps://data.ng.ac.uk/0ZV3-0001-0000-0000http://terminology.lido-schema.org/lido00618documentsBoard of Trustees' papershttps://data.ng.ac.uk/04UM-0002-0000-0000http://terminology.lido-schema.org/lido00618documentsPhotograph: The cleaning of Titian (NG35)https://data.ng.ac.uk/0CJC-0003-0000-0000http://terminology.lido-schema.org/lido00618documentsPhotograph: The cleaning of Titian (NG35)https://data.ng.ac.uk/0D0E-0003-0000-0000http://terminology.lido-schema.org/lido00618documentsPhotograph: West Vestibulehttps://data.ng.ac.uk/0DTL-0003-0000-0000http://terminology.lido-schema.org/lido00618documentsNotes on works sold at auction in 1813https://data.ng.ac.uk/0ALA-0003-0000-0000http://terminology.lido-schema.org/lido00618documentsPhotograph: View of Room VII [9]https://data.ng.ac.uk/0COZ-0003-0000-0000http://terminology.lido-schema.org/lido00618documentsPhotograph: West Vestibulehttps://data.ng.ac.uk/0D1A-0003-0000-0000http://terminology.lido-schema.org/lido00618documentsPhotograph: West Vestibulehttps://data.ng.ac.uk/0ABP-0003-0000-0000http://terminology.lido-schema.org/lido00618documentsPhotograph: Return of pictures from Manodhttps://data.ng.ac.uk/0BOD-0003-0000-0000http://terminology.lido-schema.org/lido00618documentsPhotograph: West Vestibulehttps://data.ng.ac.uk/0CVU-0003-0000-0000http://terminology.lido-schema.org/lido00618documentsPhotograph: The cleaning of Titian (NG35)https://data.ng.ac.uk/0AUP-0003-0000-0000http://terminology.lido-schema.org/lido00618documentsPhotograph: The cleaning of Titian (NG35)https://data.ng.ac.uk/0C59-0003-0000-0000http://terminology.lido-schema.org/lido00618documentsPhotograph: View of Room VII [9]https://data.ng.ac.uk/0CN3-0003-0000-0000http://terminology.lido-schema.org/lido00618documentsPhotograph: Moving Titian’s ‘Bacchus and Ariadne’ inside Manod Quarryhttps://data.ng.ac.uk/0BOG-0003-0000-0000http://terminology.lido-schema.org/lido00618documentsPhotograph: View of Room VII [9]https://data.ng.ac.uk/0C5Q-0003-0000-0000http://terminology.lido-schema.org/lido00618documentsPhotograph: View of Room VII [9]https://data.ng.ac.uk/0AZ5-0003-0000-0000http://terminology.lido-schema.org/lido00618documentsRegistry files: Miscellaneous S-Zhttps://data.ng.ac.uk/0CH4-0003-0000-0000http://terminology.lido-schema.org/lido00618documentsRegistry files: Miscellaneous L-Rhttps://data.ng.ac.uk/0C6Q-0003-0000-0000http://terminology.lido-schema.org/lido00618documentsRemarks in reference to the Condition which some of the Pictures are in at the National Galleryhttps://data.ng.ac.uk/0FD5-0003-0000-0000http://terminology.lido-schema.org/lido00618documentsPress Releaseshttps://data.ng.ac.uk/01PE-0005-0000-0000http://terminology.lido-schema.org/lido00618documentsPress Releaseshttps://data.ng.ac.uk/01X9-0005-0000-0000http://terminology.lido-schema.org/lido00618documentsPress Releaseshttps://data.ng.ac.uk/01FI-0005-0000-0000http://terminology.lido-schema.org/lido00618documentsLetter from H. Gilehirst to Poynterhttps://data.ng.ac.uk/0B8R-0005-0000-0000http://terminology.lido-schema.org/lido00618documentsPress cuttingshttps://data.ng.ac.uk/0D7M-0005-0000-0000http://terminology.lido-schema.org/lido00618documentsPress cuttingshttps://data.ng.ac.uk/0D3K-0005-0000-0000http://terminology.lido-schema.org/lido00618documentsPress cuttingshttps://data.ng.ac.uk/0D3L-0005-0000-0000http://terminology.lido-schema.org/lido00618documentsPress cuttingshttps://data.ng.ac.uk/0DFJ-0005-0000-0000http://terminology.lido-schema.org/lido00618documentsPress cuttingshttps://data.ng.ac.uk/0CP6-0005-0000-0000http://terminology.lido-schema.org/lido00618documentsPhotograph: The cleaning of Titian's 'Bacchus and Ariadne'https://data.ng.ac.uk/03ND-0006-0000-0000http://terminology.lido-schema.org/lido00618documentsPhotograph: The cleaning of Titian's 'Bacchus and Ariadne'https://data.ng.ac.uk/03S5-0006-0000-0000http://terminology.lido-schema.org/lido00618documentsLetter to Miss Budgatehttps://data.ng.ac.uk/05FT-0006-0000-0000http://terminology.lido-schema.org/lido00618documentsLetter to Miss C.M. Wattshttps://data.ng.ac.uk/0YO5-0008-0000-0000http://terminology.lido-schema.org/lido00618documentsNational Gallery Catalogues: The Sixteenth Century Italian Schoolshttps://data.ng.ac.uk/0DWT-0008-0000-0000Latest catalogue, p. 268-74http://terminology.lido-schema.org/lido00618documentsNational Gallery Catalogues: The Sixteenth Century Venetian Schoolhttps://data.ng.ac.uk/0DZD-0008-0000-0000Previous catalogues, p. 102-7http://terminology.lido-schema.org/lido00618documentsThe National Gallery: Complete Illustrated Cataloguehttps://data.ng.ac.uk/0E1Z-0008-0000-0000Key bibliography, p. 668, ill., p. 668http://terminology.lido-schema.org/lido00618documentsThe National Gallery: January 1965 - December 1966https://data.ng.ac.uk/0E6K-0008-0000-0000Select bibliography, p. 43-6, 73-7http://terminology.lido-schema.org/lido00618documentsThe National Gallery: January 1967 - December 1968https://data.ng.ac.uk/0E6W-0008-0000-0000Select bibliography, p. 43-6http://terminology.lido-schema.org/lido00618documentsThe National Gallery: January 1969 - December 1970https://data.ng.ac.uk/0DV9-0008-0000-0000Select bibliography, p. 38, 44http://terminology.lido-schema.org/lido00618documentsTitianhttps://data.ng.ac.uk/0E2Y-0008-0000-0000Select bibliography, no. 13, p. 17, 46, 101-2, 104-5, 113-14, 129-30, ill., figs 24A, 24D; p. 105http://terminology.lido-schema.org/lido00618documentsVan Dyck 1599-1641https://data.ng.ac.uk/02UO-0009-0000-0000Select Bibliography, p. 326http://terminology.lido-schema.org/lido00618documentsMemoirs of Painting: With a Chronological History of the Importation of Pictures by the Great Masters into England Since the French Revolutionhttps://data.ng.ac.uk/051I-0009-0000-0000Select bibliography, p. 2.135-6, 2.142-3, 2.153, 2.173-4http://terminology.lido-schema.org/lido00618documentsThe Diary of Joseph Faringtonhttps://data.ng.ac.uk/08R1-0009-0000-0000Select bibliography, p. 8.3007-9, 8.3014, 8.3029, 11.3854, 12.4375, 13.4498http://terminology.lido-schema.org/lido00618documentsAspetti del collezionismo in Italia: Da Federico II al primo Novecentohttps://data.ng.ac.uk/0XH3-000A-0000-0000Select bibliography, p. 166http://terminology.lido-schema.org/lido00618documentsNew Interpretations of Venetian Renaissance Paintinghttps://data.ng.ac.uk/0X39-000A-0000-0000Select bibliography, p. 65ffhttp://terminology.lido-schema.org/lido00618documentsGiorgione, peintre de la 'brièveté poétique'. Catalogue raisonnéhttps://data.ng.ac.uk/0X3F-000A-0000-0000Select bibliography, p. 327http://terminology.lido-schema.org/lido00618documentsApollo and Daphne: Masterpieces of Greel Mythologyhttps://data.ng.ac.uk/0WVW-000A-0000-0000Select bibliography, p. 12http://terminology.lido-schema.org/lido00618documentsNota delli musei, librerie, galerie et ornamenti di statue e pitture ne' palazzi, nelle case e ne' giardini di Romahttps://data.ng.ac.uk/0XA0-000A-0000-0000Select bibliography, p. 6http://terminology.lido-schema.org/lido00618documentsVilla Aldobrandini a Romahttps://data.ng.ac.uk/0XAB-000A-0000-0000Select bibliography, p. 60http://terminology.lido-schema.org/lido00618documentsConservation of Paintingshttps://data.ng.ac.uk/0XG6-000A-0000-0000Select bibliography, p. 72-5http://terminology.lido-schema.org/lido00618documentsLa pittura in Italia: Il Cinquecentohttps://data.ng.ac.uk/0X0M-000A-0000-0000Select bibliography, p. 197, 266http://terminology.lido-schema.org/lido00618documentsA Catalogue of Pictures in the National Galleryhttps://data.ng.ac.uk/0XLK-000A-0000-0000Select bibliography, p. 10-11http://terminology.lido-schema.org/lido00618documentsMemoria fatta dal signor Gaspare Celio dell'habito di Christohttps://data.ng.ac.uk/0XJS-000A-0000-0000Select bibliography, p. 138http://terminology.lido-schema.org/lido00618documents100 Details from Pictures in the National Galleryhttps://data.ng.ac.uk/0X4L-000A-0000-0000Select bibliography, ill., pls 64, 67http://terminology.lido-schema.org/lido00618documentsVirtue and Magnificence: Art of the Italian Renaissance Courtshttps://data.ng.ac.uk/0YLS-000A-0000-0000Select bibliography, p. 175http://terminology.lido-schema.org/lido00618documentsTitian: His Life and Timeshttps://data.ng.ac.uk/0XNZ-000A-0000-0000Select bibliography, p. 1.181-3, 1.281-2http://terminology.lido-schema.org/lido00618documentsThe World of Charles Rickettshttps://data.ng.ac.uk/0XNF-000A-0000-0000Select bibliography, p. 94http://terminology.lido-schema.org/lido00618documentsTizianhttps://data.ng.ac.uk/0X8A-000A-0000-0000Select bibliography, p. 307http://terminology.lido-schema.org/lido00618documentsItalian Painting, 1200-1600https://data.ng.ac.uk/0X6A-000A-0000-0000Select bibliography, p. 490http://terminology.lido-schema.org/lido00618documentsDecorum and Wit: The Poetry of Venetian Painting: Essays in the History of the Classical Traditionhttps://data.ng.ac.uk/0XFY-000A-0000-0000Select bibliography, p. 68-70http://terminology.lido-schema.org/lido00618documentsTizian: Des Meisters Gemäldehttps://data.ng.ac.uk/0XB5-000A-0000-0000Select bibliography, p. XXV-XXVIhttp://terminology.lido-schema.org/lido00618documentsDa Tiziano a Tiziano: Mito e allegoria nella cultura veneziana del Cinquecentohttps://data.ng.ac.uk/0XG4-000A-0000-0000Select bibliography, p. 140http://terminology.lido-schema.org/lido00618documentsTitian's Womenhttps://data.ng.ac.uk/0Y89-000A-0000-0000Select bibliography, p. 117-21http://terminology.lido-schema.org/lido00618documentsDelaroche and Gautier: Gautier's Views on the 'Execution of Lady Jane Grey' and on other Compositions by Delarochehttps://data.ng.ac.uk/0Y6P-000A-0000-0000Select bibliography, p. 268-74http://terminology.lido-schema.org/lido00618documentsHalf Holidays at the National Galleryhttps://data.ng.ac.uk/0Y6B-000A-0000-0000Select bibliography, p. 8http://terminology.lido-schema.org/lido00618documentsColour and Meaning: Practice and Theory in Renaissance Paintinghttps://data.ng.ac.uk/0Y7L-000A-0000-0000Select bibliography, p. 5, 209, 222-5http://terminology.lido-schema.org/lido00618documentsDürer e Venezia: Influssi di Albrecht Dürer sulla pittura veneziana del primo Cinquecentohttps://data.ng.ac.uk/0YX4-000A-0000-0000Select bibliography, p. 125http://terminology.lido-schema.org/lido00618documentsSozialgeschichte der Malerei vom Spätmittelalter bis ins 20. Jahrhunderthttps://data.ng.ac.uk/0YUI-000A-0000-0000Select bibliography, p. 217-8http://terminology.lido-schema.org/lido00618documentsTitianhttps://data.ng.ac.uk/0YFA-000A-0000-0000Select bibliography, p. 57-9http://terminology.lido-schema.org/lido00618documentsPoussins Parerga. Quellen, Entwicklung und Bedeutung der Kleinkompositionen in den Gemiilden Nicolas Poussinshttps://data.ng.ac.uk/0YUL-000A-0000-0000Select bibliography, p. 130ffhttp://terminology.lido-schema.org/lido00618documentsJacopo Tintoretto, 1519-1594https://data.ng.ac.uk/0YTL-000A-0000-0000Select bibliography, p. 42-3http://terminology.lido-schema.org/lido00618documentsColour: Art and Sciencehttps://data.ng.ac.uk/0YDL-000A-0000-0000Select bibliography, p. 19http://terminology.lido-schema.org/lido00618documentsThe National Gallery Companion Guidehttps://data.ng.ac.uk/0YA9-000A-0000-0000Select bibliography, p. 158-9http://terminology.lido-schema.org/lido00618documentsTitian Remade: Repetition and the Transformation of Early Modern Italian Arthttps://data.ng.ac.uk/0YNV-000A-0000-0000Select bibliography, p. 67http://terminology.lido-schema.org/lido00618documentsTrattato dell'arte della pitturahttps://data.ng.ac.uk/0YLJ-000A-0000-0000Select bibliography, p. 393http://terminology.lido-schema.org/lido00618documentsKurze, aber wahre Geschichte der italienischen Malereihttps://data.ng.ac.uk/0YL4-000A-0000-0000Select bibliography, p. 216-7http://terminology.lido-schema.org/lido00618documentsLa pittura del Veneto: Il Cinquecentohttps://data.ng.ac.uk/0YJQ-000A-0000-0000Select bibliography, p. 3.1052http://terminology.lido-schema.org/lido00618documentsThe Studio of Alfonso d'Este and Titian's Bacchus and Ariadnehttps://data.ng.ac.uk/0YI9-000A-0000-0000Select bibliographyhttp://terminology.lido-schema.org/lido00618documentsThe Eye of the Artisthttps://data.ng.ac.uk/0YPL-000A-0000-0000Select bibliography, p. 35http://terminology.lido-schema.org/lido00618documentsStilleben: Die italienischen, spanischen und französischen Meisterhttps://data.ng.ac.uk/0YO9-000A-0000-0000Select bibliography, p. 13http://terminology.lido-schema.org/lido00618documentsExamining Velázquezhttps://data.ng.ac.uk/0YKW-000A-0000-0000Select bibliography, p. 43http://terminology.lido-schema.org/lido00618documentsTitian and the Altarpiece in Renaissance Venicehttps://data.ng.ac.uk/0YKZ-000A-0000-0000Select bibliography, p. 126-7http://terminology.lido-schema.org/lido00618documentsArt in Renaissance Italyhttps://data.ng.ac.uk/0ZFW-000A-0000-0000Select bibliography, p. 395-6http://terminology.lido-schema.org/lido00618documentsTitian: The Complete Paintingshttps://data.ng.ac.uk/0Z3J-000A-0000-0000Select bibliography, p. 135http://terminology.lido-schema.org/lido00618documentsLetters Addressed to the Late Thomas Penrice, Esq., while Engaged in Forming His Collection of Pictures, 1808-1814https://data.ng.ac.uk/0Z4C-000A-0000-0000Select bibliography, p. 30-1http://terminology.lido-schema.org/lido00618documentsTitian and Tragic Painting: Aristotle's Poetics and the Rise of the Modern Artisthttps://data.ng.ac.uk/0ZIB-000A-0000-0000Select bibliography, p. 131, ill., fig. 50http://terminology.lido-schema.org/lido00618documentsÜber Mahlerei und Bildhauerarbeit in Rom für Liebhaber des Schönen in der Kunsthttps://data.ng.ac.uk/0Z9A-000A-0000-0000Select bibliography, p. 2.181http://terminology.lido-schema.org/lido00618documentsAmor mutuus: Annibale Carraccis Galleria-Farnese-Fresken und das Bild-Denken der Renaissancehttps://data.ng.ac.uk/0ZAS-000A-0000-0000Select bibliography, p. 175http://terminology.lido-schema.org/lido00618documentsLooking at Pictures: An Introduction to Art for Young People Through the Collection of the National Galleryhttps://data.ng.ac.uk/0YW6-000A-0000-0000Select bibliography, p. 38-9http://terminology.lido-schema.org/lido00618documentsLe maraviglie dell'artehttps://data.ng.ac.uk/0YUF-000A-0000-0000Select bibliography, p. 1.141-2http://terminology.lido-schema.org/lido00618documentsTitien: 'L'art plus fort que la nature'https://data.ng.ac.uk/0YQA-000A-0000-0000Select bibliography, p. 59-60http://terminology.lido-schema.org/lido00618documentsIl Mercurio errante delle grandezze di Romahttps://data.ng.ac.uk/0ZAA-000A-0000-0000Select bibliography, p. 108http://terminology.lido-schema.org/lido00618documentsIl Padovaninohttps://data.ng.ac.uk/0Z9D-000A-0000-0000Select bibliography, p. 48http://terminology.lido-schema.org/lido00618documentsModern Paintershttps://data.ng.ac.uk/0ZBW-000A-0000-0000Select Bibliography, p. 342http://terminology.lido-schema.org/lido00618documentsModern Paintershttps://data.ng.ac.uk/0ZBU-000A-0000-0000Select Bibliography, p. 352http://terminology.lido-schema.org/lido00618documentsIl Cinquecentohttps://data.ng.ac.uk/0YYA-000A-0000-0000Select bibliography, p. 152http://terminology.lido-schema.org/lido00618documentsLe finezze de pennelli italianihttps://data.ng.ac.uk/0YZU-000A-0000-0000Select bibliography, p. 12http://terminology.lido-schema.org/lido00618documentsOnly Connect: Art and the Spectator in the Italian Renaissancehttps://data.ng.ac.uk/0ZCL-000A-0000-0000Select bibliography, p. 251-8, 261http://terminology.lido-schema.org/lido00618documentsAndromède, ou, Le héros à l'épreuve de la beauté: Actes du colloque internationalhttps://data.ng.ac.uk/0ZC9-000A-0000-0000Select bibliography, p. 180http://terminology.lido-schema.org/lido00618documentsLa R. Galleria Estense in Modenahttps://data.ng.ac.uk/0038-000B-0000-0000Select bibliography, p. 113http://terminology.lido-schema.org/lido00618documentsStoria dell'arte italianahttps://data.ng.ac.uk/003T-000B-0000-0000Select bibliography, p. 9.3.116-8http://terminology.lido-schema.org/lido00618documentsHistorisch-kritische Nachrichten von Italienhttps://data.ng.ac.uk/0ZWM-000A-0000-0000Select bibliography, p. 29.297http://terminology.lido-schema.org/lido00618documentsBellini and Titian at Ferrarahttps://data.ng.ac.uk/0ZU4-000A-0000-0000Select bibliographyhttp://terminology.lido-schema.org/lido00618documentsThe Paintings of Titianhttps://data.ng.ac.uk/0ZMA-000A-0000-0000Select bibliography, p. 3.35-7, 3.148-51http://terminology.lido-schema.org/lido00618documentsArt in England 1800-1820https://data.ng.ac.uk/0ZOS-000A-0000-0000Select bibliography, p. 212http://terminology.lido-schema.org/lido00618documentsThe National and Tate Gallerieshttps://data.ng.ac.uk/0ZRS-000A-0000-0000Select bibliography, ill., pl. 28http://terminology.lido-schema.org/lido00618documentsBellini's Feast of the Godshttps://data.ng.ac.uk/0ZXC-000A-0000-0000Select bibliography, p. 56-63http://terminology.lido-schema.org/lido00618documentsTitian: Materiality, Likeness, Istoriahttps://data.ng.ac.uk/0006-000B-0000-0000Select bibliography, p. 89http://terminology.lido-schema.org/lido00618documentsMyths and Legends: Paintings in the National Galleryhttps://data.ng.ac.uk/0003-000B-0000-0000Select bibliography, p. 39http://terminology.lido-schema.org/lido00618documentsLe opere d'arte del Castello Estensehttps://data.ng.ac.uk/OZZZ-000A-0000-0000Select bibliography, p. 11http://terminology.lido-schema.org/lido00618documentsA "Lascivious" Painting for the Queen of Englandhttps://data.ng.ac.uk/02BQ-000B-0000-0000Select bibliographyhttp://terminology.lido-schema.org/lido00618documentsWilliam Buchanan: His Friends and Rivals: The Importation of Old Master Paintings into Great Britain During the First Half of the Nineteenth Centuryhttps://data.ng.ac.uk/02QQ-000B-0000-0000Select bibliography, p. 81http://terminology.lido-schema.org/lido00618documentsControversy in 1846https://data.ng.ac.uk/03A3-000B-0000-0000Select bibliographyhttp://terminology.lido-schema.org/lido00618documentsRichard Symonds's Account of His Visit to Rome in 1649-1651https://data.ng.ac.uk/01XI-000B-0000-0000Select bibliographyhttp://terminology.lido-schema.org/lido00618documentsKenwood's Lost Chapter. Julius Bryant Reveals the Forgotten Story of the National Gallery's Management of the Iveagh Bequest, 1928-49https://data.ng.ac.uk/01Y7-000B-0000-0000Select bibliography, p. 44http://terminology.lido-schema.org/lido00618documentsTiziano e Gli Estensihttps://data.ng.ac.uk/01QK-000B-0000-0000Select bibliographyhttp://terminology.lido-schema.org/lido00618documentsCamerino d'Alabastro: A Renaissance Room in Ferrarahttps://data.ng.ac.uk/01RS-000B-0000-0000Select bibliographyhttp://terminology.lido-schema.org/lido00618documentsL'equicola e il Dossohttps://data.ng.ac.uk/03LI-000B-0000-0000Select bibliography, p. 73http://terminology.lido-schema.org/lido00618documentsGli inventari Aldobrandini: Inventario del 1626https://data.ng.ac.uk/0479-000B-0000-0000Select bibliography, p. 432http://terminology.lido-schema.org/lido00618documentsGli inventari Aldobrandini: L'inventario del 1682, IIhttps://data.ng.ac.uk/01K9-000B-0000-0000Select bibliography, p. 74http://terminology.lido-schema.org/lido00618documentsInventario dei dipinti del Cardinal Pietro Aldobrandini, compilato da G.B. Agucchi nel 1603https://data.ng.ac.uk/03OC-000B-0000-0000Select bibliography, p. 205http://terminology.lido-schema.org/lido00618documentsThe Technique and Materials of Titian's Early Paintings in the National Gallery, Londonhttps://data.ng.ac.uk/021B-000B-0000-0000Select bibliographyhttp://terminology.lido-schema.org/lido00618documentsThe Worship of Bacchus and Venus in Bellini's and Titian's Bacchanals for Alfonso D'estehttps://data.ng.ac.uk/025K-000B-0000-0000Select bibliographyhttp://terminology.lido-schema.org/lido00618documentsLa baccanaria d'uomini di Dosso Dossi ritrovata in Indiahttps://data.ng.ac.uk/02AK-000B-0000-0000Select bibliographyhttp://terminology.lido-schema.org/lido00618documentsThe Camerino of Alfonso I D'estehttps://data.ng.ac.uk/02CF-000B-0000-0000Select bibliographyhttp://terminology.lido-schema.org/lido00618documentsAlfonso d'Este und Tizianhttps://data.ng.ac.uk/03TX-000B-0000-0000Select bibliography, p. 246http://terminology.lido-schema.org/lido00618documentsBattista Guarino's Catullus and Titian's Bacchus and Ariadnehttps://data.ng.ac.uk/031C-000B-0000-0000Select bibliographyhttp://terminology.lido-schema.org/lido00618documentsThe Pipes in Titian's Three Ages of Manhttps://data.ng.ac.uk/01FV-000B-0000-0000Select bibliographyhttp://terminology.lido-schema.org/lido00618documentsThe "Camerini d'Alabastro" of Alfonso d'Este, 1https://data.ng.ac.uk/0335-000B-0000-0000Select bibliographyhttp://terminology.lido-schema.org/lido00618documentsÉtudes du Titian pour les "Bacchanales" de Londres et de Madridhttps://data.ng.ac.uk/03L7-000B-0000-0000Select bibliographyhttp://terminology.lido-schema.org/lido00618documentsOn Some Borrowings and Non-Borrowings from Central Italian and Antique Art in the Work of Titian, c.1510-1550https://data.ng.ac.uk/02VW-000B-0000-0000Select bibliography, p. 30-1http://terminology.lido-schema.org/lido00618documentsTitian in London and Madridhttps://data.ng.ac.uk/02X2-000B-0000-0000Select bibliography, p. 16http://terminology.lido-schema.org/lido00618documentsPoussin, Titian and Mantegna Some Observations on the "Adoration of the Golden Calf" at San Franciscohttps://data.ng.ac.uk/041C-000B-0000-0000Select bibliographyhttp://terminology.lido-schema.org/lido00618documentsSebastiano Ricci at Burlington House: A Venetian Decoration "alla Romana"https://data.ng.ac.uk/03R6-000B-0000-0000Select bibliography, p. 605ffhttp://terminology.lido-schema.org/lido00618documentsNew and Improved: Repetition as Originality in Italian Baroque Practice and Theoryhttps://data.ng.ac.uk/03R5-000B-0000-0000Select bibliographyhttp://terminology.lido-schema.org/lido00618documentsTitian's "Bacchus and Ariadne"https://data.ng.ac.uk/03QF-000B-0000-0000Select bibliographyhttp://terminology.lido-schema.org/lido00618documentsReconstructing the Villa Patrizi fuori Porta Pia, Part 2: Allegri, ma non osceni. Cardinal Patrizi's copies of "Dosso Dossi's" Bacchanalshttps://data.ng.ac.uk/02V8-000B-0000-0000Select bibliography, p. 179http://terminology.lido-schema.org/lido00618documentsPainting Nowhttps://data.ng.ac.uk/02KM-000B-0000-0000Select bibliography, p. 620http://terminology.lido-schema.org/lido00618documentsTiziano sacro e profanohttps://data.ng.ac.uk/02U0-000B-0000-0000Select bibliographyhttp://terminology.lido-schema.org/lido00618documentsSignposts of Invention: Artists' Signatures in Italian Renaissance Arthttps://data.ng.ac.uk/03IS-000B-0000-0000Select bibliographyhttp://terminology.lido-schema.org/lido00618documentsNuove copie grafiche di Luca Giordanohttps://data.ng.ac.uk/01VJ-000B-0000-0000Select bibliography, p. 109http://terminology.lido-schema.org/lido00618documentsErlösung durch Rausch und Ekstasehttps://data.ng.ac.uk/0426-000B-0000-0000Select bibliographyhttp://terminology.lido-schema.org/lido00618documentsThe Literary Sources of Titian's "Bacchus and Ariadne"https://data.ng.ac.uk/02R7-000B-0000-0000Select bibliographyhttp://terminology.lido-schema.org/lido00618documentsThe Cheetahs in Titian's Bacchus and Ariadnehttps://data.ng.ac.uk/026I-000B-0000-0000Select bibliographyhttp://terminology.lido-schema.org/lido00618documentsIl mito di Bacco e Arianna fra Cinque e Seicento: Fonti letterarie e variazioni iconografichehttps://data.ng.ac.uk/03PN-000B-0000-0000Select bibliographyhttp://terminology.lido-schema.org/lido00618documentsHenry Bone's Pencil Drawings in the National Portrait Galleryhttps://data.ng.ac.uk/02RU-000B-0000-0000Select bibliography, p. 305-6, 359http://terminology.lido-schema.org/lido00618documentsA Catalogue of Lord Kinnaird's Collection of Valuable Original Pictureshttps://data.ng.ac.uk/04KF-000B-0000-0000Select bibliography, no. 88, p. 71-2http://terminology.lido-schema.org/lido00618documentsThe Loves of the Gods: Mythological Painting from Watteau to Davidhttps://data.ng.ac.uk/05SU-000B-0000-0000Select Bibliography, p. 139http://terminology.lido-schema.org/lido00618documents'A Poet in Paradise': Lord Lindsay and Christian Arthttps://data.ng.ac.uk/05FQ-000B-0000-0000Select Bibliography, p. 106http://terminology.lido-schema.org/lido00618documentsTitian: Prince of Paintershttps://data.ng.ac.uk/05JI-000B-0000-0000Select Bibliography, p. 80http://terminology.lido-schema.org/lido00618documentsDutch Classicism in Seventeenth-Century Paintinghttps://data.ng.ac.uk/05I9-000B-0000-0000Select Bibliography, p. 148http://terminology.lido-schema.org/lido00618documentsBellini, Giorgione, Titian and the Renaissance of Venetian Paintinghttps://data.ng.ac.uk/05LS-000B-0000-0000Select Bibliography, p. 50http://terminology.lido-schema.org/lido00618documentsThe Rival of Nature: Renaissance Painting in its Contexthttps://data.ng.ac.uk/05O4-000B-0000-0000Select Bibliography, no. 180http://terminology.lido-schema.org/lido00618documentsTitianhttps://data.ng.ac.uk/064U-000B-0000-0000Select Bibliography, no. 13http://terminology.lido-schema.org/lido00618documentsDas Exotishe Tier in der Europäischen Kunsthttps://data.ng.ac.uk/0630-000B-0000-0000Select Bibliography, p. 78http://terminology.lido-schema.org/lido00618documentsThe Artist's Eye: Bridget Riley: An Exhibition of National Gallery Paintings Selected by the Artisthttps://data.ng.ac.uk/05UW-000B-0000-0000Select bibliography, no. 1, p. 9-15http://terminology.lido-schema.org/lido00618documentsTelling Timehttps://data.ng.ac.uk/062F-000B-0000-0000Select bibliography, p. 36-7http://terminology.lido-schema.org/lido00618documentsFrank Auerbach and the National Gallery: Working after the Mastershttps://data.ng.ac.uk/05RW-000B-0000-0000Select bibliography, p. 30-1http://terminology.lido-schema.org/lido00618documentsAmbiguità di Bacco nel "Trionfo" laurenziano e nell' arte rinascimentalehttps://data.ng.ac.uk/07TN-000B-0000-0000Select Bibliographyhttp://terminology.lido-schema.org/lido00618documentsInventing Mythologies: The Painter's Poetryhttps://data.ng.ac.uk/07RY-000B-0000-0000Select Bibliography, p. 38-43http://terminology.lido-schema.org/lido00618documentsLorenzo de Medici e il tema di Bacco e Arianna: La natura della imitatio rinascimentalehttps://data.ng.ac.uk/07UD-000B-0000-0000Select Bibliographyhttp://terminology.lido-schema.org/lido00618documents"The Feast of the Gods": Conservation, Examination and Interpretationhttps://data.ng.ac.uk/09PA-000B-0000-0000Select Bibliography, p. 11, 14http://terminology.lido-schema.org/lido00618documentsThe Artist's Eye: Bridget Rileyhttps://data.ng.ac.uk/0FR9-000B-0000-0000Select bibliography, no. 1http://terminology.lido-schema.org/lido00618documentsOil painting techniques / Frederick Palmer.https://data.ng.ac.uk/091E-0007-0000-0000Ill. (Part 1: p. 30)http://terminology.lido-schema.org/lido00618documentsMore than meets the eye : a closer look at paintings in the National Gallery /Michael Cassin.https://data.ng.ac.uk/0X5X-0005-0000-0000Ill. fig. 17 (p. [20])http://terminology.lido-schema.org/lido00618documentsThe artist's eye : Bridget Riley : an exhibition of National Gallery paintings selected by the artist.https://data.ng.ac.uk/0PMT-0005-0000-0000Ill. 1 (p. 8)http://terminology.lido-schema.org/lido00618documentsFrank Auerbach and the National Gallery : working after the Masters /Colin Wiggins.https://data.ng.ac.uk/0QNQ-0005-0000-0000http://terminology.lido-schema.org/lido00618documentsTelling time / Alexander Sturgis.https://data.ng.ac.uk/0PJ8-0005-0000-0000http://terminology.lido-schema.org/lido00618documentsArt and the power of placement / Victoria Newhouse.https://data.ng.ac.uk/08X7-0007-0000-0000Ill. fig. 271 (p. 274); ill. fig. 272 (p. 274)http://terminology.lido-schema.org/lido00618documentsTitian / essays by Charles Hope … [et al.] ; catalogue edited by David Jaffé ; with contributions from Nicholas Penny … [et al.].https://data.ng.ac.uk/0QVK-0005-0000-0000Cat. no. 13 (p. [104]); ill. (p. 105); ill. (detail) fig. 24a (p. 46); ill. (detail) fig. 24d (p. 47)http://terminology.lido-schema.org/lido00618documentsTitian, Colonna, and the Renaissance science of procreation : Equicola's seasons of desire /Anthony Colantuono.https://data.ng.ac.uk/089R-0007-0000-0000Ill. (dust jacket); ill. plate 2; ill. (detail) fig. 2.1 (p. [78]); ill. (detail) fig. 2.2 (p. [78]); ill. (detail) fig. 2.4 (p. [90])http://terminology.lido-schema.org/lido00618documentsTitian : the last days /Mark Hudson.https://data.ng.ac.uk/088E-0007-0000-0000Ill.http://terminology.lido-schema.org/lido00618documentsThe sacred image in the age of art : Titian, Tintoretto, Barocci, El Greco, Caravaggio /Marcia B. Hall.https://data.ng.ac.uk/081C-0007-0000-0000Ill. fig. 71 (p. 85)http://terminology.lido-schema.org/lido00618documentsI grandi maestri del Rinascimento : Michelangelo, Raffaello, Correggio, Tiziano /a cura di Maria Grazia Bernardini.https://data.ng.ac.uk/0MU9-0005-0000-0000Ill. fig. 152 (p. 243)http://terminology.lido-schema.org/lido00618documentsThe court cities of northern Italy : Milan, Parma, Piacenza, Mantua, Ferrara, Bologna, Urbino, Pesaro, and Rimini /edited by Charles M. Rosenberg.https://data.ng.ac.uk/07Z8-0007-0000-0000Ill. fig. 134 (p. 211)http://terminology.lido-schema.org/lido00618documentsTitian / Peter Humfrey.https://data.ng.ac.uk/07XK-0007-0000-0000Ill. (detail) (p. [64]); ill. fig. 52 (p. 76-77)http://terminology.lido-schema.org/lido00618documentsTitian : the complete paintings /Peter Humfrey.https://data.ng.ac.uk/0885-0007-0000-0000Ill. (p. 104)http://terminology.lido-schema.org/lido00618documentsIl camerino delle pitture di Alfonso I / a cura di Alessandro Ballarin.https://data.ng.ac.uk/0LK9-0005-0000-0000Ill. : Plates 1-2, 6-8, 10, 13, 15 (v. 2); dust jacket (v. 5); (detail) plate lvii (v. 5); plate xcvi (v. 5); plate ciii (v. 5); plate cv (v. 5); (detail) plate cxxiv (v. 5); fig. 358 (v. 5); (detail) fig. 360 (v. 5); (detail) fig. 362 (v. 5); (detail) fig. 364 (v. 5); fig. 367 (v. 5); (detail) fig. 370 (v. 5); (detail) fig. 371 (v. 5); (detail) fig. 373 (v. 5); (detail) fig. 376 (v. 5); (detail) fig. 379 (v. 5); (detail) fig. 393 (v. 5); (x-ray detail) fig. 398 (v. 5); (infrared) fig. 399 (v. 5); (x-ray detail) fig. 400 (v. 5); (x-ray detail) fig. 401 (v. 5)http://terminology.lido-schema.org/lido00618documentsRaphael's poetics : art and poetry in high Renaissance Rome /David Rijser.https://data.ng.ac.uk/08JR-0007-0000-0000Ill. fig. 4.27 (p. 387)http://terminology.lido-schema.org/lido00618documentsTiziano / Augusto Gentili.https://data.ng.ac.uk/08G1-0007-0000-0000Ill. 43 (p. 129); ill. (detail) fig. 44 (p. [130]); ill. (detail) fig. 45 (131)http://terminology.lido-schema.org/lido00618documentsTiziano / a cura di Giovanni Carlo Federico Villa.https://data.ng.ac.uk/07CR-0007-0000-0000Ill. fig. 8 (p. 106)http://terminology.lido-schema.org/lido00618documentsColour / David Bomford and Ashok Roy.https://data.ng.ac.uk/0R9I-0005-0000-0000Ill. (detail) fig. 61 (p. [60]); ill. fig. 62 (p. [61]); ill. (detail) fig. 63 (p. 62)http://terminology.lido-schema.org/lido00618documentsThe National Gallery : a brief history /by Michael Levey.https://data.ng.ac.uk/07JN-0007-0000-0000http://terminology.lido-schema.org/lido00618documentsIl museo senza confini : dipinti ferraresi del Rinascimento nelle raccolte romane /a cura di Jadranka Bentini e Sergio Guarino ; con contributi di Jadranka Bentini … [et al.] ; e di Silvia Lucantoni e Sara Tarissi De Jacobis.https://data.ng.ac.uk/08IV-0007-0000-0000Illustration. (page. 51)http://terminology.lido-schema.org/lido00618documentsThe secret language of the Renaissance : decoding the hidden symbolism of Italian art /Richard Stemp.https://data.ng.ac.uk/08UF-0007-0000-0000Ill. (p. [153]); ill. (details) (p. 152-[153])http://terminology.lido-schema.org/lido00618documentsThe gods made flesh : metamorphosis & the pursuit of paganism /Leonard Barkan.https://data.ng.ac.uk/088H-0007-0000-0000Ill. fig. 14 (p. 368)http://terminology.lido-schema.org/lido00618documentsThe art of the National Gallery : a critical survey of the schools and painters as represented in the British collection /by Julia de Wolf Addison.https://data.ng.ac.uk/0QU4-0005-0000-0000Ill. (opp. p. 114)http://terminology.lido-schema.org/lido00618documentsTiziano e il tardo Rinascimento a Venezia : Jacopo Bassano, Jacopo Tintoretto, Paolo Veronese /Vittoria Romani.https://data.ng.ac.uk/08VR-0007-0000-0000Ill. fig. 6 (p. [16])http://terminology.lido-schema.org/lido00618documentsA closer look : colour /David Bomford and Ashok Roy.https://data.ng.ac.uk/07XV-0007-0000-0000Ill. (detail) (front cover); ill. (detail) (p. [1]); ill. (detail) (p. [3]); ill. fig. 71 (p. 78); ill. (detail) fig. 72 (p. [79]); ill. (detail) (back cover)http://terminology.lido-schema.org/lido00618documentsDa Giorgione a Canova / Adriano Mariuz ; a cura di Giuseppe Pavanello.https://data.ng.ac.uk/07MC-0007-0000-0000Ill. fig. 2 (p. 12)http://terminology.lido-schema.org/lido00618documentsThe National Gallery : a brief history /by Michael Levey.https://data.ng.ac.uk/07E9-0007-0000-0000http://terminology.lido-schema.org/lido00618documentsIntroduction : touching pictures /Michael Daley.https://data.ng.ac.uk/08Y2-0007-0000-0000p. 2http://terminology.lido-schema.org/lido00618documentsOne hundred details from the National Gallery / Kenneth Clark.https://data.ng.ac.uk/0LU2-0005-0000-0000Ill. (detail) fig. 64 (p. [104]); ill. no. 64 (p. 106); ill. no. 67 (p. 107); ill. (detail) fig. 67 (p. [109])http://terminology.lido-schema.org/lido00618documentsThe cabinet of Eros : renaissance mythological painting and the studiolo of Isabella d’Este /Stephen Campbell.https://data.ng.ac.uk/0802-0007-0000-0000Ill. p. 20 (fig. 8); Ill. p. 257 fig 128)http://terminology.lido-schema.org/lido00618documentsImagining childhood / Erika Langmuir.https://data.ng.ac.uk/08B2-0007-0000-0000Figure. 133 : page. 189http://terminology.lido-schema.org/lido00618documentsTitian, circa 1490-1576 / Ian G. Kennedy.https://data.ng.ac.uk/08LZ-0007-0000-0000Ill. (p. 37)http://terminology.lido-schema.org/lido00618documentsTitian and tragic painting : Aristotle’s poetics and the rise of the modern artist /Thomas Puttfarken.https://data.ng.ac.uk/084M-0007-0000-0000Fig. 50 : p. 131http://terminology.lido-schema.org/lido00618documentsWilliam Holman Hunt : a catalogue raisonné /Judith Bronkhurst.https://data.ng.ac.uk/08EG-0007-0000-0000Fig. 6 : p. 97http://terminology.lido-schema.org/lido00618documentsIn the light of Apollo : Italian Renaissance and Greece : [exhibition] : National Gallery-Alexander Soutzos Museum, Athens, 22 December 2003-31 March 2004 /edited by Mina Gregori.https://data.ng.ac.uk/0X4F-0005-0000-0000Fig. 8 : p. 508 (v. 1)http://terminology.lido-schema.org/lido00618documentsObject rightsBought, 1826use of images and metadataTo encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences: Structured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/. Descriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/. Images are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.https://data.ng.ac.uk/0F6J-0001-0000-0000?profile=lidohttp://terminology.lido-schema.org/lido00141Item-level recordNational Gallery London2026-06-10T01:56:48+0100https://data.ng.ac.uk/0M1F-000B-0000-0000https://data.ng.ac.uk/iiif/3/0M1F-000B-0000-0000/full/max/0/default.jpghttps://data.ng.ac.uk/0VJF-0008-0000-0000https://data.ng.ac.uk/iiif/3/0VJF-0008-0000-0000/full/max/0/default.jpghttps://data.ng.ac.uk/0M3X-000B-0000-0000https://data.ng.ac.uk/iiif/3/0M3X-000B-0000-0000/full/max/0/default.jpghttps://data.ng.ac.uk/0ESE-000A-0000-0000https://data.ng.ac.uk/iiif/3/0ESE-000A-0000-0000/full/max/0/default.jpghttps://data.ng.ac.uk/0ERN-000A-0000-0000https://data.ng.ac.uk/iiif/3/0ERN-000A-0000-0000/full/max/0/default.jpghttps://data.ng.ac.uk/0IF0-000B-0000-0000https://data.ng.ac.uk/iiif/3/0IF0-000B-0000-0000/full/max/0/default.jpghttps://data.ng.ac.uk/0OJL-000B-0000-0000https://data.ng.ac.uk/iiif/3/0OJL-000B-0000-0000/full/max/0/default.jpg