{"exhibition":[{"date":[{"from":"2013-06-13","to":"2013-10-13","value":"13 June 2013 - 13 October 2013"}],"summary":{"title":"Le Grand Atelier du Midi"},"@link":{"venues":[{"date":[{"from":"2013-06-13","to":"2013-10-13","value":"2013-06-13 to 2013-10-13"}],"venue":[{"summary":{"title":"Musée Granet"},"@admin":{"uid":"0P1S-0001-0000-0000","id":"agent-834","uuid":"ef1c55c6-96bb-3281-bfff-4c3546e18ce6"},"@datatype":{"actual":"Organisation","equivalents":[{"@admin":{"id":"concept-organisation","uuid":"2bd185c5-a9b6-36ee-8bea-3dc3251b28e7","status":"unavailable"},"@entity":"reference"}],"base":"agent"},"@entity":"reference"}],"title":[{"type":"exhibition title at venue","value":"Le Grand Atelier du Midi"}]}]},"@admin":{"uid":"0A85-000B-0000-0000","id":"exhibition-1873","uuid":"4a2e447a-b6d0-3b7c-8663-1f3786608630"},"@datatype":{"sub":["3rd Party Exhibition (Loans Out)"],"base":"exhibition"},"@entity":"reference"},{"date":[{"from":"2024-09-14","to":"2025-01-19","value":"14 September 2024 - 19 January 2025"}],"summary":{"title":"Loan to the Basil & Elise Goulandris Foundation (2024 - 2025)"},"@link":{"venues":[{"date":[{"from":"2024-09-14","to":"2025-01-19","value":"2024-09-14 to 2025-01-19"}],"venue":[{"summary":{"title":"Basil & Elise Goulandris Foundation"},"@admin":{"uid":"0R79-0001-0000-0000","id":"agent-4219","uuid":"98b7d4bc-d074-3ce4-a840-8d6495a152e4"},"@datatype":{"actual":"Organisation","equivalents":[{"@admin":{"id":"concept-organisation","uuid":"2bd185c5-a9b6-36ee-8bea-3dc3251b28e7","status":"unavailable"},"@entity":"reference"}],"base":"agent"},"@entity":"reference"}],"title":[{"type":"exhibition title at venue","value":"Goulandris Foundation Loan 2024"}]}]},"@admin":{"uid":"0AAM-000B-0000-0000","id":"exhibition-4176","uuid":"57fb1e4b-011b-35a4-8300-a25c9a5e45df"},"@datatype":{"sub":["3rd Party Exhibition (Loans Out)"],"base":"exhibition"},"@entity":"reference"}],"summary":{"title":"Landscape with Poplars"},"identifier":[{"equivalents":[{"summary":{"title":"object number"},"identifier":[{"id":"https://vocab.getty.edu/aat/300312355","type":"AAT","value":"accession numbers"}],"@admin":{"uid":"0I3B-000B-0000-0000","id":"concept-object_number","uuid":"d70390e1-59e4-3afb-963a-8cd1cd59b6bb"},"@datatype":{"actual":"equivalents","equivalents":[{"@admin":{"id":"concept-equivalents","uuid":"ff84d33a-1072-38d2-953b-5332535ba652","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"type":"object number","value":"NG6457","primary":true},{"type":"PID","value":"0ERZ-0001-0000-0000"},{"equivalents":[{"summary":{"title":"Display Number"},"identifier":[{"id":"https://vocab.getty.edu/aat/300312355","type":"AAT","value":"accession numbers"}],"@admin":{"uid":"0I0V-000B-0000-0000","id":"concept-display_number","uuid":"842cfc5a-1421-321c-9340-422035e1547f"},"@datatype":{"actual":"equivalents","equivalents":[{"@admin":{"id":"concept-equivalents","uuid":"ff84d33a-1072-38d2-953b-5332535ba652","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"type":"display number","value":"NG6457"},{"equivalents":[{"summary":{"title":"PID (NG alternative)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f"},"@datatype":{"actual":"equivalents","equivalents":[{"@admin":{"id":"concept-equivalents","uuid":"ff84d33a-1072-38d2-953b-5332535ba652","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"},{"summary":{"title":"PID (NG alternative)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f"},"@datatype":{"actual":"equivalents","equivalents":[{"@admin":{"id":"concept-equivalents","uuid":"ff84d33a-1072-38d2-953b-5332535ba652","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"type":"PID (NG alternative)","value":"000-02UV-0000"},{"type":"sort number","value":"ng36457"}],"access":{"item":{"privacy":false,"public_approved":true},"media":{"date":[{"from":"1979-01-01","to":"9999","value":"1979-01-01 to present"}],"public_image":true,"download":true,"zoom":true,"hi_res":true}},"framing":{"glazing":{"date":[{"from":"2024","to":"2024","value":"2024-07-03"}],"type":"LRLG 4.4 mm"},"frame":[{"summary":{"title":"17th-century Italian Frame"},"@link":{"date":[{"from":"2011","to":"9999","value":"17/01/2011 - 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Like the Impressionists, Cezanne was interested in depicting the landscape primarily using touches of colour. Although this painting shows Cezanne&rsquo;s debt to Impressionism, his method is more controlled. For example, he has not sought to spontaneously capture the transitory effects of light but has instead used colour to systematically build up the structure of the entire composition.</p><p class=\"dokuwiki_paragraph\">Cezanne created the volume and texture of the large poplar trees here using vertical and oblique brushstrokes of green and blue laid down in parallel formation. The natural forms of the trees contrast with the tauter, more geometric man-made structures in the centre of the picture. The short brushstrokes used for both the trees and the buildings contrast with the relatively unworked and uniform area of sky and the looser, almost scribbled, strokes of the foreground meadow. Areas of raw canvas are visible along the picture&rsquo;s right edge.</p>","source":"Dokuwiki","type":"short text","value":"This painting is of a summer landscape in Cezanne’s native Provence in the south of France. Like the Impressionists, Cezanne was interested in depicting the landscape primarily using touches of colour. Although this painting shows Cezanne's debt to Impressionism, his method is more controlled. For example, he has not sought to spontaneously capture the transitory effects of light but has instead used colour to systematically build up the structure of the entire composition.\n\nCezanne created the volume and texture of the large poplar trees here using vertical and oblique brushstrokes of green and blue laid down in parallel formation. The natural forms of the trees contrast with the tauter, more geometric man-made structures in the centre of the picture. The short brushstrokes used for both the trees and the buildings contrast with the relatively unworked and uniform area of sky and the looser, almost scribbled, strokes of the foreground meadow. Areas of raw canvas are visible along the picture’s right edge."},{"formatted":"<p class=\"dokuwiki_paragraph\">This painting is of a summer landscape in <a class=\"dokuwiki_link\" href=\"https://data.ng.ac.uk/0P84-0001-0000-0000.htm\">Cezanne</a>&rsquo;s native Provence in the south of France. Like the <a class=\"dokuwiki_link\" href=\"https://data.ng.ac.uk/0F06-0008-0000-0000.htm\">Impressionists</a>, Cezanne was interested in depicting the landscape primarily using touches of colour. Although this painting shows Cezanne&rsquo;s debt to Impressionism, his method is more controlled. For example, he has not sought to spontaneously capture ephemeral, transitory effects of light but has instead used colour to systematically build up the structure of the entire <a class=\"dokuwiki_link\" href=\"{$BASE_URL}/dokuwiki-3467053629\">composition</a> while still attending to local detail. He later remarked to the artist and writer Maurice Denis: &lsquo;I wanted to make out of Impressionism something solid and durable like the art of museums.&rsquo;</p><p class=\"dokuwiki_paragraph\">Cezanne created the volume and texture of the large poplar trees here using vertical and oblique brushstrokes of green and blue laid down in parallel formation. The natural forms of the trees contrast with the tauter, more geometric man-made structures in the centre of the picture. The building &ndash; possibly a farmhouse &ndash; and low stone wall are constructed with broader patches of ochre and blue-grey. Darker outlines define the building&rsquo;s roof and walls, and Cezanne has also introduced small touches of red. The short brushstrokes used for both the trees and the buildings contrast with the relatively unworked and uniform area of sky and the looser, almost scribbled, strokes of the foreground meadow. Areas of raw <a class=\"dokuwiki_link\" href=\"https://data.ng.ac.uk/0FP6-0008-0000-0000.htm\">canvas</a> are visible along the picture&rsquo;s right edge.</p>","source":"Dokuwiki","type":"long text","value":"This painting is of a summer landscape in Cezanne's native Provence in the south of France. Like the Impressionists, Cezanne was interested in depicting the landscape primarily using touches of colour. Although this painting shows Cezanne's debt to Impressionism, his method is more controlled. For example, he has not sought to spontaneously capture ephemeral, transitory effects of light but has instead used colour to systematically build up the structure of the entire composition while still attending to local detail. He later remarked to the artist and writer Maurice Denis: 'I wanted to make out of Impressionism something solid and durable like the art of museums.'\n\nCezanne created the volume and texture of the large poplar trees here using vertical and oblique brushstrokes of green and blue laid down in parallel formation. The natural forms of the trees contrast with the tauter, more geometric man-made structures in the centre of the picture. The building -- possibly a farmhouse -- and low stone wall are constructed with broader patches of ochre and blue-grey. Darker outlines define the building’s roof and walls, and Cezanne has also introduced small touches of red. The short brushstrokes used for both the trees and the buildings contrast with the relatively unworked and uniform area of sky and the looser, almost scribbled, strokes of the foreground meadow. Areas of raw canvas are visible along the picture’s right edge."}],"archive":[{"summary":{"title":"Photograph:  View of Room XXII [45]"},"@admin":{"uid":"0D7V-0003-0000-0000","id":"R65642","source":"calm","uuid":"c79480c4-b8ff-3009-aeae-0b961c5b24e8"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Press cuttings"},"@admin":{"uid":"0CQV-0005-0000-0000","id":"R42041","source":"calm","uuid":"4da07ec9-288c-32d8-8551-5efbc8bd3f86"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Acquisition file"},"@admin":{"uid":"0EL9-0005-0000-0000","id":"R64984","source":"calm","uuid":"e01b406e-585a-3aa7-a2e6-1a243ea64f5a"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Acquisition: Monet, 'Bathers at La Grenouillère'; Cezanne, 'Landscape with Poplars'"},"@admin":{"uid":"0EHL-0005-0000-0000","id":"R46058","source":"calm","uuid":"6c39e060-4898-3ba7-8571-24da92c404e3"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"}],"accession":{"date":[{"from":"1979","to":"1979","value":"1979-01-01"}],"agent":[{"summary":{"title":"Richard Walzer"},"@link":{"role":{"equivalents":[{"summary":{"title":"Donor"},"identifier":[{"id":"https://vocab.getty.edu/aat/300025240","type":"AAT","value":"donors"}],"@admin":{"uid":"0I40-000B-0000-0000","id":"concept-donor","uuid":"ca04e7b8-70ae-3e5b-95ed-8d0c7db4af4e"},"@datatype":{"actual":"equivalents","equivalents":[{"@admin":{"id":"concept-equivalents","uuid":"ff84d33a-1072-38d2-953b-5332535ba652","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"value":"Donor"},"public":true,"historical":false},"@admin":{"uid":"0R1C-0001-0000-0000","id":"agent-2644","uuid":"f874c1e9-bd59-3ec8-9644-b049bf8d0fb5"},"@datatype":{"actual":"Individual","equivalents":[{"@admin":{"id":"concept-individual","uuid":"1d4d592f-3d79-3e1f-97e1-bac2f41101be","status":"unavailable"},"@entity":"reference"}],"base":"agent"},"@entity":"reference"}],"@entity":"lifecycle"},"classification":[{"equivalents":[{"summary":{"title":"Picture"},"identifier":[{"id":"https://vocab.getty.edu/aat/300264388","type":"AAT","value":"pictures (object genre)"}],"@admin":{"uid":"0I0T-000B-0000-0000","id":"concept-picture","uuid":"7f8749b2-e93c-351a-a936-4eedd71b21ed"},"@datatype":{"actual":"equivalents","equivalents":[{"@admin":{"id":"concept-equivalents","uuid":"ff84d33a-1072-38d2-953b-5332535ba652","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"type":"classification","value":"Picture"},{"type":"school","value":"French"}],"title":[{"type":"full title","value":"Landscape with Poplars"}],"multimedia":[{"@admin":{"uid":"039L-0001-0000-0000","access":{"level":{"label":"public","value":4}},"id":"n-6457-00-000009.tif","source":"ngfs","uuid":"781deb0e-ae42-3ca2-af4b-b64b822f0884"},"@processed":{"preview":{"resizable":true,"@type":"image","format":"jpeg","modified":1257544431997,"location":"655/904/994/preview_N-6457-00-000009.jpg","measurements":{"filesize":{"units":"bytes","value":37377},"dimensions":[{"units":"pixels","dimension":"height","value":147},{"units":"pixels","dimension":"width","value":120}]}},"mid":{"resizable":true,"@type":"image","format":"jpeg","modified":1257544431997,"location":"655/904/994/mid_N-6457-00-000009.jpg","measurements":{"filesize":{"units":"bytes","value":70903},"dimensions":[{"units":"pixels","dimension":"height","value":550},{"units":"pixels","dimension":"width","value":450}]}},"zoom":{"resizable":true,"@type":"image","format":"pyramid tiff","modified":1257544431997,"location":"655/904/994/N_6457_00_000009.ptif","measurements":{"filesize":{"units":"bytes","value":147722428},"dimensions":[{"units":"pixels","dimension":"height","value":7760},{"units":"pixels","dimension":"width","value":6344}]}}},"@type":"image","@datatype":{"actual":"image","base":"media"},"@entity":"reference"}],"@admin":{"processed":1777973966865,"sequence":1574154,"uid":"0ERZ-0001-0000-0000","added":1697553939283,"stream":"tms","id":"object-3758","source":"Tms","uuid":"92753ffa-2a73-3834-9ca5-5741991fab37"},"bibliography":[{"summary":{"title":"The National Gallery: Complete Illustrated Catalogue"},"@link":{"details":{"figure":"p. 170","illustrated":true,"page":"107","type":"Key bibliography"}},"@admin":{"uid":"0E1Z-0008-0000-0000","id":"publication-34","uuid":"4025ce72-2c64-30b7-9f5b-dd46cdac09a4"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The National Gallery Report: January 1978 - 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