A scowling man wearing a scholar’s cap and brown gown appears before us. His drapery, wrapped tightly around him, has the smooth, solid look of a sculpted Roman bust. Half of his face is in shadow and the cold lighting emphasises his long, narrow nose, unkempt hair, unshaven face and furrowed brow.
The man thrusts a tablet bearing a Latin inscription towards us – translated, it reads: ‘Keep silent, unless your speech is better than silence.’ The phrase is taken from Stobaeus’s Anthologia, a fifth-century collection of extracts from Greek authors. There has been much debate over the sitter’s identity, but recent scholarship has shown that the figure was originally painted as a personification of philosophy.
Rosa wished to be recognised as a learned painter of philosophical subjects. He produced this work during the early 1640s for Filippo Niccolini, who belonged to the circle of educated men Rosa befriended during his stay in Florence.
","source":"Dokuwiki","type":"short text","value":"A scowling man wearing a scholar's cap and brown gown appears before us. His drapery, wrapped tightly around him, has the smooth, solid look of a sculpted Roman bust. Half of his face is in shadow and the cold lighting emphasises his long, narrow nose, unkempt hair, unshaven face and furrowed brow.\n\nThe man thrusts a tablet bearing a Latin inscription towards us -- translated, it reads: 'Keep silent, unless your speech is better than silence.' The phrase is taken from Stobaeus's Anthologia, a fifth-century collection of extracts from Greek authors. There has been much debate over the sitter's identity, but recent scholarship has shown that the figure was originally painted as a personification of philosophy.\n\nRosa wished to be recognised as a learned painter of philosophical subjects. He produced this work during the early 1640s for Filippo Niccolini, who belonged to the circle of educated men Rosa befriended during his stay in Florence."},{"formatted":"A scowling man wearing a scholar’s cap and brown gown appears before us. His drapery, wrapped tightly around him, has the smooth, solid look of a sculpted Roman bust. Half of his face is in shadow and the cold lighting emphasises his long, narrow nose, unkempt hair, unshaven face and furrowed brow. The low viewpoint makes it feel as if the man is looming over us. This, along with his intense gaze and the setting of his dark form against a stormy sky, creates a powerful impression and a slightly threatening mood.
The man thrusts a tablet bearing a Latin inscription towards us – translated, it reads: ‘Keep silent, unless your speech is better than silence.’ The phrase is taken from Stobaeus’s Anthologia, a fifth-century collection of extracts from Greek authors. Rosa later created his own compilation of witty sayings in Il Teatro della Politica, which included several on the virtues of silence, a concept associated with many philosophers of antiquity.
There has been much debate over the identity of the sitter. Due to an eighteenth- or nineteenth-century inscription on the back of the painting, the picture was thought to be a self portrait when it entered the National Gallery’s collection, but recent scholarship has shown that it was originally painted as a personification of philosophy. It has a pendant, Poetry (now in the Wadsworth Atheneum, Hartford, Connecticut) – the woman depicted in that picture was probably based on a portrait of Rosa’s long-term companion, Lucrezia. Philosophy reflects a wider interest in philosophical debates and the thinkers of antiquity that existed in Italy during the seventeenth century. The composition and sombre colouring recall the half-length depictions of philosophers painted in Naples by Ribera during the 1630s.
Rosa painted Philosophy during the early 1640s, while he was in Florence, for Filippo Niccolini, tutor and later chamberlain of Rosa’s patron Giovan Carlo de' Medici. Niccolini shared Rosa’s passion for theatre and belonged to the circle of learned men the artist had befriended during his stay. Rosa took inspiration from the philosophers, scientists and actors he met in Florence and Rome, many of whom shared his fascination with dark and disturbing subjects, such as the one explored in Witches at their Incantations. He wished to be recognised as a painter of philosophical subjects rather than a specialist in types of art considered inferior at the time, like landscapes and genre scenes. To his frustration, this was a reputation he never quite achieved, and he was most original as a landscape artist.
","source":"Dokuwiki","type":"long text","value":"A scowling man wearing a scholar's cap and brown gown appears before us. His drapery, wrapped tightly around him, has the smooth, solid look of a sculpted Roman bust. Half of his face is in shadow and the cold lighting emphasises his long, narrow nose, unkempt hair, unshaven face and furrowed brow. The low viewpoint makes it feel as if the man is looming over us. This, along with his intense gaze and the setting of his dark form against a stormy sky, creates a powerful impression and a slightly threatening mood.\n\nThe man thrusts a tablet bearing a Latin inscription towards us -- translated, it reads: 'Keep silent, unless your speech is better than silence.' The phrase is taken from Stobaeus's Anthologia, a fifth-century collection of extracts from Greek authors. Rosa later created his own compilation of witty sayings in Il Teatro della Politica, which included several on the virtues of silence, a concept associated with many philosophers of antiquity.\n\nThere has been much debate over the identity of the sitter. Due to an eighteenth- or nineteenth-century inscription on the back of the painting, the picture was thought to be a self portrait when it entered the National Gallery's collection, but recent scholarship has shown that it was originally painted as a personification of philosophy. It has a pendant, Poetry (now in the Wadsworth Atheneum, Hartford, Connecticut) -- the woman depicted in that picture was probably based on a portrait of Rosa's long-term companion, Lucrezia. Philosophy reflects a wider interest in philosophical debates and the thinkers of antiquity that existed in Italy during the seventeenth century. The composition and sombre colouring recall the half-length depictions of philosophers painted in Naples by Ribera during the 1630s.\n\nRosa painted Philosophy during the early 1640s, while he was in Florence, for Filippo Niccolini, tutor and later chamberlain of Rosa's patron Giovan Carlo de' Medici. Niccolini shared Rosa's passion for theatre and belonged to the circle of learned men the artist had befriended during his stay. Rosa took inspiration from the philosophers, scientists and actors he met in Florence and Rome, many of whom shared his fascination with dark and disturbing subjects, such as the one explored in Witches at their Incantations. He wished to be recognised as a painter of philosophical subjects rather than a specialist in types of art considered inferior at the time, like landscapes and genre scenes. To his frustration, this was a reputation he never quite achieved, and he was most original as a landscape artist."}],"archive":[{"summary":{"title":"Acquisition file"},"@admin":{"uid":"0FQB-0003-0000-0000","id":"R66011","source":"calm","uuid":"93bf1540-d8c3-33ac-a6c9-ca3eb2668c4b"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Whitechapel Art Gallery, London"},"@admin":{"uid":"03Z9-0006-0000-0000","id":"R62267","source":"calm","uuid":"6496edd8-97b1-3f25-a27e-68b7939081c5"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Hayward Gallery, London: Salvator Rosa (Arts Council)"},"@admin":{"uid":"03LC-0006-0000-0000","id":"R62065","source":"calm","uuid":"9eb9e422-2170-3bdb-bec3-1fa72df68551"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Naples: Rosa exhibition"},"@admin":{"uid":"0EL8-0007-0000-0000","id":"R55644","source":"calm","uuid":"8f4bf54c-6fec-338c-97fc-13e7daac9837"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"}],"accession":{"date":[{"from":"1933","to":"1933","value":"1933-01-01"}],"agent":[{"summary":{"title":"Henry William Edmond Petty-Fitzmaurice, 6th Marquess of Lansdowne"},"@link":{"role":{"equivalents":[{"summary":{"title":"Donor"},"identifier":[{"id":"https://vocab.getty.edu/aat/300025240","type":"AAT","value":"donors"}],"@admin":{"uid":"0I40-000B-0000-0000","id":"concept-donor","uuid":"ca04e7b8-70ae-3e5b-95ed-8d0c7db4af4e"},"@datatype":{"actual":"equivalents","equivalents":[{"@admin":{"id":"concept-equivalents","uuid":"ff84d33a-1072-38d2-953b-5332535ba652","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"value":"Donor"},"public":true,"historical":false},"@admin":{"uid":"0QNV-0001-0000-0000","id":"agent-2744","uuid":"7e12db27-524b-3767-88c7-410f036d6278"},"@datatype":{"actual":"Individual","equivalents":[{"@admin":{"id":"concept-individual","uuid":"1d4d592f-3d79-3e1f-97e1-bac2f41101be","status":"unavailable"},"@entity":"reference"}],"base":"agent"},"@entity":"reference"}],"@entity":"lifecycle"},"classification":[{"equivalents":[{"summary":{"title":"Picture"},"identifier":[{"id":"https://vocab.getty.edu/aat/300264388","type":"AAT","value":"pictures (object genre)"}],"@admin":{"uid":"0I0T-000B-0000-0000","id":"concept-picture","uuid":"7f8749b2-e93c-351a-a936-4eedd71b21ed"},"@datatype":{"actual":"equivalents","equivalents":[{"@admin":{"id":"concept-equivalents","uuid":"ff84d33a-1072-38d2-953b-5332535ba652","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"type":"classification","value":"Picture"},{"type":"school","value":"Italian (Neapolitan)"}],"title":[{"type":"full title","value":"Philosophy"}],"multimedia":[{"@admin":{"uid":"01TZ-0001-0000-0000","access":{"level":{"label":"public","value":4}},"id":"n-4680-00-000017.tif","source":"ngfs","uuid":"d38fbffb-842d-36e8-ad8c-c08ff5954115"},"@processed":{"preview":{"resizable":true,"@type":"image","format":"jpeg","modified":1257538447044,"location":"282/561/313/preview_N-4680-00-000017.jpg","measurements":{"filesize":{"units":"bytes","value":34935},"dimensions":[{"units":"pixels","dimension":"height","value":148},{"units":"pixels","dimension":"width","value":120}]}},"mid":{"resizable":true,"@type":"image","format":"jpeg","modified":1257538447044,"location":"282/561/313/mid_N-4680-00-000017.jpg","measurements":{"filesize":{"units":"bytes","value":57233},"dimensions":[{"units":"pixels","dimension":"height","value":556},{"units":"pixels","dimension":"width","value":450}]}},"zoom":{"resizable":true,"@type":"image","format":"pyramid tiff","modified":1257538447044,"location":"282/561/313/N_4680_00_000017.ptif","measurements":{"filesize":{"units":"bytes","value":191986476},"dimensions":[{"units":"pixels","dimension":"height","value":8888},{"units":"pixels","dimension":"width","value":7199}]}}},"@type":"image","@datatype":{"actual":"image","base":"media"},"@entity":"reference"}],"@admin":{"processed":1779461503821,"sequence":1658783,"uid":"0EOU-0001-0000-0000","added":1697553949205,"stream":"tms","id":"object-3688","source":"Tms","uuid":"df644acc-dacb-3cb0-8624-fb26b177cc37"},"bibliography":[{"summary":{"title":"National Gallery Catalogues: The Seventeenth and Eighteenth Century Italian Schools"},"@link":{"details":{"illustrated":false,"page":"200-2","type":"Latest catalogue"}},"@admin":{"uid":"0DSQ-0008-0000-0000","id":"publication-30","uuid":"39af335c-5ddb-36dd-b0b0-06f4199fb4c4"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The National Gallery: Complete Illustrated Catalogue"},"@link":{"details":{"figure":"p. 583","illustrated":true,"page":"583","type":"Key bibliography"}},"@admin":{"uid":"0E1Z-0008-0000-0000","id":"publication-34","uuid":"4025ce72-2c64-30b7-9f5b-dd46cdac09a4"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"National Gallery and Tate Gallery Directors' Reports, 1933"},"@link":{"details":{"illustrated":false,"page":"2","type":"Select bibliography"}},"@admin":{"uid":"0E22-0008-0000-0000","id":"publication-50","uuid":"6e3e1da8-ce7a-36cc-b7af-c37a100ba23f"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Treasures of Art in Great Britain: Being and Account of the Chief Collections of Paintings, Drawings, Sculptures, Illuminated Mss. […]"},"@link":{"details":{"illustrated":false,"page":"3.157","type":"Select bibliography"}},"@admin":{"uid":"04LO-0009-0000-0000","id":"publication-924","uuid":"29464116-536c-3d09-b0f7-5f1e92abec11"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Catalogue of the Collection of Pictures belonging to the Marquess of Lansdowne"},"@link":{"details":{"illustrated":false,"page":"93","type":"Select bibliography","catalogue":"99"}},"@admin":{"uid":"0X4N-000A-0000-0000","id":"publication-5948","uuid":"ebf0109d-034e-3123-a1ed-25b72334a1ae"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Le bellezze della città di Fiorenza, dove a pieno di pittvra di scvltvra di sacri templi di palazzi, i piu notabili artifizj, e piu preziosi si contengono"},"@link":{"details":{"illustrated":false,"page":"408","type":"Select bibliography"}},"@admin":{"uid":"0XFJ-000A-0000-0000","id":"publication-6302","uuid":"306f8832-9d7c-37ee-8d2a-f01ea12eba0a"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Salvator Rosa: His Ideas and His Development as an Artist"},"@link":{"details":{"illustrated":false,"page":"148-50","type":"Select bibliography"}},"@admin":{"uid":"0YB8-000A-0000-0000","id":"publication-7981","uuid":"b4c4d33e-c78f-3948-a299-00083933013e"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The Seventeenth and Eighteenth Century Italian Schools"},"@link":{"details":{"illustrated":false,"page":"200-2","type":"Select bibliography"}},"@admin":{"uid":"0YP0-000A-0000-0000","id":"publication-8329","uuid":"2e3ceab0-62b8-3a14-94ae-b6394f620111"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"…Hoch gerühmt, fast vergessen, neu gesehen: Der italienische Maler und Poet Salvator Rosa"},"@link":{"details":{"illustrated":false,"page":"11","type":"Select bibliography"}},"@admin":{"uid":"0Z7N-000A-0000-0000","id":"publication-9042","uuid":"d32e5cbe-3282-323c-a6b4-575f4a921e16"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Pictor Succensor: A Study of Salvator Rosa as Satirist, Cynic and Painter"},"@link":{"details":{"illustrated":false,"page":"258-9","type":"Select bibliography"}},"@admin":{"uid":"0ZDI-000A-0000-0000","id":"publication-9247","uuid":"09349553-4f68-3812-86f6-932172ce0c72"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Salvator Rosa"},"@link":{"details":{"illustrated":false,"page":"108-16","type":"Select bibliography","catalogue":"14"}},"@admin":{"uid":"0Z7V-000A-0000-0000","id":"publication-9283","uuid":"e268a2b1-bf33-3af6-8055-c0c8e42edd3b"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"L'opera completa di Salvator Rosa"},"@link":{"details":{"illustrated":false,"page":"86-7","type":"Select bibliography"}},"@admin":{"uid":"0Z7Q-000A-0000-0000","id":"publication-9284","uuid":"04bef856-709c-34c2-a1a0-cf1bc735817d"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Salvator Rosa: His Life and Times"},"@link":{"details":{"illustrated":false,"page":"62","type":"Select bibliography"}},"@admin":{"uid":"0ZF0-000A-0000-0000","id":"publication-9419","uuid":"b504292e-0c4e-311c-b872-9860fb42ff7a"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Spanish and Later Italian Paintings"},"@link":{"details":{"figure":"pl. 31","illustrated":true,"type":"Select bibliography"}},"@admin":{"uid":"UZZZ-000A-0000-0000","id":"publication-9670","uuid":"710e6875-2077-33ac-b667-20891cab2cca"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Filosofernas skog: En tecknad skiss av Salvator Rosa"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"04AM-000B-0000-0000","id":"publication-14521","uuid":"d33e76d6-a8d0-3eb2-8b6d-7b599501c991"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"L'Iconografia dei filosofi antichi nella pittura del sec. XVII in Italia"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"03VQ-000B-0000-0000","id":"publication-15357","uuid":"510d5759-d246-3999-8aee-037b4fa9acb9"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Salvator Rosa in Florence, 1640-1649"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"03KA-000B-0000-0000","id":"publication-16226","uuid":"23e2b7d1-befb-39c8-b033-c82a43b006f5"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The Pythagorean Inscription on Rosa's London \"Self-Portrait\""},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"02PW-000B-0000-0000","id":"publication-16311","uuid":"eed386e2-b7eb-32db-9d77-e6ee159a1351"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Salvator Rosa: Autoritratti e ritratti di amici"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"02QT-000B-0000-0000","id":"publication-16563","uuid":"1e8b50d6-16b4-34cc-9aa1-85a79a23f502"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The Sanford Collection at Corsham"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"02PI-000B-0000-0000","id":"publication-16789","uuid":"513b2a2a-958b-33c2-9890-71eaf19d84df"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The Consolations of Friendship: Salvator Rosa's Self Portrait for Giovanni Battista Ricciardi"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"02US-000B-0000-0000","id":"publication-17270","uuid":"88d16514-ba10-3f88-a519-f4ca27e1e8a8"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Salvator Rosa's Self-Portraits: Some Problems of Identity and Meaning"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"043V-000B-0000-0000","id":"publication-17271","uuid":"fb3ecd05-11e6-3bc9-b528-6ef7a2826775"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Le esposizioni d'arte a Firenze dal 1674 al 1767"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"01VF-000B-0000-0000","id":"publication-17327","uuid":"c815152c-dba2-33a3-8b0f-fad8e9a47aee"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"The Clerical Connoisseur"},"@link":{"details":{"illustrated":false,"type":"Select bibliography"}},"@admin":{"uid":"01Z3-000B-0000-0000","id":"publication-17627","uuid":"8228e354-61b2-37d7-8d08-1fc5084e44ed"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Catalogue of Paintings, Belonging to the Rev. John Sanford; Collected in Italy, from 1815 to 1837: Entrusted to G. Yates and Son, to be Partially Disposed of by Private Contract, at 209, Regent Street"},"@link":{"details":{"illustrated":false,"page":"9","type":"Select bibliography","catalogue":"29"}},"@admin":{"uid":"04IO-000B-0000-0000","id":"publication-18150","uuid":"7be4cf1a-67e3-3b2f-bc62-a9532dc96fb1"},"@datatype":{"actual":"Auction catalogue","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-auction_catalogue","uuid":"e237c334-1e50-306d-a98e-6b2bd5a1eae7","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Salvator Rosa: Tra mito e magia"},"@link":{"details":{"illustrated":false,"page":"102-3","type":"Select Bibliography","catalogue":"2"}},"@admin":{"uid":"05MC-000B-0000-0000","id":"publication-18553","uuid":"1eb93047-7c45-3810-962b-9d62673e8ac9"},"@datatype":{"actual":"Collection of essays","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-collection_of_essays","uuid":"976c6e08-dca6-3613-b9ae-c67baca2c484","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Filosofico umore, e, maravigliosa speditezza: Pittura napoletana del Seicento dalle collezioni medicee"},"@link":{"details":{"illustrated":false,"page":"67, 130","type":"Select Bibliography"}},"@admin":{"uid":"05KF-000B-0000-0000","id":"publication-18692","uuid":"8c1ea29a-3f5e-3690-bede-58325dc46aff"},"@datatype":{"actual":"Collection of essays","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-collection_of_essays","uuid":"976c6e08-dca6-3613-b9ae-c67baca2c484","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Salvator Rosa"},"@link":{"details":{"illustrated":false,"page":"22","type":"Select Bibliography","catalogue":"9"}},"@admin":{"uid":"05X0-000B-0000-0000","id":"publication-18851","uuid":"39491229-0ec7-3f49-ab4d-0887ac46b5cd"},"@datatype":{"actual":"Collection of essays","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-collection_of_essays","uuid":"976c6e08-dca6-3613-b9ae-c67baca2c484","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Sub Rosa: Verschwiegene Beredsamkeit im Londoner Selbstporträt von Salvator Rosa"},"@link":{"details":{"illustrated":false,"type":"Select Bibliography"}},"@admin":{"uid":"07QT-000B-0000-0000","id":"publication-19720","uuid":"6f6c7bdc-f9de-3557-a13f-b6c307b1b3d8"},"@datatype":{"actual":"Article in book","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_book","uuid":"ab1d27ba-af58-3fa3-99fc-d780ee59afc2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Sincerity in Seventeenth-Century Italy"},"@link":{"details":{"illustrated":false,"type":"Select Bibliography"}},"@admin":{"uid":"09OO-000B-0000-0000","id":"publication-20561","uuid":"fd86da0d-f86c-3833-90b7-b2c8c510c1a8"},"@datatype":{"actual":"Article in journal","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-article_in_journal","uuid":"1b4e50b6-c2aa-3434-910f-63936d5a9c20","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"},{"summary":{"title":"Face to face : three centuries of artists' self-portraiture /Xanthe Brooke."},"@admin":{"uid":"0BW4-0006-0000-0000","id":"OCoLC-ocm33360499","source":"eos","uuid":"a9f41c26-1efb-3f9d-9400-b91225ea006c"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"Salvator Rosa : tra mito e magia /[redazione, Silvia Cassani]."},"@link":{"details":{"page":"Cat. no. 2 (p. 102-103); ill. (p. 100)"}},"@admin":{"uid":"0URS-0006-0000-0000","id":"OCoLC-ocn234775434","source":"eos","uuid":"3859b500-d1c0-3887-9786-4b697b4fd41d"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"Salvator Rosa / Helen Langdon ; with Xavier F. Salomon and Caterina Volpi."},"@link":{"details":{"page":"Cat. no, 2 (p. 108-109); ill. (p. [110])"}},"@admin":{"uid":"0X7Y-0005-0000-0000","id":"UKLoNG-3046","source":"eos","uuid":"02efe2e7-a669-3b08-940b-158ed4f60f60"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"A fearsome imagination / Timothy J. Standring."},"@link":{"details":{"page":"Ill. fig. 3 (p. 81)"}},"@admin":{"uid":"0N2J-0005-0000-0000","id":"UKLoNG-3603","source":"eos","uuid":"d5393a3f-a1a4-380b-acb3-750253e4b17f"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"Pittura di ritratto a Roma : il Seicento /Francesco Petrucci."},"@link":{"details":{"page":"Ill. fig. 317 (p. 223); ill. fig. 642 (p. 728)"}},"@admin":{"uid":"08RM-0007-0000-0000","id":"UKLoNG-3752","source":"eos","uuid":"8c186433-a1db-3a60-8a06-5ef2919e9db1"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"If the paintings could talk… / Michael Wilson ; with a foreword by Andrew Marr."},"@link":{"details":{"page":"Ill. (p. 146)"}},"@admin":{"uid":"0M8D-0005-0000-0000","id":"UKLoNG-6082","source":"eos","uuid":"c5e2b194-209d-3514-98fd-75c89842cac4"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"La pittura Italiana del Seicento all'Ermitage : ricerche e riflessioni /a cura di Francesca Cappelletti e Irina Artemieva."},"@link":{"details":{"page":"Ill. fig. 5 (p. 190)"}},"@admin":{"uid":"0JNI-0005-0000-0000","id":"UKLoNG-12771","source":"eos","uuid":"dda3e51f-455c-3d1c-bd3f-bea207053b1f"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"Der Künstler als Kunstwerk : selbstporträts vom Mittelalter bis zur Gegenwart /herausgegeben von Ulrich Pfisterer und Valeska von Rosen."},"@link":{"details":{"page":"p. 82; ill. (p. [83])"}},"@admin":{"uid":"08FP-0007-0000-0000","id":"UKLoNG-20110830144036123NG14328973","source":"eos","uuid":"b4a2b9f1-8125-3be3-acc6-37b25956f9fb"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"Self portrait : Renaissance to contemporary /Anthony Bond and Joanna Woodall."},"@link":{"details":{"page":"Fig. 18 : p. 120-121"}},"@admin":{"uid":"0R4J-0005-0000-0000","id":"UKLoNG-20120111163932130NG16992747","source":"eos","uuid":"553e1a0d-0a59-3f6b-b093-01838d94271f"},"@datatype":{"base":"publication"},"@entity":"reference"},{"summary":{"title":"The witch as muse : art, gender and power in early modern Europe /Linda C. Hults."},"@link":{"details":{"page":"Figure 6.6 : page. 184"}},"@admin":{"uid":"08JC-0007-0000-0000","id":"UKLoNG-20120111163932130NG16995106","source":"eos","uuid":"eeed4fae-f303-3d11-8133-fe1974b7a4e8"},"@datatype":{"base":"publication"},"@entity":"reference"}],"provenance":{"text":{"date":{"from":"1986","to":"1986","value":"1986"},"author":{"summary":{"title":"Sir Michael Levey"},"@admin":{"uid":"0T6W-0001-0000-0000","id":"agent-6807","uuid":"6cd3be67-fe5d-3449-b023-492e0ef18f38"},"@datatype":{"actual":"Individual","equivalents":[{"@admin":{"id":"concept-individual","uuid":"1d4d592f-3d79-3e1f-97e1-bac2f41101be","status":"unavailable"},"@entity":"reference"}],"base":"agent"},"@entity":"reference"},"source":{"date":{"from":"1986","to":"1986","value":"1986"},"note":{"value":"Text extracted from the ‘Provenance’ section of the catalogue entry in Michael Levey, ‘National Gallery Catalogues: The Seventeenth and Eighteenth Century Italian Schools’, London 1986; for further information, see the full catalogue entry."},"publication":{"summary":{"title":"National Gallery Catalogues: The Seventeenth and Eighteenth Century Italian Schools"},"@admin":{"uid":"0DSQ-0008-0000-0000","id":"publication-30","uuid":"39af335c-5ddb-36dd-b0b0-06f4199fb4c4"},"@datatype":{"actual":"Monograph","sub":["tms"],"equivalents":[{"@admin":{"id":"concept-monograph","uuid":"adda9f35-d664-3c9d-95f8-43e2737b77c2","status":"public"},"@entity":"reference"}],"base":"publication"},"@entity":"reference"}},"status":{"date":[{"from":"2024","to":"2024","value":"2024-09-10"}],"value":"publish"}},"@entity":"lifecycle"},"material":[{"value":"oil on canvas"},{"type":"detailed","value":"oil on canvas"},{"summary":{"title":"oil"},"@link":{"role":[{"value":"medium"}]},"@admin":{"uid":"0FLK-0008-0000-0000","id":"concept-39977","uuid":"8b85d85a-c7b3-355e-a2a3-9f8696065bf1"},"@datatype":{"actual":"thesaurus","equivalents":[{"@admin":{"id":"concept-thesaurus","uuid":"f43fd0f4-55b4-3b40-848f-447f65fd6444","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"},{"summary":{"title":"canvas"},"@link":{"role":[{"value":"primary support"}]},"@admin":{"uid":"0FP6-0008-0000-0000","id":"concept-39978","uuid":"ed749495-ea74-3bb8-8100-01a32bbd7205"},"@datatype":{"actual":"thesaurus","equivalents":[{"@admin":{"id":"concept-thesaurus","uuid":"f43fd0f4-55b4-3b40-848f-447f65fd6444","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"plinth":{"value":"None"},"genre":[{"summary":{"title":"personifications"},"@link":{"role":[{"value":"genre"}]},"@admin":{"uid":"0EPE-0008-0000-0000","id":"concept-36125","uuid":"fb150ce0-d559-3ad7-a22d-b45ef32b2571"},"@datatype":{"actual":"thesaurus","equivalents":[{"@admin":{"id":"concept-thesaurus","uuid":"f43fd0f4-55b4-3b40-848f-447f65fd6444","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"},{"summary":{"title":"Silence"},"@link":{"role":[{"value":"genre"}]},"@admin":{"uid":"0FD3-0008-0000-0000","id":"concept-37025","uuid":"4aa66c8b-61a4-3c31-9032-dc2d9f7ac99e"},"@datatype":{"actual":"thesaurus","equivalents":[{"@admin":{"id":"concept-thesaurus","uuid":"f43fd0f4-55b4-3b40-848f-447f65fd6444","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"},{"summary":{"title":"half length portraits"},"@link":{"role":[{"value":"genre"}]},"@admin":{"uid":"0ECS-0008-0000-0000","id":"concept-35422","uuid":"bbc6fcb7-a585-329e-bc6d-9b8cf902d383"},"@datatype":{"actual":"thesaurus","equivalents":[{"@admin":{"id":"concept-thesaurus","uuid":"f43fd0f4-55b4-3b40-848f-447f65fd6444","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"},{"summary":{"title":"male portraits"},"@link":{"role":[{"value":"genre"}]},"@admin":{"uid":"0EYA-0008-0000-0000","id":"concept-35423","uuid":"d9d5679f-3426-30cb-850b-71b0b8cd31b2"},"@datatype":{"actual":"thesaurus","equivalents":[{"@admin":{"id":"concept-thesaurus","uuid":"f43fd0f4-55b4-3b40-848f-447f65fd6444","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"},{"summary":{"title":"self portraits"},"@link":{"role":[{"value":"genre"}]},"@admin":{"uid":"0E9Z-0008-0000-0000","id":"concept-35428","uuid":"5c3ed678-04ae-3e5a-a59c-b012a9e6baf4"},"@datatype":{"actual":"thesaurus","equivalents":[{"@admin":{"id":"concept-thesaurus","uuid":"f43fd0f4-55b4-3b40-848f-447f65fd6444","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"legal":{"rights":[{"details":"To encourage the use and reuse of the National Gallery's collection data, they are released under the following dedications and licences:\r\nStructured data (as opposed to narrative texts) are released under a Creative Commons Zero dedication (CC0): https://creativecommons.org/publicdomain/zero/1.0/.\r\nDescriptions, notes and all other narrative text content are licensed under a Creative Commons Attribution 4.0 licence (CC BY): https://creativecommons.org/licenses/by/4.0/.\r\nImages are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 4.0 licence (CC BY-NC-ND): https://creativecommons.org/licenses/by-nc-nd/4.0/.","type":"use of images and metadata"}],"credit":"Presented by the 6th Marquis of Lansdowne in memory of his father, 1933","status":"Accessioned object"},"location":{"current":{"summary":{"title":"Room 32"},"@link":{"date":[{"from":"2023-07-11T00:00","to":"9999-12-31T00:00"}],"custodian":{"summary":{"title":"The National Gallery (London)"},"@admin":{"uid":"0P5X-0001-0000-0000","id":"agent-652","uuid":"511c84f0-a664-39ab-b653-6db7fc6c345e"},"@datatype":{"actual":"Organisation","equivalents":[{"@admin":{"id":"concept-organisation","uuid":"2bd185c5-a9b6-36ee-8bea-3dc3251b28e7","status":"unavailable"},"@entity":"reference"}],"base":"agent"},"@entity":"reference"}},"@admin":{"uid":"0ULG-0001-0000-0000","available":true,"id":"location-32","uuid":"31fa5501-28ab-3901-b4df-4f2fd67134fb"},"route":[{"value":"C"}],"@datatype":{"base":"location"},"floor":1,"@entity":"reference"}},"style":[{"summary":{"title":"baroque"},"@link":{"role":[{"value":"period/style/movement"}]},"@admin":{"uid":"0F7W-0008-0000-0000","id":"concept-40179","uuid":"b9d30535-871e-3ba3-981a-9239a6e1c9d8"},"@datatype":{"actual":"thesaurus","equivalents":[{"@admin":{"id":"concept-thesaurus","uuid":"f43fd0f4-55b4-3b40-848f-447f65fd6444","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"},{"summary":{"title":"academic"},"@link":{"role":[{"value":"period/style/movement"}]},"@admin":{"uid":"0F42-0008-0000-0000","id":"concept-40176","uuid":"59b3ce6d-9ac8-3e12-9fa4-69fe7f37dc64"},"@datatype":{"actual":"thesaurus","equivalents":[{"@admin":{"id":"concept-thesaurus","uuid":"f43fd0f4-55b4-3b40-848f-447f65fd6444","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"category":[{"equivalents":[{"summary":{"title":"Main Collection"},"@admin":{"uid":"0ORM-000B-0000-0000","id":"concept-main_collection","uuid":"d85ab112-31c0-30df-965c-84034814811c"},"@datatype":{"actual":"equivalents","equivalents":[{"@admin":{"id":"concept-equivalents","uuid":"ff84d33a-1072-38d2-953b-5332535ba652","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"type":"department","value":"Main Collection"}],"creation":[{"date":[{"from":"1645","to":"1645","value":"about 1645"}],"attribution":[{"formatted":"Salvator Rosa","type":"attribution","value":"Salvator Rosa"},{"formatted":"Salvator Rosa (1615–1673)","type":"attribution with dates","value":"Salvator Rosa (1615–1673)"}],"maker":[{"date":[{"from":"1615","to":"1673","value":"1615 - 1673"}],"summary":{"title":"Salvator Rosa"},"@link":{"role":{"equivalents":[{"summary":{"title":"Artist"},"identifier":[{"id":"https://vocab.getty.edu/aat/300025103","type":"AAT","value":"artists (visual artists)"}],"@admin":{"uid":"0I3E-000B-0000-0000","id":"concept-artist","uuid":"8ea7e14d-4dcf-3d64-8b36-269271693350"},"@datatype":{"actual":"equivalents","equivalents":[{"@admin":{"id":"concept-equivalents","uuid":"ff84d33a-1072-38d2-953b-5332535ba652","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"value":"Artist"},"public":true,"historical":false},"@admin":{"uid":"0Q4T-0001-0000-0000","id":"agent-1564","uuid":"f80fa78b-58e6-3fa2-996b-2255524d7bde"},"death":{"date":[{"from":"1673","to":"1673","value":"1673"}],"@entity":"lifecycle"},"birth":{"date":[{"from":"1615","to":"1615","value":"1615"}],"@entity":"lifecycle"},"@datatype":{"actual":"Individual","equivalents":[{"@admin":{"id":"concept-individual","uuid":"1d4d592f-3d79-3e1f-97e1-bac2f41101be","status":"unavailable"},"@entity":"reference"}],"base":"agent"},"@entity":"reference"}],"place":[{"summary":{"title":"Italy"},"@link":{"role":[{"value":"place of production"}]},"@admin":{"uid":"0FZU-0008-0000-0000","id":"place-35176","uuid":"45295d29-2ffb-3877-bcb4-f8a1c2256d88"},"@datatype":{"actual":"place","sub":["concept"],"equivalents":[{"@admin":{"id":"concept-place","uuid":"af8ee8b4-cbd1-3401-b336-a97085914cd1","status":"unavailable"},"@entity":"reference"}],"base":"place"},"@entity":"reference"},{"summary":{"title":"Florence"},"@link":{"role":[{"value":"place of production"}]},"@admin":{"uid":"0G6R-0008-0000-0000","id":"place-37335","uuid":"01d78037-f105-3bd6-a0cd-6f7bb6688131"},"@datatype":{"actual":"place","sub":["concept"],"equivalents":[{"@admin":{"id":"concept-place","uuid":"af8ee8b4-cbd1-3401-b336-a97085914cd1","status":"unavailable"},"@entity":"reference"}],"base":"place"},"@entity":"reference"}],"timespan":[{"summary":{"title":"1625-49"},"@link":{"role":[{"value":"timespan"}]},"@admin":{"uid":"0FC2-0008-0000-0000","id":"concept-39939","uuid":"87e14433-1a10-3a66-983a-73d7dfa5ca59"},"@datatype":{"actual":"thesaurus","equivalents":[{"@admin":{"id":"concept-thesaurus","uuid":"f43fd0f4-55b4-3b40-848f-447f65fd6444","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"@entity":"lifecycle"}],"measurements":[{"display":"116.3 × 94 cm","equivalents":[{"summary":{"title":"Overall"},"identifier":[{"id":"https://vocab.getty.edu/aat/300404389","type":"AAT","value":"overall (extent designation)"}],"@admin":{"uid":"0OQZ-000B-0000-0000","id":"concept-overall","uuid":"2d02cd2e-d64d-3ed0-a6dc-516de5a0d986"},"@datatype":{"actual":"equivalents","equivalents":[{"@admin":{"id":"concept-equivalents","uuid":"ff84d33a-1072-38d2-953b-5332535ba652","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"type":"Overall","dimensions":[{"displayed":true,"equivalents":[{"summary":{"title":"Height"},"identifier":[{"id":"https://vocab.getty.edu/aat/300055644","type":"AAT","value":"height"}],"@admin":{"uid":"0I3Q-000B-0000-0000","id":"concept-height","uuid":"53354df9-7186-339b-afd1-4200d5448a2d"},"@datatype":{"actual":"equivalents","equivalents":[{"@admin":{"id":"concept-equivalents","uuid":"ff84d33a-1072-38d2-953b-5332535ba652","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"},{"summary":{"title":"cm"},"identifier":[{"id":"https://vocab.getty.edu/aat/300379098","type":"AAT","value":"centimeters"}],"@admin":{"uid":"0I3D-000B-0000-0000","id":"concept-cm","uuid":"4b8d26c3-d517-3ee2-bae4-9252fed5dd33"},"@datatype":{"actual":"equivalents","equivalents":[{"@admin":{"id":"concept-equivalents","uuid":"ff84d33a-1072-38d2-953b-5332535ba652","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"units":"cm","dimension":"Height","value":"116.30"},{"displayed":true,"equivalents":[{"summary":{"title":"Width"},"identifier":[{"id":"https://vocab.getty.edu/aat/300055647","type":"AAT","value":"width"}],"@admin":{"uid":"0I33-000B-0000-0000","id":"concept-width","uuid":"c150edc9-8aad-3655-a9b3-5f69614ec4ac"},"@datatype":{"actual":"equivalents","equivalents":[{"@admin":{"id":"concept-equivalents","uuid":"ff84d33a-1072-38d2-953b-5332535ba652","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"},{"summary":{"title":"cm"},"identifier":[{"id":"https://vocab.getty.edu/aat/300379098","type":"AAT","value":"centimeters"}],"@admin":{"uid":"0I3D-000B-0000-0000","id":"concept-cm","uuid":"4b8d26c3-d517-3ee2-bae4-9252fed5dd33"},"@datatype":{"actual":"equivalents","equivalents":[{"@admin":{"id":"concept-equivalents","uuid":"ff84d33a-1072-38d2-953b-5332535ba652","status":"unavailable"},"@entity":"reference"}],"base":"concept"},"@entity":"reference"}],"units":"cm","dimension":"Width","value":"94.00"}]}]}