{"exhibition":[{"date":[{"from":"2011-11-04","to":"2012-02-26","value":"4 November 2011 - 26 February 2012"}],"summary":{"title":"Splendour and Glory of the Middle Ages: Cologne masterpieces from the world's great collections"},"@link":{"venues":[{"date":[{"from":"2011-11-04","to":"2012-02-26","value":"2011-11-04 to 2012-02-26"}],"identifier":[{"type":"catalogue number","value":"205"}],"venue":[{"summary":{"title":"Museum Schnütgen"},"@admin":{"uid":"0RX1-0001-0000-0000","id":"agent-5676","uuid":"3d2ef11d-85b9-3ecf-b6d3-d4af74169865"},"@datatype":{"actual":"Organisation","base":"agent"},"@entity":"reference"}],"title":[{"type":"exhibition title at venue","value":"Splendour and Glory of the Middle Ages: Cologne masterpieces from the world's great collections"}]}]},"@admin":{"uid":"09ZO-000B-0000-0000","id":"exhibition-1715","uuid":"844f2b6b-0e91-369c-8485-b28048697e75"},"@datatype":{"sub":["3rd Party Exhibition (Loans Out)"],"base":"exhibition"},"@entity":"reference"},{"date":[{"from":"2014-02-19","to":"2014-05-11","value":"19 February 2014 - 11 May 2014"}],"summary":{"title":"Strange Beauty: Masters of the German Renaissance"},"@link":{"venues":[{"date":[{"from":"2014-02-19","to":"2014-05-11","value":"2014-02-19 to 2014-05-11"}],"venue":[{"summary":{"title":"The National Gallery (London)"},"@link":{"location":{"summary":{"title":"Sainsbury Wing Exhibition"},"@admin":{"uid":"0UHW-0001-0000-0000","id":"location-449","uuid":"c6c862cd-296c-34a5-9953-375d7b7eebdf"},"@datatype":{"base":"location"},"@entity":"reference"}},"@admin":{"uid":"0P5X-0001-0000-0000","id":"agent-652","uuid":"511c84f0-a664-39ab-b653-6db7fc6c345e"},"@datatype":{"actual":"Organisation","base":"agent"},"@entity":"reference"}],"category":[{"type":"room theme","value":"Room 2: collecting and dispersing German painting in the 19th century"}],"title":[{"type":"exhibition title at venue","value":"Strange Beauty: Masters of the German Renaissance"}]}]},"@admin":{"uid":"0AK0-000B-0000-0000","id":"exhibition-1978","uuid":"eaba74c1-a95f-3b0f-91a6-1fc8bff4eef6"},"@datatype":{"sub":["NG Exhibition"],"base":"exhibition"},"@entity":"reference"}],"summary":{"title":"Saint Veronica with the Sudarium"},"identifier":[{"equivalents":[{"summary":{"title":"object number"},"identifier":[{"id":"https://vocab.getty.edu/aat/300312355","type":"AAT","value":"accession numbers"}],"@admin":{"uid":"0I3B-000B-0000-0000","id":"concept-object_number","uuid":"d70390e1-59e4-3afb-963a-8cd1cd59b6bb"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"object number","value":"NG687","primary":true},{"type":"PID","value":"0D22-0001-0000-0000"},{"equivalents":[{"summary":{"title":"Display Number"},"identifier":[{"id":"https://vocab.getty.edu/aat/300312355","type":"AAT","value":"accession numbers"}],"@admin":{"uid":"0I0V-000B-0000-0000","id":"concept-display_number","uuid":"842cfc5a-1421-321c-9340-422035e1547f"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"display number","value":"NG687"},{"equivalents":[{"summary":{"title":"PID (NG alternative)"},"identifier":[{"id":"https://vocab.getty.edu/aat/300387580","type":"AAT","value":"persistent identifiers"}],"@admin":{"uid":"0I3T-000B-0000-0000","id":"concept-pid_(ng_alternative)","uuid":"290420fc-0c85-3c90-91ed-b9a81a2f930f"},"@datatype":{"actual":"equivalents","base":"concept"},"@entity":"reference"}],"type":"PID (NG alternative)","value":"000-01AG-0000"},{"type":"sort number","value":"ng2687"}],"access":{"item":{"privacy":false,"public_approved":true},"media":{"date":[{"from":"1862-01-01","to":"9999","value":"1862-01-01 to present"}],"public_image":true,"download":true,"zoom":true,"hi_res":true}},"framing":{"frame":[{"summary":{"title":"20th-century Replica Frame"},"@link":{"date":[{"from":"2011","to":"9999","value":"17/01/2011 - present"}],"role":[{"value":"Current framing"}]},"@admin":{"uid":"0KW5-0001-0000-0000","id":"object-12304","uuid":"7f39fa5f-4059-3ac9-97b8-3dd39f38f6f1"},"@datatype":{"virtual":false,"base":"object"},"@entity":"reference"}]},"subject":[{"summary":{"title":"religious imagery"},"@link":{"role":[{"value":"subject matter"}]},"@admin":{"uid":"0EUY-0008-0000-0000","id":"concept-39212","uuid":"70aa3b02-5be7-39aa-92d1-44e01f63903f"},"@datatype":{"actual":"thesaurus","base":"concept"},"@entity":"reference"},{"summary":{"title":"Christ"},"@link":{"role":[{"value":"subject matter"}]},"@admin":{"uid":"0EMO-0008-0000-0000","id":"concept-35029","uuid":"ec4dcd86-0e82-3ff5-8e8a-737325af59d8"},"@datatype":{"actual":"thesaurus","base":"concept"},"@entity":"reference"},{"summary":{"title":"sudarium"},"@link":{"role":[{"value":"subject matter"}]},"@admin":{"uid":"0EBX-0008-0000-0000","id":"concept-36380","uuid":"b9b7a4f9-77bd-376b-ac8b-dcb2f57b1bca"},"@datatype":{"actual":"thesaurus","base":"concept"},"@entity":"reference"}],"@datatype":{"virtual":false,"base":"object"},"description":[{"formatted":"<p class=\"dokuwiki_paragraph\">According to her legend, Saint Veronica saw Christ fall as he carried his Cross to the site of his crucifixion. Taking pity on him, she offered her linen handkerchief (called a sudarium) to wipe the sweat from his face. When he returned it, an image of his face was imprinted upon it.</p><p class=\"dokuwiki_paragraph\">The legend inspired paintings like this, where Veronica holds up the miraculously imprinted cloth. This picture is very similar to one in the Alte Pinakothek, Munich, which gives the anonymous painter his identity as the Master of Saint Veronica. The Munich painting is more elaborate and includes groups of angels with colourful wings seated on the ground. There are traces of the draperies and wings of flying angels here, not painted but punched with little dots into the gold on either side of Veronica&rsquo;s head, but they are now so worn they are barely visible.</p>","source":"Dokuwiki","type":"short text","value":"According to her legend, Saint Veronica saw Christ fall as he carried his Cross to the site of his crucifixion. Taking pity on him, she offered her linen handkerchief (called a sudarium) to wipe the sweat from his face. When he returned it, an image of his face was imprinted upon it.\n\nThe legend inspired paintings like this, where Veronica holds up the miraculously imprinted cloth. This picture is very similar to one in the Alte Pinakothek, Munich, which gives the anonymous painter his identity as the Master of Saint Veronica. The Munich painting is more elaborate and includes groups of angels with colourful wings seated on the ground. There are traces of the draperies and wings of flying angels here, not painted but punched with little dots into the gold on either side of Veronica's head, but they are now so worn they are barely visible."},{"formatted":"<p class=\"dokuwiki_paragraph\">According to her legend, <a class=\"dokuwiki_link\" href=\"https://data.ng.ac.uk/0E8Y-0008-0000-0000.htm\">Saint Veronica</a> saw <a class=\"dokuwiki_link\" href=\"https://data.ng.ac.uk/0EMO-0008-0000-0000.htm\">Christ</a> fall as he carried his Cross to the site of his crucifixion. Taking pity on him, she offered her linen handkerchief (called a sudarium) to wipe the sweat from his face. When he returned it, an image of his face was imprinted upon it.</p><p class=\"dokuwiki_paragraph\">The sudarium, thought to be the only true portrait of Christ, became one of the holiest relics in the Catholic Church &ndash; Veronica&rsquo;s name actually derives from the Latin phrase <span class=\"dokuwiki_italic\">vera icon</span>, meaning &lsquo;true image&rsquo;. A sudarium thought to be Veronica&rsquo;s is conserved in St. Peter&rsquo;s Basilica in Rome. The legend of the sudarium inspired paintings like this, where Veronica holds up the miraculously imprinted cloth. This picture is very similar to one in the Alte Pinakothek, Munich that gives the anonymous painter his identity as the <a class=\"dokuwiki_link\" href=\"https://data.ng.ac.uk/0QI4-0001-0000-0000.htm\">Master of Saint Veronica</a>.</p><p class=\"dokuwiki_paragraph\">The Munich painting is more elaborate and includes groups of angels with colourful wings seated on the ground. There are traces of the draperies and the wings of flying angels here, not painted but punched with little dots into the gold on either side of Veronica&rsquo;s head, but they are now so worn they are barely visible. The Munich painting shows Christ with darker skin, common for images of this kind, but wearing a crown of thorns, which was borrowed from images of the <a class=\"dokuwiki_link\" href=\"https://data.ng.ac.uk/0ERG-0008-0000-0000.htm\">Man of Sorrows</a> that, by the fifteenth century, had begun to replace the more simple image of Christ depicted here.</p><p class=\"dokuwiki_paragraph\">The design of the decorated border&ndash;created by indenting the gold leaf background with shaped tools &ndash; is the same in both paintings, which were probably made at around the same time in the 1420s. In our <a class=\"dokuwiki_link\" href=\"https://data.ng.ac.uk/0FV0-0008-0000-0000.htm\">panel</a> both Christ and Veronica have gold haloes inscribed with their names in Latin, whereas in the Munich panel Christ&rsquo;s head is surrounded by a <a class=\"dokuwiki_link\" href=\"https://data.ng.ac.uk/0FOV-0008-0000-0000.htm\">gilded</a> cross. The surrounding decoration &ndash; most clearly visible in Christ&rsquo;s halo &ndash; is detailed and delicate. This sensitivity to symmetry and graceful lines also features in the fine draping folds of Veronica&rsquo;s mantle as it falls over her head, and in the gathered fabric at her neck, fastened with a pin.</p>","source":"Dokuwiki","type":"long text","value":"According to her legend, Saint Veronica saw Christ fall as he carried his Cross to the site of his crucifixion. Taking pity on him, she offered her linen handkerchief (called a sudarium) to wipe the sweat from his face. When he returned it, an image of his face was imprinted upon it.\n\nThe sudarium, thought to be the only true portrait of Christ, became one of the holiest relics in the Catholic Church -- Veronica's name actually derives from the Latin phrase vera icon, meaning 'true image'. A sudarium thought to be Veronica's is conserved in St. Peter's Basilica in Rome. The legend of the sudarium inspired paintings like this, where Veronica holds up the miraculously imprinted cloth. This picture is very similar to one in the Alte Pinakothek, Munich that gives the anonymous painter his identity as the Master of Saint Veronica.\n\nThe Munich painting is more elaborate and includes groups of angels with colourful wings seated on the ground. There are traces of the draperies and the wings of flying angels here, not painted but punched with little dots into the gold on either side of Veronica's head, but they are now so worn they are barely visible. The Munich painting shows Christ with darker skin, common for images of this kind, but wearing a crown of thorns, which was borrowed from images of the Man of Sorrows that, by the fifteenth century, had begun to replace the more simple image of Christ depicted here.\n\nThe design of the decorated border--created by indenting the gold leaf background with shaped tools -- is the same in both paintings, which were probably made at around the same time in the 1420s. In our panel both Christ and Veronica have gold haloes inscribed with their names in Latin, whereas in the Munich panel Christ's head is surrounded by a gilded cross. The surrounding decoration -- most clearly visible in Christ's halo -- is detailed and delicate. This sensitivity to symmetry and graceful lines also features in the fine draping folds of Veronica's mantle as it falls over her head, and in the gathered fabric at her neck, fastened with a pin."}],"archive":[{"summary":{"title":"Letter from J&R McCracken regarding shipment of the paintings bought by Mündler in Cologne"},"@admin":{"uid":"00T3-0002-0000-0000","id":"R28316","source":"calm","uuid":"c67c6206-d7be-38f1-b570-3b9993a83125"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Letter from Otto Mündler to R.N. Wornum informing him that he has been able to acquire two paintings at the Weyer sale in Cologne"},"@admin":{"uid":"4ZZZ-0001-0000-0000","id":"R28000","source":"calm","uuid":"f26ce334-d8bc-3943-8d41-d0e1c425de22"},"@datatype":{"actual":"Component","base":"archive"},"@entity":"reference"},{"summary":{"title":"Letter from Charles Eastlake to R.N. 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