This painting was made as part of a group of four works that tell the story of the life of Florence’s patron saint, Zenobius; it is the first of the series. It shows four scenes of his early life as a Christian, from his rejection of marriage to his ordination as Bishop of Florence.
It can be read like a cartoon strip from left to right. In the first scene on the left Zenobius walks sadly away from his fiancée and crosses the road to be baptised under the loggia (open-sided gallery or room) of an elaborate building with columns decorated with gold. His mother is shown being baptised in the next scene. Finally, we find Zenobius kneeling before the pope who is about to make him bishop. He is accompanied by young men in white vestments – they might represent members of the religious group devoted to Zenobius, who may have ordered the pictures.
","source":"Dokuwiki","type":"short text","value":"This painting was made as part of a group of four works that tell the story of the life of Florence's patron saint, Zenobius; it is the first of the series. It shows four scenes of his early life as a Christian, from his rejection of marriage to his ordination as Bishop of Florence.\n\nIt can be read like a cartoon strip from left to right. In the first scene on the left Zenobius walks sadly away from his fiancée and crosses the road to be baptised under the loggia (open-sided gallery or room) of an elaborate building with columns decorated with gold. His mother is shown being baptised in the next scene. Finally, we find Zenobius kneeling before the pope who is about to make him bishop. He is accompanied by young men in white vestments -- they might represent members of the religious group devoted to Zenobius, who may have ordered the pictures."},{"formatted":"This panel belongs to a series of four paintings that show the life of Florence’s patron saint, Zenobius. He was converted to Christianity by the Bishop of Florence, Theodorus, when he was 18 years old. He broke off his marriage engagement and was baptised. According to Clemente Mazza, who wrote the biography of Saint Zenobius that Botticelli used as his source, Zenobius’s parents were initially critical of his decision, but he prayed for them and they too wished to be baptised. Eventually he became Bishop of Florence.
Botticelli has shown all of these episodes in this panel, which reads like a lively comic strip from left to right. The action is set in the streets of Florence and the architecture would have been largely familiar to contemporary viewers. Botticelli has beautified and idealised his home city, however, and the streets appear cleaner and wider than they actually were. Some of the buildings are imagined or at least more elaborate and richly decorated than the real thing. He has created a sense of depth by showing a view down a side street towards the hills outside the city.
In the first scene on the far left of the panel, Zenobius, wearing a pink robe, appears twice. First he is talking to a group of women and then sadly but resolutely waking away. Middle-aged women in white headdresses surround a young bare-headed woman in a blue dress and green cloak. This young woman, bowing her head sadly, is Zenobius’s fiancée, whom he has rejected in favour of a life in the service of God. His dainty feet in soft leather boots mirror each other in both poses, emphasising the about-turn of his decision. He crosses the road and is next seen kneeling, wearing only a loincloth, before a large classical-style urn of water. Saint Theodorus is shown baptising him, surrounded by young men in religious vestments, perhaps ordinands.
The central scene shows Zenobius’s mother, Sophia, being baptised in the covered walkway that surrounds an opulent building with carved and gilded columns. In the final scene Zenobius, who is shown kneeling, has matured – he now has short hair and a beard. Botticelli has omitted a number of scenes from the saint’s early life and instead concludes this panel with his ordination as Bishop of Florence by Pope Damasus.
","source":"Dokuwiki","type":"long text","value":"This panel belongs to a series of four paintings that show the life of Florence's patron saint, Zenobius. He was converted to Christianity by the Bishop of Florence, Theodorus, when he was 18 years old. He broke off his marriage engagement and was baptised. According to Clemente Mazza, who wrote the biography of Saint Zenobius that Botticelli used as his source, Zenobius's parents were initially critical of his decision, but he prayed for them and they too wished to be baptised. Eventually he became Bishop of Florence.\n\nBotticelli has shown all of these episodes in this panel, which reads like a lively comic strip from left to right. The action is set in the streets of Florence and the architecture would have been largely familiar to contemporary viewers. Botticelli has beautified and idealised his home city, however, and the streets appear cleaner and wider than they actually were. Some of the buildings are imagined or at least more elaborate and richly decorated than the real thing. He has created a sense of depth by showing a view down a side street towards the hills outside the city.\n\nIn the first scene on the far left of the panel, Zenobius, wearing a pink robe, appears twice. First he is talking to a group of women and then sadly but resolutely waking away. Middle-aged women in white headdresses surround a young bare-headed woman in a blue dress and green cloak. This young woman, bowing her head sadly, is Zenobius's fiancée, whom he has rejected in favour of a life in the service of God. His dainty feet in soft leather boots mirror each other in both poses, emphasising the about-turn of his decision. He crosses the road and is next seen kneeling, wearing only a loincloth, before a large classical-style urn of water. Saint Theodorus is shown baptising him, surrounded by young men in religious vestments, perhaps ordinands.\n\nThe central scene shows Zenobius's mother, Sophia, being baptised in the covered walkway that surrounds an opulent building with carved and gilded columns. In the final scene Zenobius, who is shown kneeling, has matured -- he now has short hair and a beard. Botticelli has omitted a number of scenes from the saint's early life and instead concludes this panel with his ordination as Bishop of Florence by Pope Damasus."}],"accession":{"date":[{"from":"1924","to":"1924","value":"1924-01-01"}],"agent":[{"summary":{"title":"Dr Ludwig 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